Yeats And The Salley Garden Essay

On May 11, Yeats wrote to Lady Gregory that he had received a letter from his long-time muse Maud Gonne, who had written from France with the belief that the revolutionaries had “raised the Irish cause again to a position of tragic dignity” (White 372). He went on to relate his own attempts to interpret recent events: “I am trying to write a poem on the men executed—‘terrible beauty has been born again.’” (Wade 613). The phrase “terrible beauty,” with its initial “t” and final “ty,” seems to echo Gonne’s “tragic dignity,” though the negatively charged “terrible” strains against “beauty,” making Yeats’s phrase more ambivalent than Gonne’s. Yeats may not have used the word “tragic,” but a sense of tragedy pervades “Easter, 1916.” Recalling life before the

Consequently, “Who Goes with Fergus?” is a very complex poem. It presents a stimulus for the young people to give up on their political struggle and instead find the mysteries of nature: “Who will go with Fergus now,/ And pierce the deep wood’s woven shade,/ And dance upon the level shore?”. Moreover, the poem also represents the poet’s own frustration over his own lapsed romance. He is decided to leave his love behind and try to amend his situation by following Fergus: “And no more turn aside and brood/ Upon love’s bitter mystery;”. But more than anything, as was stated above, this poem symbolizes an analogy in order to stimulate the young into fighting for a better Ireland – showing in this poem, once again, Yeats’ own sense of nationalism.

Yeats was born on June 13, 1865 in Dublin. However, he’s family moved to London after he was born. Yeats decided to move to London when he was about 14 years old. After Yeats returned to London he met famous writers like Oscar Wilde, Lionel Johnson and Maud Gonne, this encourage him to write about his Irish heritage. Even though Yeats lived in London for about 14 years “Yeats maintained his cultural roots/Irish nationality” (Poetry Foundation). In addition, this means that Yeats showed his love to where he came from by including Irish legends on his poems and plays.

William Butler Yeats is one of the most esteemed poets in 20th century literature and is well known for his Irish poetry. While Yeats was born in Ireland, he spent most of his adolescent years in London with his family. It wasn’t until he was a teenager that he later moved back to Ireland. He attended the Metropolitan School of Art in Dublin and joined the Theosophical Society soon after moving back. He was surrounded by Irish influences most of his life, but it was his commitment to those influences and his heritage that truly affected his poetry. William Butler Yeats’s poetry exemplifies how an author’s Irish identity can help create and influence his work.

Yeats works drew heavily on Irish mythology and history, he never fully embraced his Protestant past nor joined the majority or Ireland Roman Catholics but he devoted much of his life to the study in myriad other subjects. The Irish writer’s James O’ Grady and Sir William Ferguson were the most influential. Through his writing Yeats found his voice to speak up against the harsh nationalist policies of the time, his early dramatic works conveyed his respect for Irish legend and fascination with occult. Yeats mother was the first introduce him and his sisters to the Irish folktales he grew to love so much but little did you know that his brother jack and father was also an accomplished artist and they both helped William in his writing and it's the reason he found his own interest in the wonderful arts as he called them. In 1894 Yeats met friend and patron Lady Augusta Gregory and thus began their involvement with The Irish Literary Theatre which was founded in 1899 in Dublin. Along with literature, he also loved the theater and wrote several plays. He collaborated with the likes of Lady Gregory, Edward Martyn and George Moore to establish the Irish Literary Theatre for the purpose of performing Irish and Celtic plays. As a dramatist, his successful works included ‘The Countess Cathleen’ (1892), ‘The Land of Heart’s Desire’ (1894) and ‘The King’s Threshold’

In the first stanza Yeats expresses his conflicting loathing and admiration for modernity through the juxtaposition of “vivid faces” and “grey houses”. This represents the possibilities that modernity can bring; the revitalising of the community or the destruction of tradition and age old energy already lost by the modifications in the city. The repetition of the phrase “A terrible beauty is born” in the first and fourth stanzas articulate this inner turmoil revolving around modernity. This oxymoronic declaration is emphasised throughout the text by Yeats’ confusion towards the rebellion and its necessity. The fourth stanza embodies this conflict, removing the previously represented idea that life in pre-rebellion Ireland was a “casual comedy”, alluding to an Elizabethan play where the characters were content. By asking the rhetoric questions “was it needless death” and “O when may [British rule] suffice?” Yeats parallels the unresolved contradiction of “terrible beauty”. However, this sensitive treatment of conflict allows the retainment of ambiguity and can be related to any change within life, hence allowing audiences to superimpose their own beliefs and ideas into the poem. Yeats continues to explore his aversion towards modernism in The Second Coming with the appointment of a new “gyre” standing as the symbol for a new age. The fear of

