You Should Date An Illiterate Girl By Warnke Analysis

“Life is change. Growth is optional. Choose wisely” (Unknown). People change and grow because of the challenges and conflicts they have in life. A person I know that has changed and grown a lot from a conflict is my mom because a couple years ago she ripped a tendon in her back, and she had to get many surgeries and wasn’t able to walk for a while. She grew a lot from that experience and now she can walk and is still getting better. In “The Street” by Richard Wright the young boy narrator has to overcome his fears and fight some thugs in order to buy his mom groceries. He faces an incredible challenge that makes him have to change extremely quickly. In “First Love” by Judith Ortiz Cofer the girl narrator has a crush on a boy that is a couple

Aubrey’s mum turned up and told Aubrey that she didn’t come because some days are too hard

Aziz Ansari published his first book Modern Romance, on June 16, 2015, where he teamed up with notable sociologists to uncover the mysteries of the changing dating scene around the world. Ansari states that relationships have been evolving for the past century for reasons ranging from people having different wants and desires to more advanced technology. These developments have revitalized the dating culture, but simultaneously have also made it very complex. Ansari’s reason for writing this book was that he was “fascinated by the questions of how and why so many people have become so perplexed by the challenge of doing something that people have always done quite efficiently: finding romance” (Ansari 6). In the book, he dives into the

In “The Cheater’s Guide to Love”, Junot Díaz presents a story about love that goes sour after the primary character, Yunior’s infidelity is discovered. But beyond just an emotionally bleak story, Díaz also uses the background of a love story gone bad to explore issues of race through Yunior’s narrative style, second-person point of view, and the characterization of the various women Yunior meets.

They say that French is the most romantic language of all, but after reading Gary Chapman’s bestselling book, The 5 Love Languages, I would have to disagree. This international bestseller written by the director of Marriage and Family Life Consultants, Inc. has revived the love in millions of marriages around the world by uncovering the five specific languages that successful couples use to communicate their love for one another. These couples share a priceless love due to their understanding of the language that the other uses daily to show their affection for one another. These love languages include words of affirmation, quality time, receiving gifts, acts of service, and physical touch. In the book, Chapman

‘In The Mood For Love’ is a Romance melodrama and is Directed and written by Wong Kar-Wai which is a Hong Kong film and released in the year 2000. The film’s plot takes place in 1962 which tells the story of two married couples that move into the residents of Shanghai living in rented rooms of a neighbouring apartment, a newspaper editor Mr Chow (played by Tony Leung) and his wife, Mrs Chan (played by Maggie Cheung) and her husband a representative of a Japanese-owned company, both couples become neighbours. Mr Chow and Mrs Chan both being the main protagonists in the story discover that both their respective spouses are having an affair, the betrayal brings both of the protagonists together to meet and discuss about their spouses’ secret affairs and practice their countermeasures with one another towards their respective spouses. As they both meet day by day, they begin to have an uncertain affair and at times deliberately try to avoid one another perhaps due to ethical concerns, and yet deeply miss one’s company. Unfortunately, Mr Chow and Mrs Chan’s relationship comes to a regretful end. The following analytic essay will attempt to demonstrate to provide information in detail about the key concepts of the film’s style and the director’s

Jane Austen’s novel 'Emma' and Amy Heckerling’s Clueless, as significant and satirical reflections of Regency England and postmodern America respectively, indicate how the transformation process can shape and improve literacy, intertextual and logical importance. The transformation is evident in the compositions Jane Austen’s ‘Emma’ and Amy Heckerling’s ‘Clueless’ enabling us to investigate the assortment of logical subjects. Regarding ‘Emma’ the perspective throughout the Regency time frame examines the strict values of love and marriage inside the inflexible social hierarchy. Austen’s advances the significance of etiquette throughout the text. Austen reveals a neo-women’s activist perspective, shown in the female protagonist revealing the female protagonists’ scholarly capacity and social equity in an otherwise patriarchal society. However, the close resemblance of the story; ‘Clueless’, Heckerling composition conveys entirely transformed values, reflected through the actions of the current upper-working class of contemporary Los Angeles. The critical analysis of commercialism in the informal social class system of modern America reiterating social expectations of gender and social characterisation within the microcosm of the typical American educational system. The transformation in attitudes of Austen, reveals an exhaustive utilisation of setting, a close examination of dialect and various artistic procedure.

"Dey gointuh make ‘miration ‘cause mah love didn’t work lak they love, if dey ever had any. Then you must tell ‘em dat love ain’t somethin’ lak uh grindstone dat’s de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore." Love is different for everyone; sometimes you have to work for the one you love, and sometimes it just comes naturally. Love is not a fixed thing. It is as the ocean waters tide changing, and the way the shores have shape. Society has a certain outlook on what love is, but in actuality there is no one set way to love. “It was not death she feared. It was misunderstanding. If they made a verdict that she didn’t want Tea Cake and wanted him dead, then that was a real sin and a shame. It was worse than murder.” Janie’s falsehood is her worse sin, not the actual murder. Murder, death, are things that relate to the morality theme that is throughout this essay, and the book.

