Yeats And The Irish Literary Revival

When Yeats moved back to London to pursue his interest in Arts, he met famous writers like Maud Gonne. The Poem “To Ireland in the Coming Times” is one of the poems Yeats wrote in 1892 and was published in The Countess Kathleen and Various Legends. “Know, that I would accounted

    Briefly stated, William Butler Yeats’ The Magi is a poem about people who, upon reaching old age, or perhaps just older age, turn to God and the spiritual world for fulfillment and happiness. We are told in the footnote to this poem that, after writing The Dolls, Yeats looked up into the blue sky and imagined that he could see "stiff figures in procession". Perhaps after imagining these figures, Yeats debated within himself whom these pictures could represent. Yeats then went on to write The Magi, a poem which is full of symbolism, a literary technique that he greatly valued.

Romantic influences paint a calm and peaceful portrait of Ireland through a tranquil tone. The mood is pleasant in the “nod of the head” and “polite meaningless words” as the reader deduces a positive outlook on society. It explicitly contrasts the repetition of “a terrible beauty is born” when reflecting on the violence in Ireland, shaping a personal response influenced by his perception of a struggle diminishing the essence of a pleasant aforementioned society. The stone to the “troubled living stream” emphasises Yeats’ support for the movement by placing

William Butler Yeats is one of the most esteemed poets in 20th century literature and is well known for his Irish poetry. While Yeats was born in Ireland, he spent most of his adolescent years in London with his family. It wasn’t until he was a teenager that he later moved back to Ireland. He attended the Metropolitan School of Art in Dublin and joined the Theosophical Society soon after moving back. He was surrounded by Irish influences most of his life, but it was his commitment to those influences and his heritage that truly affected his poetry. William Butler Yeats’s poetry exemplifies how an author’s Irish identity can help create and influence his work.

Yeats works drew heavily on Irish mythology and history, he never fully embraced his Protestant past nor joined the majority or Ireland Roman Catholics but he devoted much of his life to the study in myriad other subjects. The Irish writer’s James O’ Grady and Sir William Ferguson were the most influential. Through his writing Yeats found his voice to speak up against the harsh nationalist policies of the time, his early dramatic works conveyed his respect for Irish legend and fascination with occult. Yeats mother was the first introduce him and his sisters to the Irish folktales he grew to love so much but little did you know that his brother jack and father was also an accomplished artist and they both helped William in his writing and it's the reason he found his own interest in the wonderful arts as he called them. In 1894 Yeats met friend and patron Lady Augusta Gregory and thus began their involvement with The Irish Literary Theatre which was founded in 1899 in Dublin. Along with literature, he also loved the theater and wrote several plays. He collaborated with the likes of Lady Gregory, Edward Martyn and George Moore to establish the Irish Literary Theatre for the purpose of performing Irish and Celtic plays. As a dramatist, his successful works included ‘The Countess Cathleen’ (1892), ‘The Land of Heart’s Desire’ (1894) and ‘The King’s Threshold’

In the first stanza Yeats expresses his conflicting loathing and admiration for modernity through the juxtaposition of “vivid faces” and “grey houses”. This represents the possibilities that modernity can bring; the revitalising of the community or the destruction of tradition and age old energy already lost by the modifications in the city. The repetition of the phrase “A terrible beauty is born” in the first and fourth stanzas articulate this inner turmoil revolving around modernity. This oxymoronic declaration is emphasised throughout the text by Yeats’ confusion towards the rebellion and its necessity. The fourth stanza embodies this conflict, removing the previously represented idea that life in pre-rebellion Ireland was a “casual comedy”, alluding to an Elizabethan play where the characters were content. By asking the rhetoric questions “was it needless death” and “O when may [British rule] suffice?” Yeats parallels the unresolved contradiction of “terrible beauty”. However, this sensitive treatment of conflict allows the retainment of ambiguity and can be related to any change within life, hence allowing audiences to superimpose their own beliefs and ideas into the poem. Yeats continues to explore his aversion towards modernism in The Second Coming with the appointment of a new “gyre” standing as the symbol for a new age. The fear of

Throughout my research into the subject of the Irish in England's industrial north during the early nineteenth century, one fact became quite clear; contemporary writers' treatment of the Irish was both minimal and negative. I consulted many sources, Friedrich Engels, Leon Faucher, James Kay-Shuttleworth to name but a few and the reoccurring theme as pertaining to the Irish in all these works was mainly consistent; the Irish were a lazy, vulgar people prone to drinking and brawling.

