Young Goodman Brown And The Rainy River

“Young Goodman Brown” by Nathaniel Hawthorne is a short story centered around the psychoanalysis of Young Goodman Brown. Hawthorne was an American Novelist who wrote exceptional short stories, many of the Dark Romantic genre. The genre is characterized by dark, gloomy, psychologically crazed, romanticisms that often don’t have that typical happy ending. Throughout “Young Goodman Brown” his mental capacity is put to the test as he is forced to endure a battle between 2 conflicting emotions. Ambivalence is shown throughout the story as well, due to these conflicting emotions. Young Goodman Browns departure on his journey outlines the power struggle of good and evil within himself and the sinful nature his psyche imposes on the members of his community.

The story “Young Goodman Brown,” in its entirety is an allegory, a literary device used to teach a religious lesson. The reader is lead to wonder if the story’s events truly took place or if it was simply a bad dream. The story leaves readers wondering why Goodman Brown feels compelled to journey into the forest. “Young Goodman Brown” begins with Faith’s plea for Brown to not leave her on that night. He chooses to go out into the woods and ends up taking a “walk with the devil.” On his journey, Brown struggles with his decision and at times wants to turn back. His conscious tugs at him, much like the devil tempts individuals to do things that are wrong and evil. Brown seems to be concerned with what others will think if they see him in the woods. When “Goodman Brown recognized

Goodman Brown’s journey into the woods introduces us into his own religious hypocrisy. His character is described as young and possibly naïve to the true nature of the world, and Goodman Brown considers himself descended from”… a race of honest men and good Christians” (343). However, for unknown reasons, perhaps just out of curiosity, he decides to venture into the woods on a quest of “evil purpose.” Faith, Goodman Brown’s wife, is an important source of symbolism throughout his journey. She is not only his wife, but she is also symbolic of his spiritual faith. Before setting off into the woods Faith begs him not to go and foreshadows that nothing good will come of his trip. Hawthorne uses this scene to emphasize that questioning and straying from his “Faith” for even a night shows that his spiritual faith is much less established than he displays to his wife or the public. It also symbolizes that Goodman Brown had doubted and compromised his faith before he even began his voyage into the woods.

Nathaniel Hawthorne's Young Goodman Brown illustrates vividly how society and culture can very much influence a person's sense of identity and belonging, or in the case of Young Goodman Brown the lack thereof. Being a Puritan man in a society that scorned the ways of witches and the devil, Young Goodman Brown grew up with a very pious outlook on life. Yet when it occurs to him to look at life a little bit differently, Young Goodman Brown receives more than he has bargained for. The journey he embarks on sheds a whole new light on his society that not only creates a struggle between himself and his fellow men but also one within himself.

In the short story “Young Goodman Brown,” the author Nathaniel Hawthorne shows the fragility of humans when it comes to their morality. Goodman Brown goes on a journey through the forest with the devil to watch the witches’ ritual and observes the evil in the Puritan society. He loses his faith as he sees the people he respects the most participating in the sinful ritual. Nathaniel Hawthorne utilizes setting, and symbolism in his short story “Young Goodman Brown,” to show how a person’s perspective can change by showing the hypocritical nature of the Puritan society

Hawthorne quickly moves the setting from the village to Goodman Brown journeying away, alone, down a road leading to the forest. Historically, the forest symbolizes the heathen natural law. Since it is already late, shadows dominate the landscape, making trees and bushes seem more ominous than perhaps they really are. The road is described as, “darkened by all the gloomiest trees of the forest, which barely stood aside to let the narrow path creep through, and closed immediately behind” (2259). As a lonely, dark, gloomy road entering into nature, Hawthorne foreshadows what will occur within the forest. There are distinct implications in having the protagonist journey into nature rather than seeking something from society. Traditionally, the hero journey’s toward knowledge and understanding; therefore, Young Goodman Brown becomes an anti-hero. In seeking nature and heathen law, he gains nothing, and

“Young Goodman Brown,” written by Nathaniel Hawthorne in 1835, is a short story about a man named young Goodman Brown who leaves his wife, Faith, to go on an errand into the woods with the devil. Faith begs Goodman Brown to not leave her alone, but he chooses to go anyways. This short story shows many signs of symbolism, such as the forest, the devil, the staff, the pink ribbons, Faith, sin, and guilt. These symbols help in understanding the story of young Goodman Brown and his unconscious struggle with his religion. The trip not only takes Brown onto a journey of sadness, but also into the deepest parts of his soul. Goodman Brown wishes to enter the dark forest of sin, to satisfy his