When the narrator first encounters the girl, his friend's older sister, he can only see her silhouette in the “light from the half-opened door”. This is the beginning of his infatuation with the girl. After his discovery, he is plagued by thoughts of the girl which make his daily obligations seem like “ugly, monotonous, child's play”. He has become blinded by the light. The narrator not only fails to learn the name of his “girl”, he does not realize that his infatuation with a woman considerably older than himself is not appropriate. He relishes in his infatuation, feeling “thankful [he] could see so little” while he thinks of the distant “lamp or lighted window” that represents his girl. The narrator is engulfed by the false light that is his futile love.

?I simply can?t see you doing it. You haven?t the experience. You know why he?s marrying you don?t you? You haven?t flattered yourself he?s in love with you? He admitted?he just cannot go on living there alone?? This makes her feel even more insignificant which is portrayed through her thoughts in the novel and her speech, especially towards Maxim. The attitude of self-degrading belonging to the narrator accurately reflects the corresponding convention of the romantic genre.

Throughout his book Modern Romance, Aziz Ansari the author develops and explains concepts that are involved in romantic relationships. In his arguments he describes certain points that explain how romances were modernized with the advancement of the technology. The growth of technology has created new sources of communication like for example socials networks and other websites in the internet that allow people to have an easier search to find a partner when they are looking for one. One of the biggest arguments that author talks about is when he describes how technology has played an important role in romantic relationships. The use of technology that exists in the present day has become excessive and it is a good argument to discuss in the essay. Up to today the online services and socials networking sites have become important factor s in the search for that “perfect someone” that people want to share the rest of our lives with, but at the same time it becomes a dangerous weapon that disappoints, lies and destroys romantic relationships. It’s not really that technology influences bad things; but it is more up to the responsibility of people and the purpose they use it for. The fact that the technology has become a very helpful tool to date someone is something very common to do nowadays but also it is dangerous because people do not really know who they are talking to or who is behind the computers monitors. Although

Junot Diaz, the author of “A Cheaters Guide to Love” writes his short story with many different references to anti-feminism. He writes about women in different ways to show them as powerless, and un-superior to the main character in the short story. From this short story, Diaz conveys the main characters ways when he shows the him talking about, the girl he calls to have sex with, the women at the yoga class, and the files read at the end of the story that show the fifty girls he cheated on his fiancé with. Diaz creates his main character and puts him in the second person to relate to the reader, but show his anti-feministic signs.

In Persuasion, the last of Jane Austen’s works, the readers are immediately intrigued by the autumnal tone of the piece, and the mellowness of the main character, Anne Elliot. Anne, a twenty-seven year old upper middle class woman, met and fell in love with Captain Frederick Wentworth at the age of nineteen. She was however, forced to break off the relationship at the time because Wentworth was deemed an unsuitable match. Eight years later, they meet again and by that time Captain Wentworth has made his fortune in the navy and has become an attractive catch. Anne was now uncertain about his feelings for her. Persuasion examines English society’s view of marriage and

Schlink purposefully crafted the text so that the reader is not aware that Hanna is unable to read and write until Part Two of the novel “Hanna could neither read or write.” (Schlink, 1997, page 131) Hanna’s illiteracy has a major impact on the way she lives her life, a point that is emphasized by both Michael and the reader’s sudden comprehension of her illiteracy. It is only then that it can be understood why Hanna is so harsh and where her vulnerabilities lie. Hanna’s shame in being illiterate pushes her to hide her secret. The reader understands this is the reasoning behind her decision to work for the SS and her false confession to being the leader of the prison guards, decisions which ultimately prove disastrous and life-altering for her. We interpret her illiteracy as a representation of the morally uneducated German generation whose decisions also lead them to detrimental destruction during World War II. Hanna’s future relationships were affected by her illiteracy, particularly seen in the power dynamic between her and Michael. Hanna dominated Michael as a compensation for her own shortcomings [QUOTE]. This power imbalance ultimately resulted in Michael being alienated from his own family when he says of them that he “felt as if [he] was saying goodbye.” (Schlink, 1997, page 29). Hanna’s frustrations with her own short-comings are exemplified when she exclaims to Michael “Your work

It would be a challenge not to wonder what causes him to be so nasty, audacious, and insensitive toward everyone, including himself. The transient beauty of Bukowski’s prose is hidden within the elusive and terse nature of his writing. Although it might be hard to appreciate at first glance, it gradually becomes more transparent as the reader becomes increasingly familiar with the two books. With this, the reader gains the ability to enter into the mindset of the protagonist and embark on a series of self-reflections regarding what type of person he/she might have become if he/she experienced similar neglect. Charles Bukowski wrote in a scramble, with a nothing-to-lose truthfulness that became the expedient in reliving the downtrodden generation in which Chinaski is raised. Along with some opinions that were expressed in the critical article in Time Magazine, Bukowski’s main character has deemed himself as none other than what he is in life: a “low life loser.” It does not require an immense level of effort to describe him as such, but attempting to explain a man of his particular genre is unquestionably abstruse. He is ornery and taciturn; when he does speak, it is with no apologies. He lives his life botching any remedial job for which he is lucky enough to get hired, and has no desire to escape the sphere he lives in as a “loser.” The reader must first ask why Henry