Ying Yang Symbol

The Chinese origin story goes as follows: In the beginning there was a huge egg containing all opposites mixed together including male and female, earth and sky, hot and cold, dark and light, etc. Pan Gu was a giant within the chaos. He separated all the opposites including the Earth and the sky. As the sky got higher and the earth got

Yin and Yang is a Chinese philosophy. Yin and Yang connects to Taoism, because it symbolizes balance between opposing sides. It is made of two principles. Yin, the predominately black side,

In Chinese culture, health and illness concentrates on the balance between body, mind, and spirit, expressed as Yin Yang. It symbolizes the idea that for every action, there is an equal and opposite reaction. There is a belief in part of the Chinese culture, that a physical illness is caused by an imbalance of Yin Yang.

As stated by the Shen-nong website, “Ancient people were greatly interested in the relationships and patterns that occurred in nature. Instead of studying isolated things, the viewed the world as a harmonious and holistic entity” ("Yin yang," 2005, p. 1). Yin and yang

All eight paths, help one know what the right thing to do is. (DD3) In China, Yin-Yang exhibits that life has equal good and bad and it will all end satisfactory. Together Yin and Yang is the, “concept of two powers that together represented the natural rhythms of life” (Document F). In life, there are ups and downs, so Yin-Yang depicts this.

Yin and Yang is an ancient Chinese philosophy that shows the perfect balance between two things. The yin and yang sign is considered an energy which keeps the concept flowing. It is two

This drawing demonstrates two people possibly worshipping the sun and the moon, which that can also mean yin and yang. Around the picture we can see multiple languages of different cultures and a bird that can be a symbol to hope. Xul Solar drawings was the definition of unification. The different words around his drawing are his doing of trying to unite these countries under the symbol of the bird which represents hope. If we were to compare this to the indigenous games that were held in Brazil, then the language represents the community all unifying to compete for becoming the best athlete(s). The bird will still signify hope, hoping that the games are a success which it

At the core of any nation’s culture are its religious beliefs. In China there are the “Three Jewels” Confucianism, Daoism, and Buddhism, as described in Lopez (1996). There are small numbers of people practicing other religions such as Christianity and Islam, but these are the three dominant beliefs of the region. While they are separate in content, they have coexisted for several thousand years. Lopez (1996) goes on to say, “Historical precedent and popular parlance attest to the importance of this threefold division for understanding Chinese culture…Buddhism is the sun, Daoism the moon, and Confucianism the five planets…suggesting that although they remain separate, they also coexist as equally indispensable phenomena of the natural world.” Each belief system stands alone, and at the same time needs the other(s).

As explained in World Religions Today, in contemporary culture, the discoveries made through science are usually articulated in the structure of mathematical equations. These mathematical equations serve as proofs of the fundamental truths that the particular science reveals. Analogous to this idea is the symbolism in the Yi-Jing system of East Asian Religions. The symbolization of the Yi-Jing system enriches the conceptualization of the universe as incessantly changing. Within the Yi-Jing system, the yin-yang symbol exemplifies the most familiar representation of these uncovered fundamental truths (Esposito 502-3). In this essay, I intend to explain the meaning of the terms yin and yang and discuss the role they play in Chinese religions generally. Further, I will explain the way in which the symbolism of yin and yang contribute to the Chinese conception of the universe and the way that role is played out in religious practices.

The Yin Yang is one of the primary principles of Taoist teachings. The concept of two forces present everywhere, completely opposite to each other yet balancing and enhancing each other. They cannot be separated because they exist together in comparison, and splitting one apart will only create the other anew. Although one force can take prevalence over the other for a short time, anything that is in a state of imbalance for long will cease to exist. The universe is composed of and held together by the tension of these two forces, and this concept is in Taoist writings on Abstraction. (A2)

According to information gathered from the online source, Taoism or the Tao Religion (Our Ultimate Reality), the Yin and Yang represents two breaths or the chi life force. This Yin life force is the feminine principle of darkness, coolness, and dampness, while the white, the Yang, is the masculine principle of brightness, warmth, and dryness. They are not opposites, not all good, or bad, but both needed to maintain universe stability. Defined through opposition, Taoists believe in the virtues of balance and understanding.

Yin – yang is a Chinese philosophical way of embracing human thought which considers two dimensions including humanity, character, and situations in life. This philosophy emphasizes that two complementary forces exists in the universe that are mutually opposed to one another but still remain in unity. According to “Hegelian, Yi-Jing, and Buddhist Transformational Models for Comparative Philosophy”, it is believed that the two forces are dependent on another and are well balanced (Robert 6). This paper intends to explore the major aspects of yin-yang way of thinking, how it affects the Confucius and Lao Zi ways of viewing happenings in the universe and the application of this kind of thought to the contemporary society

Since the calligraphy is dignified and beautiful, and it become part of the painting. On the other hand, Tang Yin include the poem along with the folding-fan which indicate the meaning of this painting, and what it is related to. Also, the entire fan is fulfilled by the bamboos and the poem. On the left hand side, the bamboos is very crowded and it is connected to each other. Tang Yin painted a variety of bamboo called “phoenix tail”(MET); dense and feathery, which bends gracefully like the long plumage of the legendary bird. Tang Yin creates the imagery of what it looks to be the top of the tree branches where it resides in the sky. The purpose of this intricate painting is to portray the likes of god as god resides in the sky. God, the omnipotent is seen when one sees the image of this tree branches. Furthermore, the artpiece is seen to be symmetrical; symmetrical represents that the artpiece is uniformed and together just like the Earth, the creation of God. The Greeks would also be attracted to this image as they value symmetry in their ideal human aesthetics but nonetheless, It is valued as powerful by many artists.

Yin and Yang is the most universally recognizable symbol for Taoism. The symbol is a circle with one half black and the other half white. Both halves have a spot with the opposite color which represents being part of the other. Yin and Yang are two complementary, interdependent principles or phases alternating in space and time; they are emblems envoking the harmonious interplay of all pairs of opposites in the universe. (Taoism, 2007) Taoist believe yin and yang exist in all aspects of life. Some believe the white represents good and the black represents evil. If there is good there is bad, if there is wealth there is poverty and if there is woman there is man. In other words there is an opposite to everything. The universe flows in harmony without ever stopping. In chapter 42 of the Tao-Te-Ching there is a reference about yin and yang. The Tao is one, from the one come yin and yang, from these two creative energy (chi), from energy, ten thousand things, the forms of all creations, all life embodies yin and embraces yang, through their union achieving harmony. (Tao-Te-Ching, Ch. 51)

Mai Mai Sze presents a logical methodology breaking down the often-misunderstood complexity of Daoism. Sze describes tao “in the simplest sense…path” (The Way of Chinese Painting, 17). Continued, “Step-by-step progress requires care and deliberation and, by extension, careful and deliberate conduct or behavior from an inner motivation.” This journey was not something one could accomplish overnight; instead it is understood as a way of living out ones life to the fullest. This journey was not only into one’s own mind, but also into what surrounds them. Including tools, control of the medium was a necessity, just as restrain over the sensitivity of the brush was needed when writing Chinese characters. A minor error in a character could change the entire meaning of the symbol. Symbols are often associated with Chinese culture. From the calendar year to writing, Chinese symbolism is utilized significantly. One symbol often recognized by the Western world is the Yin Yang; however the meaning is often misunderstood. The theory of the Yin Yang is presented as a balance between Male Principle (sun, right) and Female Principle (moon, left). As the two converge inward, they also radiate outward reflecting the ideology of Tao itself. This development of proportion and attention to fine detail required