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Yann Martel's Life Of Pi

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In Life of Pi, by Yann Martel, the author displays how Pi’s anthropomorphizing of animals and the natural world ironically has positive and negative effects upon his experience – thus conveying Martel’s message that the seeming divisions between humankind and the natural world become blurred when each is overly exposed to the other It is evident throughout the novel that Martel illustrates how animals in domestic settings or contact with humans begin to take on more domestic characteristics whilst humans exposed to more wild and harsh conditions begin to obtain more animalistic traits and characteristics. By accomplishing this, the author can then convey his message that when the divisions between man and the natural world become less evident, …show more content…

Piscine personifies human traits and emotions to Richard Parker during their journey and the author makes clear how Richard Parker provides the vital companionship and living presence that the humanistic Pi so desperately yearns for in his time of tribulation and loneliness. Richard Parker also serves as a constant, looming, and deadly obstacle albeit a conquerable one that ensures that Pi always stay on his guard. This bizarre yet symbiotic function of Richard Parker’s character and its relationship with Pi serves to illuminate the rapidly eroding barrier between the human character – Pi Patel, and the animalistic character – Richard Parker. Martel makes clear that it is ironic that despite the ever-present danger Richard Parker poses to Pi’s very survival, he is the one thing that allows Pie to escape complete madness and ultimately death alone at sea. Yet by attaching human characteristics to Richard Parker, Pi also opens up the door for the negative effects of such actions. The author illustrates how throughout the novel, Richard Parker seems to become more domestic and Pi more savage yet each one is moving closer to the other, and further from the characteristics and traits they were thought to be divided and confined within at the novel’s conception. When Richard

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