Already in the beginning, miles of farmland wedge between John and Ann as he ventures off to “help [his father] with his chores, while “mak[ing] sure he’s all right in case [they] do have a storm.” Without her husband for company, she spends the day alone at home, painting, “brooding” and witnessing the intensity of the storm grow vicious. As “the double wheel around the moon” foreshadowed, the storm tested the “elements of human meaning and survival,” forcing the wise to stay indoors away from its “sharp, savage blows.” Also, the desolate prairies, themselves, add to the tense, stultifying aura of solidarity. While the landscape lay bleak and uninviting, how even “the distant farmsteads [Ann] could see served only to intensify a sense of isolation” appears clear. Not only “miles deep between her now and John,” Ann faces a natural barrier between the neighbouring homesteads as the “long white miles of prairie landscape” conceived a “region strangely alien to life.” In essence, the physical barriers, from the “sudden, maniac raging of the storm” to the vast stretches of farmland, allows loneliness and the “ever-lurking silence” to creep into the characters’ hearts until suffering takes control of their

“Young Goodman Brown” and “Good Country People” are short stories written a little more than 100 years apart by Nathaniel Hawthorne and Flannery O’Connor respectively, and they both follow similar themes about religion and faith in a parallel sense. “Young Goodman Brown” follows the story of a devout Puritan losing his faith in God and humanity through a journey in the woods. While “Good Country People” follows the story of an amputee woman who is “tricked” by a fake Bible salesman into going out with him as she is seduced by his Christian principles. Both “Young Goodman Brown” and “Good Country People” depict a story of faith but in reciprocal directions. “Young Goodman Brown” and “Good Country People” argue how one’s faith and identity can so easily be weakened and undermined by outside influences and temptations using techniques and views typical of Romanticism and Southern Gothic respectively.

Nathaniel Hawthorne’s “Young Goodman Brown” is an excellent example of the use of allegories and symbolism as a form of satire on Puritan faith. According to Frank Preston Stearns, author of The Life and Genius of Nathaniel Hawthorne, “Hawthorne may have intended this story as an exposure of the inconsistency, and consequent hypocrisy, of Puritanism” (Stearns 181). Throughout the story of “Young Goodman Brown,” Hawthorne tries to infuse as many symbols and allegories as he can to enhance the overall meaning of his story. He uses the village, Goodman Brown, Faith, the man in the forest, and the time spent in the forest as either a symbol or an allegory to get his point across that Puritans are not always what they seem to be.

In the story of Young Goodman Brown, as a reader we see many circumstances where Hawthorne uses irony in straightforward situations. I have learned from reading several of the author’s works that it is up to the reader to decide the meaning behind his stories. In this paper, I will be discussing the significance of the title, Young Goodman Brown and how I believe there is more to the story than what Hawthorne writes. Young Goodman Browns journey within the forest revealed truths not only within him, but within human nature and society. On page, 1103 Goodman Brown states “there may be a devilish Indian behind every tree.”

This loneliness comes only after he is far away from his Faith and God and traveling deeper into the darkness of the forest, only “assisted by the [evil], uncertain [false] light” (2187). Young Goodman Brown overcomes his loneliness when he meets an older traveler who tells him that even Brown’s own family has come to the woods and shows him other supposed Christians who are in the woods on this night, too. Deception, something that evil uses to try to lure all people into its darkness, begins to slowly take hold of Goodman Brown when he sees other people he admires and looks up to in the woods, such as Goody Cloyse, towns-people (both good and evil), and even Deacon Gookin and the minister. Goodman Brown wants to fight against the evil images that he is enclosing him in the woods and he even calls out to his Faith, which represents not only his wife but his own faith in goodness and God, but his cries are “drowned immediately in a louder murmur of voices, fading into far-off laughter, as the dark cloud swept away” (2191). Finally, evil wins over Goodman Brown when he cries that his “Faith is gone,” meaning his relationship with his pure, good wife and his relationship with his pure, good God, when he sees Faith’s pink

Throughout these two stories, the forest serves to represent evil and the unknown; however, it also represents truth, as it is the place where secrets come out and people express their true selves. In the very beginning of Young Goodman Brown, Goodman Brown’s wife Faith, advises him to wait until sunrise of the next morning to start his journey into the forest instead of leaving at night time, suggesting that Brown is traveling towards, and into the ominous darkness. This darkness represents everything evil, or the devil’s abode, so by having Faith urge her husband not to travel during the dark nighttime, it can be inferred that she is attempting to help him avoid the devil. However, Brown does not listen to the advice of Faith, and ventures deep into the path of sin, eventually coming to a terrifying realization

The primary setting of “Young Goodman Brown” is the forest. The Puritans believed that the woods were evil

Young Goodman Brown was an innocent, corruptly, and doubtful man. At first, he only thought there was goodness inside of his father and grandfather, until the old man tells Goodman Brown that he knew both of them. All the people that he thought were pure, happened to be connected with the devil at one point. Once he found out about everybody that the old man knew, Goodman Brown questioned his beliefs about everything and he was never the same. When Goodman Brown went to the forest, it completely changed his faith and well- being.