Yoshitoshi Kanemaki Sculpture

The sculpture demonstrates the idea of children’s mind development. What would one growing child naturally think and imagine, and how do they perceive and describe the themes that are often sublime which us adults lack to connect. This significance retrospect to where we earlier developed our creative thoughts and character.

Greek art, especially sculpture, was a common way to explore and reach past the confines of mankind’s natural appearance be it through penises, huge muscles, or generalized unrealistic body standards. Hercules and the Hydra, a sculpture by Mathias Gasteiger, presents an image of masculinity through the expressive posture and form of Hercules once you look past those gleaming bronze pectorals, and into the intricate details of the piece.

Formal Analysis: Roman Sarcophagus There have been countless duels between two opposing sides in the history Roman artistry. This sculpture relief signifies the classic battle of good versus evil. Time and time again, benevolent heroes find themselves in a struggle to combat worthy yet malicious adversaries. The Roman sarcophagus, a two by five feet marble coffin, is certainly no exception. It represents another division to this timeless good-evil epic, its visual characteristics, emphasis on contrasts, and its extensive array of details give it an identity that is uniquely its own. It portrays a sense of legendary fantasy to the viewer, one pertaining to hostility, violence, and pure anger. The sculpture seems overly shallow due to

In their decorations, the skull or skeleton is often used. They are often made to be grinning or to be doing things like drinking, eating, and even riding horses. The skeleton is turned into a mocking of death itself, and is a symbol of celebration of passing into the next life.

I can only tell by body language that they want to spread heroism between men and women. The use of marble links the sculpture to the glow and smoothness of the male skin. In this sculpture, it appears to be characterized by imagery aimed at the sense of the marble statue. The standing sculpture appears to be relaxed, while the median line makes an angle. While standing upright, the figure’s feet are place in a certain way that brings a shifting effect or movement and a stable poise.

For example, the warm tone of the orange and the rich dark green being illustrated across their clothing drapes a characteristic of higher authority and a feeling of security. The figure at the bottom of the guardian’s foot shows that his face is also dark green which expresses a conception that he is losing oxygen. Furthermore, the solid smooth glaze on the guardian’s armor within the sculpture gives the Lokapala guardians an appeal of a polished texture. Compared to the appearance given to the figures, the faces of the guardians have a rougher texture. Thus, the various forms of polished and rough textures amplify the artwork’s contrast to human skin and armor. The beaming lights around the display reflect on the glaze coat of the artwork, giving extreme depth of highlight and subtractive light throughout the piece. The Pair of Lokapala also interacts with the atmosphere of the low dimmed light of the museum and gives it an entrance of settle warmness and forms settle shadows on the figure’s facial features that emphasize their emotion of seriousness. Lastly, the artwork invites the viewer to walk around the piece, making the sculpture superiorly larger than the individual due to the elevated height and contrast between the guardians and the figures at the bottom that appear to be squished. The use of space is intentionally developed to evoke an element of power due to the guardian’s height, symbolizing the

This sculpture is of a women breast feeding her child. The face of the two people is elongated, as well as the breasts of the mother. This is common to all African Art because they wanted representation of what is being expressed. In this particular sculpture, a supernatural power is being called upon. The power has been asked to protect the mother and child, and to

The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created his idea. The sculpture is fairly large in size, which makes it noticeable, among the other art pieces on campus. The sculpture media consist of wood and concrete, and metal mostly. The individual is keeling down toward the west and is supported

Every soul will be judged and the good will go to heaven and the damned will go to hell. The sculpture vividly expresses the emotional intensity of what the afterlife will look like. On the left-side the sculpture shows “heaven” the figures show that they are at peace because they know their souls have been saved. The children are laughing and the angels are blowing their trumpets with joy in anticipation of Christs’ return. As for the right-side it tells of what “Hell” maybe like, demons are weighing the souls and claiming them. It shows people suffering, crying and realizing that they’re going to hell for

“That as long as we are being remembered, we remain alive.” Charles Zafan, puts it best when he explains what it really means to be remembered. So often, the only people that are actually remembered in any significant way, are those who we wish were still with us. There are

The statue has so many little yet powerful symbols that truly make it a unique and one-of-a-kind piece. The torch for example is a symbol that is used to represent enlightenment, liberty, and freedom. The illumination from this torch

This is a representation of how the political and religious systems in the Late Medieval Ages treated women as the subordinates of men. It is the woman who attempts to bribe the skeletons with a bowl of coins to try to cheat out of death. None of the other male figures attempt to cheat death. This is significantly similar to the Christian biblical story of Adam and Eve and how it was Eve’s fault for eating the apple and causing orignal sin. The Christian idea and stereotype of women trying to cheat the system and sinning has still be translated through this painting. However, it is clear that the attempts to cheat death are futile and that death has no biases or judgements.

Bodhisattvas Maitreya This sculpture represents Bodhisattva Maitreya. Bodhisattvas are knowledgeable characters who defer their sanctification to support all sentient individuals (Rambelli, 207). Unlike other Buddha statues the Bodhisattva is an invented character, not a replica of an exact character to Buddha. Bodhisattvas have several of those attributes of Christian benefactors (Gresham and Dunham, 400). They are sympathetic characters who assist congregants. Contrary to saints; nonetheless, they are not affiliated with historical individuals, hagiographies, or suffering.

Artworks are those that use natural tools in an aesthetically pleasing way, to express some deep meanings desired by the artist, for which this art is found. These works can be analyzed by looking at a variety of aspects individually and these elements are often called elements They are very useful for criticizing or understanding any artwork as a whole. The materials used by the artist creating the artwork in the documentary "Mystery Masterpiece", the shape of the work is the shape of which it is, including its size or its volumetric perception, and the artwork has three dimensions; the depth as well as the width and height, the three-dimensional form is the basis of sculpture, yet the two-dimensional artwork can achieve the illusion of the

In the other hand a cleaning duster. If the viewer is standing right in front of the sculpture, her gaze seems to be straightforward. Staring right at the observer. There’s also a sense of motion, as if she is going to step right to you. She might have something to say, her voice might want to be heard. She has a hopeless and overworked look on he face. It’s evident that she has been working hard because of the sweat on her body. Her mouth isn’t open while she works she is silent. The sculpture embodies the working class, the people who endure manual labor to serve the wealthy. It’s a social commentary of how the working class is not heard. These people are the 1%. They are what we call “the other”. These people are usually the victims of marginalization. The sculpture represents the American dream. How you can achieve your goals if you work hard enough. But that isn’t always true. Its part of the system. Generally you are born into the