Ying Ying

The marital conflicts between Ying-Ying and her husband was one of the marital conflicts that stood out. In the film her husband had been having an affair and one day he brought the lady home with him. It was like he wanted her to know he was having an

In the Qin state, a growing leader was about to prosper. Legends says a wealthy merchant who is acquainted with King Zhuangxiang of Qin came to him one day in the Eastern Zhou Dynasty (770-256 BCE). His name was Lu Buwei. On that day, Lu Buwei had arranged with the king to meet his lovely wife, Zhao Ji. As soon as they met, the King Zhuangxiang of Qin felt an attraction to her. Eventually, Zhao Ji became the mistress of King Zhuangxiang of Qin and in 259

When Jing Mei recognizes the similarities between her mother and herself she begins to understand not only her mother but herself as well. There are subtle connections and likenesses from the beginning between Jing Mei and her mother that Jing Mei does not see. The book commences with Jing Mei taking her mother's place at the mah jong table, creating a similarity between them from the beginning. Suyuan dies two months before the start of the book, and therefore is not able to tell the stories. Jing Mei has learned and must tell her stories in her place, forming another parallelism between mother and daughter. Because Suyuan is dead, Jing Mei must act in place of her mother when she goes to meet her Chinese sisters in China. Throughout the book Jing Mei takes the place of Suyuan, showing she and her mother

Chang’e is thought very highly of in the eyes of the Chinese. They reflect her ways of peace and gentleness in their culture. They use her image in their culture often. An example would be how they name their moon launchings after her. “In Chinese minds, the moon is associated with gentleness and brightness, expressing the beautiful yearnings of the Chinese.” (Cultural China) The people in China see Chang’e in the same way they see the moon, peaceful, gentle, and bright. She is very important and brings joy to the Chinese people. This leads me to believe that the tales in which Chang’e is portrayed as a thief are not an accurate representation of her.

This guidance is shown especially in the story of Lena St. Clair and her mother Ying-Ying. When Ying-Ying visits Lena and her husband at their new home, she senses the uneasy and precarious nature of their marriage, and tries to warn her daughter of this through subtle comments during her stay. One of these comments, “’You put something else on top, everything else fall down. Chunwang chihan” (163), leads Lena to recognize how fragile and superficial her relationship with Harold is, and that realization allows her finally stand up to him. Ying-Ying’s experiences in her first marriage taught her this lesson the hard way, when the buildup of her husband’s cruelty led her to an inability to carry his child. Although Lena’s circumstances are far less drastic than her mother’s, the same “last straw” mentality can be applied to both situations. Ying-Ying’s wisdom from her past helps Lena to save her future before that straw falls, in addition to showing her the cracks in a foundation that she thought was unflawed. In this action, Ying-Ying’s past in China aids her in guiding Lena towards a better life than she had, the ultimate goal of motherhood that is reinforced throughout the

The result of this education was a disaster due to the differences in values between the two cultures. Ying-Ying realized that her marriage was a mistake when her husband left her for another woman. Her love for him turned to hate and she killed her unborn baby. She felt great remorse for this and considered herself a murderer. She later remarried a gentleman by the name of St. Clair. With St. Clair she had a daughter. After her second son, which was her third child, died at birth, Ying-Ying had a mental breakdown. She saw his death as a punishment for the murdering her first son.

However, once Jing-mei stepped off the plane and saw her sisters, she was able to embrace them with "all hesitations and expectations forgotten"(331). The rapport between Jing-mei and her sisters demonstrates the capability of Jing-mei to forget her fears and have faith that she can do anything. Both Suyuan and Jing-mei worked through their problems by remaining strong and willful, making their lives much easier in the end.

