Yentl Analysis

Yentl’s self-deception that allows her to fall in love with Hadass combined with Yentl’s conflicting relationship with Avigdor solidifies the identity crisis issue that must be solved in the

The novel is able to share how music is of great importance and is able to affect people’s moods and thoughts.

However, these minor advantages of being female don’t compensate for more significant disadvantages such as being more subject to sexual assault, more likely to live in poverty, and more likely to face job and salary discrimination (Wood & Fixmer-Oraiz, 2017). There is no question that women are devalued and mistreated especially in Western Cultures. Mac Miller has portrayed women to be the motivation of his album. The sole purpose of the album is that he is sharing the experiences he had with women and what it taught him about women. I analyzed that Mac Miller is relating women to the level of a God which he showcases that in the title of the album, The Divine Feminine. Mac Miller constructs the theme of women in his album to be seen as humans and not objects. In the few music videos that he produced for the songs “Cinderella”, “Dang” and “My Favorite Part”, the women that are casted are not dressed provocatively. Other music videos are simply Mac Miller in front of camera singing his music.

Buffy Sainte-Marie, is a Canadian musician, composer, visual artist, educator, and social activist. Throughout her career in all of these areas, her work has focused on issues of indigenous peoples of the Americas. In any of Buffy’s albums one will find decorous waltzes, among lyrical efflorescences weighted with imagery which grants an occasional glimpse of a steel mind. Her French style torchers have all the gripping qualities of that superannuated mode, combined with unconventional love song lyrics. Other love songs are warmly sentimental, with haughty and forbidding undercurrents. The one quality they all have in common is their lively tension. She was also a capable interpreter of outside material, and to top it off, her idiosyncratic vibrato made large-scale commercial success out of the question. Recently, Buffy adorns her native habiliment as she undertakes a partnership with the RSO seeking to promote a dialogue of truth and reconciliation surrounding the atrocities inflicted upon Native Americans by the white man. The partnership includes a Regina-based concert at the Conexus Art Center on October 11th which I’ve attended, followed by a tour of three First Nations communities across southern Saskatchewan, with a focus on Treaty 4 land. Herein, I will examine two songs Buffy played during her Oct 11th concert and offer an inchoate critique of her performance.

Intro: Like various art forms such as film, television, and literature allows artists to express their own sense of identity, that being nationality, race, class, ethnicity, gender or sexuality. In this case, Queen uses music to illustrate the themes of gender and sexuality through their music video I Want to Break Free (1983). This essay will attempt to discuss how Queen’s music video, I Want to Break Free, explores queerness in relation to queer theory. Firstly, I will introduce the ideas and arguments of queer theory through Gilbert Herdt article Same Sex Different Cultures (1997). I will then discuss Queen’s portrayal of drag within the music video and how it can be seen as queer rather than heterosexual. Lastly, I will argue that

Mme Loisel and the X Ambassadors song relate in many ways. The struggle of hanging on to what they have is described in both the song and the short story. Both the song and Mme Loisel can not become stable. “Hold on to me, ‘cause I’m a little unsteady.” describes both Madame Loisel’s and the X Ambassadors

A multitude of people nowadays choose their favorite songs because of how they sound and the attractiveness of the singer. However, some people select their favorite songs because of its appeal by relating to their personalities and feelings. Just as songs can relate to people, they can express countless similarities with stories as well. When it comes to the story, The Diary of Anne Frank, there are a variety of characters and events that songs can relate to. The songs “Chocolate Rain”, “The Last Goodbye”, and “Lost Cities”, verbalize numerous commonalities with The Diary of Anne Frank.

2. "… there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour." (p. 11)

The two main women in Edna’s life serve as foils of each other and static characters to which Edna can compare. Adele Ratignole presents the ideal, socially-accepted woman figure. She exemplifies all that is perfect: devoted wife seeking only to please her spouse, loving mother, knowledgeable, conventional, “mother-woman,” elegant, charming, simple, and servant to both her family and society. Completely opposite of the dependent woman is Mademoiselle Reisz who personifies all that Adele would disgust. Reisz remains isolated from society, shunned as a recluse for her passion of music. She is unpopular, solitary, unmarried, childless, but also courageous, passionate, independent, inspired, and free. The two figures rest on polar ends of a societal spectrum. This distance creates a horrific gap within which Edna finds herself. Edna identifies with both women, having qualities and tendencies of each. This dual connection complicates Edna’s identity; she cannot fully embody either woman type while she possesses qualities of the other. Edna remains in a situation in which success cannot be achieved.

This genre is typically modern, perky and upbeat, but the common narrative in all of them is that it features a woman who is strong and she overcomes adversity to reach her goals. There is also a message of empowerment that also struggles with a romantic predicament and using comedy to poke fun at the male characters. Industries are still producing soppy romantic comedies for the female audience but the divide between the standard chick flick and romantic comedy is slowly disappearing. Similarly to the beginning of this essay it is evident that institutions are moving in the direction of women’s place in culture in relation to this film genre; women are usually shown as the super power since they are made to appeal to the female audience. However

However, Edna admires Mademoiselle Reisz and longs to have the same adventurous and carefree lifestyle of her. The music and life of Mademoiselle inspires Edna. Each time Mademoiselle plays, Edna is moved and brought to tears but the freedom and passion of the music. The music aroused the very passions “within her soul, swaying it, lashing it, as the waves daily beat upon her splendid body (page 26).” Mademoiselle Reisz foils the type of person Edna aspires to be. After seeing the freedom within Mademoiselle Reisz, Edna feels empowered to make a change.

When the narrator of Johnson’s novel falls in love, it is to music he turns to express that emotion to his intended one (149). She in turn answered in kind, letting the notes and tempo combine with her words in expression of her love returned to him. The relevance of music in Johnson’s novel should not be undercut by the other issues within the confines of his text. Exploring the meaning of this inclusion will be to explore the theme of music itself. It will encompass the examination of the style of music, the generation in which the story takes place along with the issues of race. Johnson’s use of music to develop a story line and illuminate the various issues and themes of his novel is a demonstration of his love of the art form along

In this song, the author puts heavy emphasis on the pathos of his claims. A notable example is found in the beginning when the author says “on the other side of a street a knew/Stood a girl that looked like you” this is an effective use of pathos because it lets the audience know that the author has had this woman on his mind for so long that he begins the way see her everywhere. This in a way contributes to his ethos because it shows that he is being sincere. This effectively reaches “us” as the audience because it appeals to the emotional side of the argument by letting us know that he does care about this

What is remarkable about Four Women is the skillful yet overt approach to dealing with a sensitive construct. The song is

The male gaze puts his fantasy onto the female figure, which is styled, in a unique sort of way. In this traditional exhibitionist, role women are continuously being looked at and their appearance is delivered to the male gaze in such a way as a strong visual and erotic impact and provides male desire. The presence of a woman in a normal narrative film is the key of the movie. However, the key of the narrative film works against the development of the story-line and stops the action due to the erotic gaze. Butt Boetticher said: “What counts is what the heroine provokes, or rather what she represents. She is the one, or rather the love or fear she inspires in the hero, or else the concern he feels for her, who makes him act the way he does. In herself the woman has not the slightest importance”.