Identity is pivotal to the story and holds its own innate power, but what is even more pivotal is that the Irish do not necessarily all share the same views. The Irish find their history very important because it is the foundation of the language. Hugh says, “It is not the literal past, the ‘facts’ of history, that shape us, but images of the past embodied in language” (88). It is evident then that Hugh finds the historical meanings of

Throughout my research into the subject of the Irish in England's industrial north during the early nineteenth century, one fact became quite clear; contemporary writers' treatment of the Irish was both minimal and negative. I consulted many sources, Friedrich Engels, Leon Faucher, James Kay-Shuttleworth to name but a few and the reoccurring theme as pertaining to the Irish in all these works was mainly consistent; the Irish were a lazy, vulgar people prone to drinking and brawling.

Yeats was a confessional poet - that is to say, that he wrote his poetry directly from his own experiences. He was an idealist, with a purpose. This was to create Art for his own people - the Irish. But in so doing, he experienced considerable frustration and disillusionment. The tension between this ideal, and the reality is the basis of much of his writing. One central theme of his earlier poetry is the contrast

Yeats wrote this poem in respect of Major Robert Gregory, who died in the War. An Irish Airman Foresees His Death is written in the background of the Easter 1916 when the Irish people have demanded the independence from Britain. This poem was written for Gregory’s devoted duty for his countrymen by joining in the British Royal Flying Company (Walsh, 2012). In Easter 1916, Yeats proposed that Ireland had to confirm its independence and states identity through rebellion and the affectionate discovery of change. So, the unwanted bloodshed and sacrifice perpetually change the state of the

In ‘Ministry of fear’ Heaney alludes to many other poems and poets, the most obvious of which was Patrick Kavanagh, An Irish Poet who’s work Heaney discovered in the early 1960’s and for which he developed an increasing respect throughout the decade, Kavanagh seemed to Heaney to illustrate the split he himself was experiencing between “the illiterate self that was tied to the little hills and earthed in the stony grey soil, and the literate self that pined for the city of kings, where art, music and letters were the real things” He also alludes to Yeats as in “Casualty.” Yeats’s ‘ Ancestral Houses’ which speaks of a ‘rich mans flowering lawns’ and of his ‘planted hills’ much in the same way as Haney describes the “fine lawns of elocution. By referencing all these other poets,

As the reader looks deeper into the poem he/she might find alternate meanings behind the luring of the child. Yeats was a nationalist during a time of great political upheaval in Ireland. Nationalists wanted Ireland return to years before when Ireland was considered one nation. The Celtic images of the past could represent a desire to return to a time where Ireland was united. The freedom that the faery world allows is representative of the freedom that unity throughout Ireland allowed before religion and politics became large issues.

William Butler Yeats was an Irish poet, a dramatist, and a prose writer - one of the greatest English-language poets of the twentieth century. (Yeats 1) His early poetry and drama acquired ideas from Irish fable and arcane study. (Eiermann 1) Yeats used the themes of nationalism, freedom from oppression, social division, and unity when writing about his country. Yeats, an Irish nationalist, used the three poems, “To Ireland in the Coming Times,” “September 1913” and “Easter 1916” which revealed an expression of his feelings about the War of Irish Independence through theme, mood and figurative language.

In late 20th century Ireland there was a thirty-year conflict known as “The Troubles” that came about due to the systematic discrimination against Catholics. During this violent period, a new poet named Seamus Heaney addressed this strife in his poetry. Heaney was born on April 13, 1939, in Castledawson, County Londonderry, Northern Ireland where he lived in his family farmhouse as a Catholic in a vastly Protestant part of the country (Pool). He discovered the works of Ted Hughes, Patrick Kavanagh, and Robert Frost while studying English at Queen’s University and was inspired to write works of his own. According to Poetry Foundation in 1995, he won the Nobel Prize for Literature "for works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past." Through his use of imagery and regionalism in the poems “Digging” and “The Singer’s House,” Heaney creates nostalgic poems that detail his heritage as an Irish American making his voice significant because it illustrates candid and accurate aspects of identity and life in Ireland. It is because of this that many people around the world still read and appreciate his work.

W.B. Yeat’s poem, Easter 1916, details the speaker’s feelings of Nationalism and heartache as he remembers those that he lost in the Easter Rising. As the speaker reflects on the time before the rising, he remembers not only how his life has changed but also how his friends and companions had transformed both in their character and in their state of being. The speaker uses metaphors to visualize the unchanging goal of Irish freedom and the coming of nights that bring about death and heartache. In this analysis, I will be focusing on the first and last stanzas of the poem. By comparing these two stanzas I will reflect on the literary devices used, as well as the differences of the speaker’s visuals from the beginning and end. Overall, the speaker