Response to “The Yellow Wallpaper”
Something I noticed immediately was the relationship between John and his wife, the narrator. The first we hear of John, he laughs at his wife and is very stern with his ideas and practices. The control he has over his wife’s life is subtle and difficult to understand at first, because the narrator interprets it as “caring”. When he “hardly lets [her] stir without special direction”, his actions seem almost completely loving. Any yet, there is an uneasiness from the beginning that is difficult to place. The fact that all decisions are made by John doesn’t seem particularly caring, even if they were in his wife’s best interests. On that score, it is clear that Gilman is illustrating the damaging potential
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And does the narrator do insane at the end of the story or is she liberated? As to the first question, I now believe that the woman behind the wallpaper is both the narrator and other women of the same fate. The story becomes more difficult to understand as it goes on, as the narrator’s thoughts become more unintelligible. She describes how the room is torn up and there is a “smooch” around the wallpaper that just fits her shoulder as she creeps, and the bed is gnawed. While she blames the children who lived there previously, I believe it was the narrator’s doing. As to the question of whether she has gone mad or is liberated, I believe it is both. The narrator is clearly not in a good mental place by the end, but I believe there is some purpose to her insanity. She locks herself in the room so that no one enters before John. She says that she “[wants] to astonish him”. Once John gets home, he sees his wife gone mad and creeping about the room and claiming to have “[gotten] out at last”. So while the narrator goes mad, she liberates herself from the overbearing nature of her marriage and also from herself. She likely won’t be in John’s house after such an episode. He was so astonished that he fainted. She says that she has gotten out “in spite of you and Jane”. But who is Jane? It must be the narrator, who hasn’t been named before this. But if the narrator at the end is no longer Jane, then who is she? She could be the woman in the wallpaper or a more free version of herself, I suppose. I would like to know what others think of
Analysis: The above quotations clearly display the similarity between John and the Narrator’s relationship to that of a father and a daughter. John controls the majority of the Narrator’s behavior to the point she feels an overwhelming sense of guilt for her incapacity as John’s wife. The Narrator is restricted in her actions and is therefore unable to fulfil her wifely duties, forcing her to consider herself as a burden. When is reality, John treats the Narrator as his daughter and does not permit her to complete her duty. For instance, the Narrator dislikes the yellow wallpaper and wishes to have it removed; however, John does not allow her to do so and acts as if it would feed into a child’s stubbornness. His continued belief in his superiority disregards the Narrator as is wife and instead infantilizes her. He believes her identity exists only through him, which merely encourages his paternalistic
Survival may be one of the natural instincts in human beings, but it can and sometimes will be overcome by other powerful emotions. John's initial struggle for survival is suppressed by his overwhelming love for his wife. He becomes involved when his wife's name is mentioned in court, and her life becomes endangered. John does a complete turn around on his perspective of the situation. He goes from being completely isolated, to attempting to take control of the situation. However, his initial failure to do the right thing from the start caused this plan to fail.
John is introduced into the story by the narrator as soon as the story starts. The narrator describes him as "practical in the extreme." He has "no patience with faith, an intense horror of superstition, and he scoffs openly at any talks of things not to be felt and seen and put down in figures." Although the narrator describes him as these things, they are married and she, undoubtedly, loves him. She continues on by saying " John is a physician and perhaps... that is one reason I do not get well faster." This description paints the husband, John, as controlling over his wife.
First of all, when the narrator is in her room, she sees the woman behind the wallpaper creeping her during the daytime. This shows that she is unreliable because of her mental health problem. This is one the most important part of the story because the woman that she sees represents herself being trapped in the room. Also, her feelings are not stable. In the beginning, she sees John as a person who takes care of her and loves her. However, the later in the story, the narrator seems to
As summer progresses in the story "The Yellow Wallpaper," John's treatment of the narrator as though she were a helpless docile child becomes a self-fulfilling prophecy; she sheds the skin of her adult self and gives birth to her inner child via the wallpaper. From the moment she implies she is sick, his behavior becomes more and more parental and authoritarian. Under this guise he slowly disintegrates any resemblance of an adult wife he had. At the end he's victorious because he does beget a child. Simultaneously, he's a loser because the behavior of this childlike being mirrors his own attitude toward his wife: she's defiant and assertive and runs right over him. The tables have reversed.
