Yellow Woman And A Beauty Of The Spirit Essay

Silko uses many structural elements in an attempt to make her point of what beauty is clear, convincing, and engaging. The first of which is a reflective style of writing. She also uses a first person point of view. Finally she does not address the title until the final paragraph.

In her book, “Yellow Woman and a Beauty of the Spirit”, the author clearly tells about how the culture of the Laguna Pueblo Indians were so different from that of the Western culture. For example, in Laguna Pueblo, there is no different class or social status. I find this very interesting. They also do not place too much value on one’s outward beauty as well. Instead, women were more attractive if they are strong, even stout, which is a great contrast to today's –Western definition: skinny and thin, flawless face etc. They are more interested in beauty within. How one is at peace with nature, his or her surroundings. It is more of having a good character, being selfless, and courageous at any age.

Silko, Leslie. “Yellow Woman”. The Norton Anthology: World Literature. Ed. 2. Peter Simon. W.W. Norton & Company, Inc.: New

Trapped in the upstairs of an old mansion with barred windows and disturbing yellow colored wallpaper, the main character is ordered by her husband, a physician, to stay in bed and isolate her mind from any outside wandering thoughts. “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, describes the digression of the narrator’s mental state as she suffers from a form of depression. As the story progresses, the hatred she gains for the wallpaper amplifies and her thoughts begin to alter her perception of the room around her. The wallpaper serves as a symbol that mimics the narrator’s trapped and suffering mental state while she slips away from sanity reinforcing the argument that something as simple as wallpaper can completely

  The Yellow Wallpaper by Charlotte Perkins Gilman can by read in many different ways.  Some think of it as a tragic horror story while others may find it to be a tale of a woman trying to find her identity in a male-dominated society.  The story is based on an episode in Gilman's life when she suffered from a nervous disease called melancholia.  A male specialist advised her to "live a domestic a life as far as possible.. and never to touch a pen, brush or pencil..."   (Gilman, 669).   She lived by these guidelines for three months until she came close to suffering from a nervous breakdown.  Gilman then decided to continue writing, despite the physicians advice, and overcame her illness.

Charlotte Perkins Gilman is known as the first American writer who has feminist approach. Gilman criticises inequality between male and female during her life, hence it is mostly possible to see the traces of feminist approach in her works. She deals with the struggles and obstacles which women face in patriarchal society. Moreover, Gilman argues that marriages cause the subordination of women, because male is active, whereas female plays a domestic role in the marriage. Gilman also argues that the situation should change; therefore women are only able to accomplish full development of their identities. At this point, The Yellow Wallpaper is a crucial example that shows repressed woman’s awakening. It is a story of a woman who

In the short story “Yellow Woman”, Leslie Marmon Silko uses characterization and symbolism to address personal and cultural identity.

Throughout Yellow Woman and a Beauty of the Spirit, Silko appoints to the reader several key events that expressed her point of view on her appearance and how the stories helped Silko reach to an eventuality of accepting her difference. Silko’s interaction with her grandmother, aunts, and the tourist shaped her character throughout the story. The author uses beauty, harmony, cultural inheritance, and identity to assist the reader in understanding the power and beauty of the text and indicate the author’s point of view expressed in the

Alice Walker, the author of The Color Purple, focuses on the struggles of a poor and uneducated African American girl, who is verbally, physically and sexually abused by several men in her life. She feels worthless and becomes completely submissive. Her only way to express her feelings is through private letters to God. An emphasized theme in this work is that expressing one’s thoughts and emotions is essential in order to develop an inner sense of self.

“The Yellow Wallpaper”, by Charlotte Gilmans is a short story narrated by a woman who is suffering from depression soon after giving birth. The narrator’s husband is a physician who asserts that he knows what is best for his wife’s health and betterment. As the antagonist in the story he brings his wife to a secluded house with strict orders to rest and recuperate, keeping her away from society, physical exertion, and the writing that is her one true form of expression. Ironically, the narrator being placed into this environment only serves as a reminder and catalyst for her “nervous depression” and “slight hysterical tendencies” (473). Throughout the short story you see constant references in this environment to the inner turmoil of the protagonist until the narrator and her surroundings seem to become one and the same. The setting of “The Yellow Wallpaper” not only plays a crucial role in the development of the protagonist, but also acts as a mirror to the narrator’s mental and physical entrapment. As the short story is told first person the reader gets a unique view of the narrator’s description of her surroundings and slow decline into insanity.

In "The Yellow Wallpaper," by Charlotte Perkins Gilman, the protagonist symbolizes the effect of the oppression of women in society in the Nineteenth Century. In The Yellow Wallpaper, the author reveals the narrator is torn between hate and love, but emotion is difficult to determine. The effects are produced by the use of complex themes used in the story, which assisted her oppression and reflected on her self-expression.

“I don 't like to look out of the windows even – there are so many of those creeping women, and they creep so fast. I wonder if they all come out of that wallpaper as I did?” the woman behind the pattern was an image of herself. She has been the one “stooping and creeping.” The Yellow Wallpaper was written by Charlotte Perkins Gilman. In the story, three characters are introduced, Jane (the narrator), John, and Jennie. The Yellow Wallpaper is an ironic story that takes us inside the mind and emotions of a woman suffering a slow mental breakdown. The narrator begins to think that another woman is creeping around the room behind the wallpaper, attempting to "break free", so she locks herself in the room and begins to tear down pieces of the wallpaper to rescue this trapped woman. To end the story, John unlocks the door and finds Jane almost possessed by the woman behind the wallpaper. Charlotte Perkins Gilman’s feminist background gives a feminist standpoint in The Yellow Wallpaper because the narrator’s husband, John acts superior to the narrator.

     In the late nineteenth century, after the American social and economic shift commonly referred to as the "Industrial Revolution" had changed the very fabric of American society, increased attention was paid to the psychological disorders that apparently had steamed up out of the new smokestacks and skyscrapers in urban populations (Bauer, 131).  These disorders were presumed to have been born out of the exhaustion and "wear and tear" of industrial society (Bauer, 131-132).  An obvious effect of these new disorders was a slew of physicians and psychiatrists advocating one sort of cure or another, although the "rest cure" popularized by the physician S. Weir Mitchell was the most

Leslie Marmon Silko?s work is set apart due to her Native American Heritage. She writes through ?Indian eyes? which makes her stories very different from others. Silko is a Pueblo Indian and was educated in one of the governments? BIA schools. She knows the culture of the white man, which is not uncommon for modern American Indians. Her work is powerful and educating at the same time.

The Beauty Queen of Leenane, a deep, twisted play by Martin McDonagh, is a symbolic work of art. The symbols within this play, powerful as they may be, do not jump out at the reader. They are instead embedded into the simplest objects and the relationship of the main characters. Martin McDonagh portrays his symbols with such an ironic eloquence; the dark, powerful symbols are inextricably linked in such a beautiful way, that once the reader makes the connections, the entire aura of the play changes. From symbols as simple as hot oil and a rocking chair to the mother-daughter relationship of Mag and Maureen, the reader learns more and more about Ireland during its time of troubles.