Young Pine In Light Essay

The artwork that I chose to describe is by Jean-Michel Basquiat. The artwork is called “Untitled (1981)” it is considered as an abstract piece of artwork because it represent a meaning, but does not try to make an external reality of something we see every day. This picture is of a distorted fisherman, but Basquiat exaggerated on how the person looks because it does not look anyway in form a natural look. In this artwork it uses vertical and horizontal lines at the top of the artwork. The lines are not thick at all, but really thin and curved lines. There is diagonal lines used when describing the somewhat fishing pole on the person back, and there are many unique thick lines of paint used at the bottom

Then there are also many psychological lines to be seen in the work. One such line is of the woman and the floor, where she is staring down towards it. Another is from the young child and the store clerk, showing a defiance between the two. Next, light and value are not very contrasting in this painting, with only the basic highlights and the shadows seen. It isn’t completely contrasting or contradicting since the colors blend well together with close to the same value ranges, dark colors seen throughout except for the people’s pale faces. There also seems to be a variety of light sources since the woman’s face along with the shop clerk and the young boy’s is lit up by what seems to be a light bulb since they’re much brighter and highlighted and then the men and women in the back aren’t really as bright, except for the ones who close to the open door, creating a blue tinge from the outside light. The shapes shown through the painting is shown to be either very round or very geometrical. There are organic shapes in things such as the umbrella or even the back of the chair, but mostly it is either straight lines and geometrical shapes. The volume shown in the painting is very much implied, correctly showing the

It is a painting using the swirling turmoil of line to make up the piece. You can tell this is a painting by the different styles of line and color.

The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.

Lines are marks going from one point to another in a specific direction. There are many different types of lines in this painting, specifically curved, actual lines. The curved lines in this painting are the lines that make up the river, specifically those that create the oxbow. Curved lines show energy and in this painting shows the movement of the river. These lines are actual because they are visible as they outline the border between the river and the land. This river also implies the principle of movement as the curved lines show the movement of the river. Another example of a line that shows energy would be the actual and diagonal line of the leaning tree. Diagonal lines imply movement and drama. This line shows movement of how the tree was once vertical, but after the storm is moving down and leaning towards the ground (Pitard). These lines both show motion as the tree is leaning, or even possibly in the midst of falling, and the river is

The convergence of the implied lines forming the river banks with the fading blue mountains on the right produce a left to right movement when viewing the painting. The invisible lines created by the mountain range and the river emphasize direction by moving the viewer from a narrow and cramped foreground to a vastly open background that seems to go on for miles. His use of lines to produce this movement down the river has an effect of taking the viewer on a short ride into the distance towards the open mountains under a clear blue sky with white fluffy clouds. In contrast the buildings in the distance are enveloped in white with much softer lines and less defined outlines. This progression from clearly outlined and defined to less defined and wispy shapes communicates the thought of starting a journey in firm reality and moving down a dreamy river towards the unknown. Carefree clouds, beautiful mountains, and blue water just take the viewer to a more serene place, away from the reality of the

Another example is the hills that surround the burning village, these lines show you how vast and open the surrounding desert is. If you look closely at the painting you can see a bunch of littler lines that are all over the place, making you think that the Diego Rivera used a super-fine bristled paint brush. Different types of lines are visible all throughout the entire

As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight

The use of lines in Stone City is one of the key visual elements in this painting. The artist used many contour lines to define the boundaries between the trees and the valley, the river and the land, and even the long roads from the hills as it winds through the countryside. Wood also incorporated a lot of implied lines into his artwork. The trees and bushes that line the hills create a line of sight which draws the eye of the viewer to the house on the river, which is the focal point of this painting. The lines all move in different directions and help the artist highlight different aspects of the painting. Around the city and in the foreground of the painting the artist uses a lot of horizontal lines, which gives the town a calm sensation. As we move away from the city, we find a lot of vertical lines which denote growth. We also find a lot of diagonal lines which imply action in the painting. The diagonal lines are predominantly used by the artist in the creation of the roads and

The way light is displayed in the painting shows the type of day it is and helped the artist with knowing to use bright colors that appeal to light. There are many shapes and lines throughout the canvas that increases the depth of the illustration. The type of shapes mainly seen are squares and rectangles. The squares seen in the picture of the painting itself is square, the window leading out the the balcony, and the shape of which the background sunset an ocean is framed in is also square as well. All those shapes and angles help create the realism in the picture and create the 3D affect on the canvas.

To further elaborate upon the elements of art on the painting, the lines are in their vast

This is contrasting to Venus Reclining in on a Sea Monster with Cupid and a Putto because the sculpture doesn’t really appear to make use of any other color besides the automatic color which comes with that of the marble. Line was used in creating the form of the painting. To be more specific on the kind of lines, the visual element of line used is actual lines. These can be seen when looking upon, for example, the creation of the tiled floors in the painting. Just as with Venus Reclining in on a Sea Monster with Cupid and a Putto, the visual element of space is used due to the amount of actual space that is taken up when the painting/sculpture is created.

Line: The visual element of art that is a continuous mark made on a ground support and has one dimension - length. Lines are a very common part of everyday life. There are different lines that have various directions. Different line direction can suggest movement. The different directions of line are—horizontal, vertical, diagonal, straight, and curved. Lines are considered to be one dimensional and are usually only measured in length. Depending on the thickness, thinness, or boldness of a line, the line can portray a variety of different moods and character. Horizontal lines go across - left to right. Vertical lines go up and down. Diagonal lines angle either up from left to right or down from left to right. Curved lines turn any number of ways.

In this painting, the lines are short which induces a vivid style. Normal people mostly

He was so tall and thin. “Mister,” stated Little Pine Tree as loud as he could, “Come here please.” As Tall Pine Tree approached, Little Pine Tree noticed he had some great ornaments of his own. “Do you have a question for me that I can help you learn something? I am trying to grow my own ornaments?” asked Little Pine Tree.