Yank as a Modern Day Oedipus in O' Neill's Play, The Hairy Ape

"No," said George. "No, Lennie, I ain't mad. I never been mad, and I ain' now.

Oedipus’ character speaks the truth, acts openly, and is concerned with honor, but he did not have the gift of fortune. He acts rash and takes swift action that had consequences on his fate. Oedipus acted swiftly in finding Laios’ killer and more evidence led to himself, even though his wife told him to stop investigating his past. In today’s society it is tough to see any one worthy of being labeled “High-Minded”. People care more of what others see in them, than truth itself. Oedipus fought to find the truth of his past, though he knew there could be dire consequences. His honest approach proceeds to make him fit more high-minded qualities than most people would in today’s

A well-written tragedy is filled with irony. Oedipus The King is a great representation of a dramatic irony play. When reading the play the audience is very much aware of the outcome of the hero’s action far before the hero

The definition of tragedy is great suffering, destruction, or distress like a disaster. The term is commonly used in our society but where did it come from. Aristotle, an ancient greek philosopher, laid the foundation for the definition of a tragedy that we still use today. His idea of tragedy is a character who makes a judgment error that inevitably lead to his or her own destruction. He called this a tragic hero. Aristotle's’ idea was based on five specific characteristics. The characteristics were hamartia, peripeteia, anagnorisis, hubris and lastly, the character’s fate must be greater than deserved. The book, Oedipus The King, written by Socrates, fits Aristotle’s idea perfectly. Oedipus is an ideal tragic hero because he goes through all the five specific characteristics throughout the book.

Most readers are aware of the many famous deaths or acts of death within the Shakespearean plays. And when the main characters die in Shakespeare’s plays, indeed, the readers would categorize the play as a tragedy. The problem with any tragedy definition is that most tragic plays do not define the tragedy conditions explained or outlined by Aristotle. According to Telford (1961), a tragedy is a literary

Oedipus’ pride, drawn from his own heroic qualities, is one factor of his ruining. A hero characteristically prizes above all else his honor and the excellence of his life. When his honor

An Aristotelian tragedy includes many different characteristics. It is a cause-and-effect chain and it contains the elements of catharsis, which is pity and fear, and hamartia, which is the tragic flaw embedded in the main characters. The famous play Romeo and Juliet, written by William Shakespeare, is about two lovers of two different families who hate each other and the misdemeanors they have to surpass. Many debate on whether it is an Aristotelian tragedy or simply tragic. Shakespeare’s Romeo and Juliet should be regarded as an Aristotelian tragedy because catharsis is exhibited in the play, Juliet’s blindness of love is shown, and Romeo’s impetuousness is the tragic flaw that leads to his demise.

A hero prizes above all else his honor and the excellence of his life. When his honor is at stake, all other considerations become irrelevant. A hero values strength and skill, courage and determination, for these attributes enable the person who possesses them to achieve glory and honor, both in his lifetime and after he dies. Oedipus was certainly a hero who was exceptionally intelligent though one can argue that killing four men single-handedly, on his way to Delphi, more than qualified him as a physical force of reckoning.

In the Poetics, Aristotle provides an outline of how the artist is to portray or represent the perfect Tragedy. A Tragedy, of course, was nothing more than a drama, in which the characters appeared "better" than in real life (in a comedy, they appeared "worse," according to Aristotle). Aristotle's Poetics makes several references to other dramatic works to illustrate his points, but he most commonly calls upon The Odyssey to support his argument for how a dramatic structure should be designed. However, along with the Odyssey, Aristotle extensively references Sophocles' Oedipus Rex. Both poetic works were enormously popular in their time (the former had been passed down orally for generations, and the latter won the top prizes at the dramatic festivals). Therefore, Aristotle is comfortable using both to support his viewpoint concerning Tragedy and the Tragic Hero. This paper will analyze the standards that Aristotle sets out concerning the definition of the Tragic Hero and show how Sophocles' Oedipus exemplifies Aristotle's definition of a Tragic Hero.

    By definition, a tragedy is a story that details the downfall of a protagonist. Most often, the protagonist (tragic hero) is a member of high society who is faced with an oppositional force, be it internal or external. In his Poetics, Aristotle states that "tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on actions, again all success or failure depends...." This quote illustrates an aspect of tragedy upon which many works are based, including

Tragedy as an element of the human experience has been the subject of many of the great works of literature written in the Western tradition. For some, tragedy embodies the highest form of humanity. It is through suffering that we are able to reveal ourselves most completely. Others see tragedy as an element of morality where we are to learn well the lessons of those who tempt the gods. The Ancient Greek philosopher, Aristotle, outlined a theory of tragedy as archetypal drama in his classic work, the Poetics. He uses the play by Sophocles, Oedipus the King (hereafter "Oedipus"), as the standard model by which all other tragedies are measured. In Aristotle's view, a perfect

According to Aristotle’s definition of tragedy, the plot of a tragedy is above all the most important element, and for one to write a successful tragedy, one must have an excellent plot. In his Poetics, Aristotle lists four

In his Theory of Tragedy in the Poetics, Aristotle explains the characteristics necessary to create a good tragedy. He defines tragedy as “an imitation of an action that is serious, complete, and of a certain magnitude.” In other words, a tragedy must be focused and realistic. It must also evoke a “sense of fear and pity within the audience”, through its six parts, and end with a katharsis or cleansing of these emotions. The six parts of, a tragedy determines the quality and the most important parts include: plot and character. Aristotle also outlined the characteristics necessary in order to create an ideal tragic hero. Oedipus the King written by Sophocles, is an example of a perfect tragedy and Oedipus is a perfect example of a tragic hero.

Aristotle defines what a tragedy is in his famed piece Poetics. In it, he sets guidelines that all tragedies should meet in order to become the fantastic displays of misery that they are meant to be. Six main elements are present in every tragedy: plot, character, thought, diction, melody, and spectacle. The two most important, of course, were plot and character. Both had to be complex but believable, consistent, and possess the ability to arouse pity and fear in the audience. Although both are the top elements that are the focus of tragedy, the other four are imperative to achieve the tone and overall character of one.

Aristotle defines a tragedy as a ‘representation of an action which is important, complete and limited in length. It is enacted not recited and by arousing pity and fear, it gives an outlet to emotions of this type.’