Young Goodman Brown 'And Where Are You Going, Where Have You Been'

Joyce Carol Oates plays upon the stereotypic female gender role through her adolescent character, Connie, in “Where Are You Going, Where Have You Been?” The story was written at a significant time in America’s history. It was a season when social and moral conventions were challenged. This period experienced the rise of women struggling for sexual freedom and gender equality in a patriarchal society. Oates portrays the protagonist, Connie, as naive, unaware and inexperienced; she has yet to find her identity and fully understand her place as a women in the world. She believes she has learned to play the game of the sexes and that she has the upper hand. This belief, though, is quickly subverted when she is confronted by Arnold Friend, a man who works to reinforce patriarchal standards by punishing Connie for acting outside stereotypic female role boundaries, she then realizes as a women, she has very little power.

Flannery O’Connor introduces her reader’s too unique short stories. They are “Good Country People” and “A Good Man is Hard to Find”, having too similar characters in different setting, but with the same symbolic meaning. The comparison between Hugla from “Good Country People” to the grandmother in “A Good Man Is Hard to find” is interesting, because they both suffer the same fate. In every short story O’Connor has created a intellectual individual who comes to a realization that their beliefs in there ability to control their lives and the lives of other are false. They enviably become the vulnerable, whereas they assumed it would be different. O’Connor has placed two misguide characters, that deem themselves to be manipulative and compulsive. At the end up of each short story they become vulnerable. Hugla from “Good Country People” and the grandmother from “A Good

Throughout the 1950’s, the United States belonged to the Leave It To Beaver era. Families were structured around a strong, hard working father and a wonderful homemaker mother. Children were brought up with solid ideologies on what society expects from them and were warned about living a different and dangerous life. Only one-year separates Tennessee William’s Cat on a Hot Tin Roof and James Baldwin’s Giovanni’s Room from there publishing dates during this decade of unwavering beliefs. These texts were seen as extremely controversial during their time due to their themes of homosexuality. Sexual orientation was an awkward topic during such a “to the book” time period and these texts pushed the limits, making them remarkable and memorable works. Both Tennessee Williams and James Baldwin explore the panic men experience while trying to comprehend what sexual orientation they belong to and highlight the masculine gay man. These texts also examine the woman’s role in the mist of it all.

The late 1950s was a time of cultural revolution which had a large influence on the American youth. “As the next decade drew near, issues such as civil rights, war, women 's rights, and the sexual revolution would deeply affect many American teenagers. The conservative family values and morals that predominated in the 1950s were just beginning to be challenged as the decade came to a close” (Moss and Wilson 3). As a result, many teenagers lost the conservative morals of the 1950s and became more independent. In “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, Connie represents the result of this cultural revolution. Criticized by her mother for her promiscuity, Connie is an independent girl who often hangs out with her friends trying to attract boys. In doing so, she attracts a sexual predator named Arnold Friend who visits her at her home to try to get her to leave with him to presumably rape her. At the end of the story, Connie chooses to go with him. Connie gets into this dangerous situation because of a mistaken belief on her self-worth, the loss of morals by her and the adults in the story, and the influence of the 1960s popular music. Looking at “Where Are You Going, Where Have You Been?” through the historical and feminist lenses, suggests that the story is really about how the misconceptions on self-worth and the diversion of 1960s society from

In Oates's "Where Are You Going, Where Have You Been?" it portrays the confusing nature of sexuality. A story set in the America of mid-1900s. A conflict of morals characterized this time, especially sexually related ones. There was a hot debate on the topic of sexuality among adolescents. The roles of women were being challenged and quickly changing. This story describes a psychosexual episode between a male predator and the protagonist, a female

Written two centuries apart, “Young Goodman Brown” by Nathaniel Hawthorne and “Where Are You Going; Where Have You Been” by Joyce Carol Oates are two seemingly different stories. However, if looked at closely, several elements can be tied together. Each story has a similar point of view, but the story is told from two different perspectives. Several themes are unique to the stories, but deep within similarities can be found. The authors conclude their stories in two different ways, but the endings are somewhat the same. These two stories contain elements that are obviously contrasting, yet comparable at the same time.