Also, their relationship is shaped by the pressure Suyuan puts on her daughter. When Jing-Mei was growing up, her mother had the need for her daughter to be smart, talented, and a respectful Chinese daughter. This pressure put on Jing-Mei resulted in misunderstanding between mother and daughter. Jing-Mei constantly believed, “that she was disappointing her mother,” because she felt as if she failed at everything her mother wanted her to do. She believed she could never be as perfect as her mother was. Therefore she doesn’t think she is worthy enough to take her mother’s place at the Joy Luck Club “They must wonder now how someone like me can take my mother’s place” (Tan, 27). Jing-Mei does not understand that her mother wanted the best for her; Suyuan wanted Jing-Mei to challenge herself because that is how one builds up character. Suyuan thinks her daughter could do anything she proposed to do but never put enough effort into anything “Lazy to rise to expectations” (Tan 31). Furthermore, Suyuan forced Jing-Mei to learn how to play the piano and then perform at a recital. Jing-Mei rebelled against her mother and refused to learn how to play the piano well. So, at the recital she ends up forgetting the music notes. Jing-Mei blames her embarrassment on her mother and states,

In contrast, during the era of The Story Yingying, the cultural norm for a woman was to be submissive, patient, and passive. Yingying upheld all of these cultural standards. After meeting Zhang for the first time Yingying showed no interest in him at all but overtime Yingying finally gave into Zhang and fell in love and they became engaged. Unfortunately, Zhang had to leave for a year to go take a civil service examination, but he promised her he would come back to her. She waited patiently and after a year, her fiancé returned but shortly after had to leave again to retake the examination. Again she waited patiently for his return, but he never came back. After waiting for years for her fiancé to return, she became eager to

In the chapter “Waiting Between the Trees” Ying-ying’s past in China that she has kept from her daughter is revealed. When she was young she believed that she was too good for any man, however eventually she realized she had to settle and married an indecent man, despite her being extremely vain. She had given up herself for this man, only for him to

In this time in China, the role that women and men had were very different from each other. Women were expected to be quite, obedient, and respectful. While men were the provider, the intellectual and the decision maker in the family. In Shen Fu and his wife, Yun marriage it started out like the typical relationship in eightieth century China, each one fulfilling the roles that society had in place for them. But as they became to know each other more, Shen Fu saw Yun real personality and wanted someone to experience life, so he started to encourage her to be herself and told her she didn’t have to live up to this gender stereotypes for women. They both were always

As she recalls back on this time by telling her daughter what she calls her Kweilin story, Suyuan describes her feeling during this horrible time as “And inside I was no longer hungry for the cabbage or the turnips of the hanging rock garden. I could only see the dripping bowels of an ancient hill that might collapse on top of me. Can you imagine how it is, to want to be neither inside nor outside, to want to be nowhere and disappear?” (22) At this point in her life Suyuan was separated from her husband who is in the military and eventually is forced to abandon her two young daughters. This aspect of Suyuan’s life parallels the life of Amy Tan’s mother. Daisy tan was also married to a military man during the Chinese Civil War and like Suyuan was forced to abandon her two daughters in Shanghai. This was an experience that would affect her mother for the rest of her life and a story she would continue to tell and never forget. The life of Amy Tan is also a parallel to the life of Jing-Mei Woo of “June”. As a young girl June was forced to play the piano and practice constantly to become the best like Amy Tan was as a child. Along with playing the piano Suyuan also had high expectations for June as far as her future. She wanted her daughter to be the best in her class and go off to medical school to become a well educated doctor, the same expectation’s Amy Tan’s mother had for her. Both daughters decided to follow their dreams and

However, her mother sees it as a way for her daughter to be the best. Meanwhile, Jing-mei decides to rebel against her mother’s wishes. During piano lessons with Mr. Chong she realizes easy ways to get out of practicing.

Jing-Mei finds a new person that was determined to fight against her mother. Moreover, Jing Mei

Unable to withstand the embarrassment of having a wife he is not proud of, he abandons her. Han Kang used the sense of pressure emotionally to depict not only the public opinion but also the force that drives Mr. Cheong’s actions.