John has placed his wife in a prison. The disturbing stained and yellowed wallpaper is used, faded and repulsive. The color is one that is unwelcoming, uncomfortable, and uneasy; its color mirrors the narrator's relationship with her husband, and ultimately, with herself. The narrator is uncomfortable and anxious in the barred sulfur colored room where she is fussed over by her husband. John preens his wife, his possession, making the narrator draw further and further away from him. She realizes that her husband lacks the understanding that she craves. This is emphasized as John refuses to accept his wife's condition; "John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him" (248). As the narrator begins to recognize herself as her husband's caged belonging, she becomes more attached to the symbol of the wallpaper. Instead of attempting to understand, John reduces his wife to the status of a child. He repeatedly refers to her as his "blessed little goose"
Although tender and caring, John played a significant role in causing the narrator’s descent into ‘madness’. By taking on the role of a physician and a husband, John symbolises the stronghold power men had over women in the past. Instead of respecting his wife’s request for some form of mental stimulation, John insists that she takes on the ‘rest’ treatment. The treatment only focuses on the physical condition of the patient, and not the emotional or mental
“In one of the articles, John is a perfect example of a commanding mate, a husband who holds absolute power over his wife. He treats her as an minor, as seen here: “John laughs at me, of course, but one expects that in marriage.” John sees his wife’s feelings as laughable, never taking them seriously until it is too late. It is also clear from this statement that John laughs at his wife because it is what is expected by the community. Later, when Jane is qualified to control her own thoughts, his role as a strong, higher ranked husband and leader is switched, and he becomes much like a woman himself: “Now why should that man have fainted?” Having seen his wife in a state of dementia (symbolically, shattering the power he has over her), he faints, much like a woman would be expected to. Due to acceptance of her insanity, Jane has changed the traditional roles of husband
This implies that she’s lost all hope of communication and understanding between her and John in their marriage. She no longer holds the hope that she will get better with the help and support of her husband. This only throws the woman farther and deeper into depression in the prison of her mind. Because she lacked the feelings of fulfillment, love and support, she fell into a deep and dark depression that affected her both physically and emotionally.
The yellow paper book has an insightful symbolism and it is a representation of a real problem that was not solved because of ignorance. John failed to give his wife proper attention leading to the decline of her psychological state.
John, the narrator’s controlling, but loving, husband represents the atypical man of the time. He wants his wife to get better and to be able to fill the role of the perfect wife that society expected from her. John, being a doctor, did not quite believe that her mental illness was out of her control and insisted on
This shows how he has sovereignty over what she does. When she attempts to get out of the house he insists she would not be comfortable with it and would cause her bad notions. Without being able to get out of their house, it causes her to lose all contact with other people besides John. As a result of not being able to talk to other people, she begins to feel a connection with the
He treats her as if she were a child, (example; line 128, "What is it, little girl?" A husband does usually refer to their wife as little girl. A relationship feeds on each other to make it right; there is no need for protection or defending. The narrator makes you feel as if all women are enclosed and rely on someone to guide them. You get the bored feeling as you are reading the story, that the women gets while she is locked up in the house not able to go anywhere or do anything. In this case he is inferior to her and protects her. In a normal relationship you don't ask one another what he or she can do or not do, you don't get permission to do things. If there is a huge decision to make in a relationship it is simply discussed. In the relationship of John and her it is all about him giving her permission to do things. In one of her writings she writes, " Dear John! He loves me very dearly, and hates to have me sick. I tried to have a real earnest talk with him the other day, and tell him how I wish he would let me go and make a visit to Cousin Henry and Julia."(Line108) A wife should never have to be let to do something. If she feels like she wants to go visit her cousins then she should just get up and be able to go. You usually only get permission from someone of a higher an authority or level than you. In a relationship one is not at a higher level than another is.
The yellow wallpaper is a story about John and his wife who he keeps locked up due to her "nervous condition" of anxiety. John diagnoses her as sick and has his own remedy to cure her. His remedy s to keep her inside and deterring her from almost all activities. She is not allowed to write, make decisions on her own, or interact with the outside world. John claims that her condition is improving but she knows that it is not. She eats almost nothing all day and when it is suppertime she eats a normal meal. John sees this and proclaims her appetite is improving. Later in the story, the woman creates something of an imaginary friend trapped behind the horrible looking yellow wallpaper in
Kessler emphasizes the point that this one short story seemed parallel and mirror the views of Gilman in regards to the oppression of women in her society. Comparing the two, Kessler writes, “This once she was able to join her public and private expressions in a work of devastating impact” (Kessler 1991 p.159). Gilman, who was a leader and crusader in the women’s rights movement, tried to expel away the gender bias that plague women, just as the narrator in her story tries to pull off the wallpaper in her room to free the trapped women behind it. The patriarchal society at that time period was Gilman’s wallpaper. She had to work hard at trying to force through societal changes. Just like the resistant old wallpaper in her story, ridged and yellow with age, Gilman and her counterparts had much difficulty in pushing through the wallpaper of tradition.