In the story, “Where are you Going, Where Have you Been?” the author, Joyce Carol Oates, uses literary devices to convey a message about the loss of innocence. To be more specific, Oates’s characterization of the protagonist, Connie, specifically shows the actions leading to her innocence being taken from her. The literary device of characterization gives a clear picture Oates thoughts at the time she wrote the story, expressing concern for young girls who are at risk of having their innocence taken from them.

Summary: According to Barstow, Connie represents American innocence and powerlessness. Connie has a hard time defending herself against Arnold Friend because of her lack of knowledge and the impact of American culture. The mother-daughter relationship plays a significant role in the story because had Connie and her mother communicated better, Connie, who is still a child, would have be protected from the evil of the world. Barstow also points out that the modern American is unable to distinguish evil from good.

“Where Are You Going, Where Have You Been” is a popular short story written by Joyce Carol Oates, a well-known American writer born in 1938 who is well-known for her literary works in various genres (“Joyce Carol Oates”). In her short story, Oates depicts Connie, a self-centered teenager, being pursued by a mysterious and potentially dangerous individual who claims to be named Arnold Friend. At the end of the work, Arnold finally convinces Connie to allow herself to be abducted by him and his friend which could lead to Connie’s death. Throughout Oates’ piece, “Where Are You Going, Where Have You Been,” hidden intent is continually observed, resulting from the mentions of Arnold Friend’s mirrored sunglasses and his mask-like makeup, which both symbolize masks.

Throughout the story Connie and her mother didn't get along very well. Connie felt neglected because her mom would always brag about her sister and never seemed to speak nicely about Connie. Connie actually wished her mother was dead and so was she so it could all be over ‘He didn't bother talking much to them, but around his bent head Connie's mother kept picking at her until Connie wished her mother was dead and she herself was dead and it was all over. "She makes me want to throw up sometimes," she complained to her friends. She had a high, breathless, amused voice that made everything she said sound a little forced, whether it was sincere or not.’ Despite their fall out, Connie still calls for her mom with her attempt to get away from this older man realizing that she is not a mature adult and still needs her mother by her side.

In the stories “Where Are You Going, Where Have You Been” and “Young Goodman Brown,” there is a common theme that the characters are in a dreamlike state with a subconscious presence of the devil. Not only do they share these common themes, they also reveal the meaning of the story, which is each characters’ coming-of-age journey and crossing boundaries. “Where Are You Going, Where Have You Been” is about a girl named Connie, who wants to grow up fast and flirts with the temptation that comes with being an adult. “Young Goodman Brown” follows a man, Goodman Brown, on a night journey into the forest to meet with a stranger, even at his wife’s protest. These characters are in a dreamlike state and their interactions with the devil gives them a glimpse of how their actions will play out in the future and the consequences they will suffer when those boundaries are crossed. With the theme of being tempted by the devil, in Connie’s case growing up fast and in Goodman Brown’s case a communion in the woods, both characters face significant changes in their outlooks on life.

Sexuality and personal growth has and always will be a topic of conversation in real life and even in fiction short stories. The idea of sexuality has just recently not only became an open idea to discuss but one to also write and publish about. Both Alice Munro and John Updike both illustrate the idea of sexuality and personal growth in very different ways. “The Found Boat” by Alice Munro, deals with sexuality in an aggressive manner while “A&P” by John Updike, deals more with the idea of sexuality rather than sexuality itself. They also have very similar elements of fiction that include (but is not limited to) characters, theme and conflict. The characters relate in both

How many women and young girls have experienced any form of harassment in their lives either if they innocently provocated it or not? As a matter of fact, we often hear on the news issues that happend, most of the time, to women such as sexual harassment or kidnapping. In Joyce Carol Oates's ''Where are you going, Where have you been?'', innocence comes with serious harassment consequences. This is shown through character, symbol and dialogue.

Connie is a fifteen year old girl who is confident and proud of herself, and almost feels as if she’s invincible, until she has a rude awakening when an unwanted visitor appears at her doorstep. The stories, "Lust" by Susan Minot, "ID" by Joyce Carol Oates, and "Where are you going, Where have you been?" also by, Joyce Carol Oates, describe the female coming of age. The female sexuality of these three young girls is that they didn’t understand their own reality, but yet wanted independence. The authors get across the message by using vivid symbols.

such as " I toldja shut up, Ellie," and "your deaf, get a hearing aid,