Yeats was a confessional poet - that is to say, that he wrote his poetry directly from his own experiences. He was an idealist, with a purpose. This was to create Art for his own people - the Irish. But in so doing, he experienced considerable frustration and disillusionment. The tension between this ideal, and the reality is the basis of much of his writing. One central theme of his earlier poetry is the contrast

Yeats wrote this poem in respect of Major Robert Gregory, who died in the War. An Irish Airman Foresees His Death is written in the background of the Easter 1916 when the Irish people have demanded the independence from Britain. This poem was written for Gregory’s devoted duty for his countrymen by joining in the British Royal Flying Company (Walsh, 2012). In Easter 1916, Yeats proposed that Ireland had to confirm its independence and states identity through rebellion and the affectionate discovery of change. So, the unwanted bloodshed and sacrifice perpetually change the state of the

6) You will hear of wars and rumors of wars, but the end is not yet.

As the reader looks deeper into the poem he/she might find alternate meanings behind the luring of the child. Yeats was a nationalist during a time of great political upheaval in Ireland. Nationalists wanted Ireland return to years before when Ireland was considered one nation. The Celtic images of the past could represent a desire to return to a time where Ireland was united. The freedom that the faery world allows is representative of the freedom that unity throughout Ireland allowed before religion and politics became large issues.

William Butler Yeats was an Irish poet, a dramatist, and a prose writer - one of the greatest English-language poets of the twentieth century. (Yeats 1) His early poetry and drama acquired ideas from Irish fable and arcane study. (Eiermann 1) Yeats used the themes of nationalism, freedom from oppression, social division, and unity when writing about his country. Yeats, an Irish nationalist, used the three poems, “To Ireland in the Coming Times,” “September 1913” and “Easter 1916” which revealed an expression of his feelings about the War of Irish Independence through theme, mood and figurative language.

William Butler Yeats was born on June 13, 1865, in Dublin, Irelandtheson of a well-known Irish painter, John Butler Yeatsand died in January 28, 1939, Menton,France. Yeats was deeply complex in politics in Ireland, and in the twenties, notwithstanding Irish independence from England. William Butler Yeats was an Irish poet and one of the important figures of 20th century’s literature considering one of the greatestpoets of a century. W.B Yeats’ poems The Easter1916written in 1916 andan Irish Airman foresees His Deathwritten in 1918and published in 1919, exposes two different groups of people who went to wars during First World War in reflective narrative form. Those

In the context of John Keats’ “Ode to a Nightingale,” “The Wild Swans at Coole” by William Butler Yeats raises compelling dialogue with Keats’ piece, which suggests that Yeats, to some degree, draws inspiration from John Keats, in that his pose concerning the nightingale becomes a basis and “touchstone” for “The Wild Swans at Coole.” Aside from commonalities concerning avians, both poems share elements of Romanticism, melancholy, feelings of weariness, and other key ideas, images, and plots as “Ode to a Nightingale” and thus, “The Wild Swans at Coole” strengthens Keats’ initial ideas in a harmonic and resonant fashion using its own unique methods. As a response to Keatsian Romanticism, Yeats revises the ideas surrounding transcendence of

W.B. Yeat’s poem, Easter 1916, details the speaker’s feelings of Nationalism and heartache as he remembers those that he lost in the Easter Rising. As the speaker reflects on the time before the rising, he remembers not only how his life has changed but also how his friends and companions had transformed both in their character and in their state of being. The speaker uses metaphors to visualize the unchanging goal of Irish freedom and the coming of nights that bring about death and heartache. In this analysis, I will be focusing on the first and last stanzas of the poem. By comparing these two stanzas I will reflect on the literary devices used, as well as the differences of the speaker’s visuals from the beginning and end. Overall, the speaker