Young Pine In Light Essay

The use of lines in Stone City is one of the key visual elements in this painting. The artist used many contour lines to define the boundaries between the trees and the valley, the river and the land, and even the long roads from the hills as it winds through the countryside. Wood also incorporated a lot of implied lines into his artwork. The trees and bushes that line the hills create a line of sight which draws the eye of the viewer to the house on the river, which is the focal point of this painting. The lines all move in different directions and help the artist highlight different aspects of the painting. Around the city and in the foreground of the painting the artist uses a lot of horizontal lines, which gives the town a calm sensation. As we move away from the city, we find a lot of vertical lines which denote growth. We also find a lot of diagonal lines which imply action in the painting. The diagonal lines are predominantly used by the artist in the creation of the roads and

Lines are marks going from one point to another in a specific direction. There are many different types of lines in this painting, specifically curved, actual lines. The curved lines in this painting are the lines that make up the river, specifically those that create the oxbow. Curved lines show energy and in this painting shows the movement of the river. These lines are actual because they are visible as they outline the border between the river and the land. This river also implies the principle of movement as the curved lines show the movement of the river. Another example of a line that shows energy would be the actual and diagonal line of the leaning tree. Diagonal lines imply movement and drama. This line shows movement of how the tree was once vertical, but after the storm is moving down and leaning towards the ground (Pitard). These lines both show motion as the tree is leaning, or even possibly in the midst of falling, and the river is

The convergence of the implied lines forming the river banks with the fading blue mountains on the right produce a left to right movement when viewing the painting. The invisible lines created by the mountain range and the river emphasize direction by moving the viewer from a narrow and cramped foreground to a vastly open background that seems to go on for miles. His use of lines to produce this movement down the river has an effect of taking the viewer on a short ride into the distance towards the open mountains under a clear blue sky with white fluffy clouds. In contrast the buildings in the distance are enveloped in white with much softer lines and less defined outlines. This progression from clearly outlined and defined to less defined and wispy shapes communicates the thought of starting a journey in firm reality and moving down a dreamy river towards the unknown. Carefree clouds, beautiful mountains, and blue water just take the viewer to a more serene place, away from the reality of the

As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight

In the artwork line is used to show things such as movement. For example, in the painting line is used in the clothing to give it detail. In the painting the gods

Another example is the hills that surround the burning village, these lines show you how vast and open the surrounding desert is. If you look closely at the painting you can see a bunch of littler lines that are all over the place, making you think that the Diego Rivera used a super-fine bristled paint brush. Different types of lines are visible all throughout the entire

The artwork that I chose to describe is by Jean-Michel Basquiat. The artwork is called “Untitled (1981)” it is considered as an abstract piece of artwork because it represent a meaning, but does not try to make an external reality of something we see every day. This picture is of a distorted fisherman, but Basquiat exaggerated on how the person looks because it does not look anyway in form a natural look. In this artwork it uses vertical and horizontal lines at the top of the artwork. The lines are not thick at all, but really thin and curved lines. There is diagonal lines used when describing the somewhat fishing pole on the person back, and there are many unique thick lines of paint used at the bottom

deception that these two, ironically, realize they were lying to themselves, and that they do, in fact, love each other, showing that deception can overcome the opposition men and women have for one another.

This is contrasting to Venus Reclining in on a Sea Monster with Cupid and a Putto because the sculpture doesn’t really appear to make use of any other color besides the automatic color which comes with that of the marble. Line was used in creating the form of the painting. To be more specific on the kind of lines, the visual element of line used is actual lines. These can be seen when looking upon, for example, the creation of the tiled floors in the painting. Just as with Venus Reclining in on a Sea Monster with Cupid and a Putto, the visual element of space is used due to the amount of actual space that is taken up when the painting/sculpture is created.

Claude Monet’s use of the illusionary space in this image is actually quite amazing. At first glance, your eye is drawn towards the left side of the painting, due to the amount of large and bulky objects in the foreground. Suddenly though your eyes turn to Camille; the woman gazing into the distance. As she stares off into the distance she acts a point to redirect the focus of the piece past the water and into the village across the river. This painting has a surprising power in that it is ability to fully mesmerize and captivate the viewer in a way few pieces of art can.

Literature is representative of the time in which it is produced. Literature can reflect societal views, attitudes, and fears.Vampire literature, in particular, often represents the fears of a society.In the Victorian Era, a time of intense sexual repression, it was common for vampire stories to reflect the fear of sexuality that was rampant in society.

It is a painting using the swirling turmoil of line to make up the piece. You can tell this is a painting by the different styles of line and color.

Line: The visual element of art that is a continuous mark made on a ground support and has one dimension - length. Lines are a very common part of everyday life. There are different lines that have various directions. Different line direction can suggest movement. The different directions of line are—horizontal, vertical, diagonal, straight, and curved. Lines are considered to be one dimensional and are usually only measured in length. Depending on the thickness, thinness, or boldness of a line, the line can portray a variety of different moods and character. Horizontal lines go across - left to right. Vertical lines go up and down. Diagonal lines angle either up from left to right or down from left to right. Curved lines turn any number of ways.

In this painting, the lines are short which induces a vivid style. Normal people mostly

Depth is mostly occurring in the background with the mountains and the field with going all the way to the mountains. Jean-Francois Millet did an amazing job in showing the depth in his artwork. By adding the depth in the artwork, the artwork easily become more realistic. Normally a person can look across a field and can see for miles. That is exactly what Jean-Francois Millet did when he painted the Potato Planters.