Yukio Lippits Water-Moon Avalokitesvara

It took the Treaty of Kanagawa and unfair treatment by the US to weaken the shogunate and make way for the nationalist movements of the Meiji Restoration. The sweeping reforms put into place by the new constitutional monarchy put Japan back into the game - with rapid industrialization. military expansion, and advanced education. The landscape itself was useful for Japan's industrial age, as it consisted of mountains, valleys, and open plains, with bays, peninsulas, and small islands off the coast. (Doc. 6) The harbors formed along this coast made fishing the most viable trade, bringing in food for the country's citizens and forming a successful Japanese industry. Fishing also provided a segue into the market for naval development, meaning that in a short period of time, Japan had created one of the most sophisticated and powerful navies in all of the world. Because of the layout

Our lives are closely connected with an art. People easily regard an artwork as something that is far from our lives, but it is always around us. Now, I would like to introduce one of Buddhist artworks of Korea. The title is Pensive Bodhisattva. The artist is unknown. However, it was made in mid-7th century during the Three Kingdom Period. The dimension of this artwork is 8 7/8-inch and the medium is gilt bronze. It is located in Gallery 233 among other Korean artworks at the Metropolitan Museum of Art now.

Although China’s influence over Korea has waned severely since the dynastic years we find the Confucian system of virtues and behaviors, China’s chief export from that time, still very much alive. Korea highly values the extended family, education, personal discipline and public order. In South Korea Confucian temples continue to be maintained throughout the country. The tenets of Confucianism are seen as antidotes to social ills and therefore education is thought of as a means of building character, not simply of intellectual formation. The values of Confucianism are promulgated throughout Korea in places as diverse as school, the office and the home. Television programs often portray Confucian merits such as filial piety and harmony. However

During the post classical period, 650 C.E to 1450 C.E, Japanese leaders were confronted with several issues that threatened political order in Japan. The problems that arose during that time included a lack of respect for Buddhism, for example, monks were not taking their vows seriously. Another problem included the division between classes in the social structure, one instance was when the lady-in-waiting in the temple showed disdain for the peasants in a lower class than her. Ultimately, one last problem was the lack of overall respect for the government. Samurais were not being properly trained and the Daimyo were fighting among themselves simply for power. The issues that presented themselves during this time period can be solved in many ways. Buddhism, a unified religion, reestablishing Confucian values and relationships, and properly training the Samurai are just

Buddhist monk from childhood to old age in the flow of four seasons. Kim depicts two important

Under the daimyos, warfare changed from heroic combat to a more modern conflict. The constant state of war damaged the Japanese economy and because of that, some peasants engaged in futile rebellions against

Established during the early 8th century, an artwork known as The Pair of Lokapala, translated as the heavenly guardians, shapes the essence of early Chinese dynasty art sculpture. The 40 ½ x 16 ½ x 11 ¾ inch sculpture is focused around the Tang Dynasty due to its prominent years dating from 618-907 A.D. Furthermore, the materials to create The Pair of Lokapala was used with earthenware with three color lead glazes. Although the artist is unknown, the style of the artwork stretches the styling of Chinese sculpture, showing that the artist used those values to create the artwork. Therefore, The Pair of Lokapala evokes various aspects through Tang Dynasty art by emphasizing two guardians through the subject matter, arranging many formal

The Japanese empire was in great power by this time period, and they thought themselves as the king of the East Asian race. Japan, the “old order”, also believed that some day Europe and America would take over their power and become the “new orders”(Doc A). Japan was one

Japan at the turn of the century was clearly trying to westernize and change is isolated society into one more intellectually and scientifically involved with the rest of the world. When the Japanese open their ports to the western civilization food and merchandise were not the only things being traded. When ports were open the western way of living was integrated with the Japanese culture which gradually changed the way the

Sayre the author says, “The Buddha is the most extensive collection of large-scale sculptures in the world and can be found an hour north of New York City in the lower Hudson Valley at Storm King Art Center (“A World of Art”). Zhang seems to like the traditional aspects of chinses culture, because he re-used an ash material form other artists, to create his own sculpture. The techniques he used to create the sculpture is casting, assemblage, and construction. Without using these three additive techniques of sculpting, the artwork wouldn’t have been fragile, and not overwhelming in size. The subject of the “three Legged-Buddha” is another conflict with the governmental rules and regulations, and it has drawn a lot of attention due to its strong message that it conveys. When I initially examined the art piece for the first time, it looked like a huge dismantled, three legged human figure. I thought it was a symbol for keeping your body in better shape over your mind. The most amazing part of the sculpture is how extremely large it is compared to the electrocution sculpture. After reading and interpreting the sculpture it struck me that it was made for ceremonial gathering, where incense placed and burned from inside of the sculpture, and pours out of the head. I think that the artist was trying to involve the visitors in his sculpture. Since Zhang Huan

The group of objects chosen for this paper comes from the collection of the Saint Louis Art Museum. The title of both pieces is called Seated Bodhisattva Avalokitesvara (Guanyin). Both these pieces which are statues were sculpted in china. The earliest statue was made during the Tang dynasty. While, the later statue was made during the Northern Song dynasty. These statues were chosen because the same deity is depicted and were made in a similar geographic and cultural location. This allows for the comparison of the different styles between the 2 periods. The statue made during the Northern Song dynasty depicts the Bodhisattva Avalokitesvara sitting in a pose called the relaxed pose or easy pose. This statue also depicts the Bodhisattva adorned in lavish silk garments while a jeweled crown sits atop his head. The statue is carved from wood and painted with gesso, pigments, and gilding. The statue made during the Tang Dynasty depicts the Bodhisattva sitting in the easy pose as well. It also depicts the Bodhisattva in flowing robes while wearing a string of jewels.

In the period of Kofun (about 250 – 538) we can see regular and wide spread of ‘Korean’ technologies in Japanese archipelago, but we don’t see it in the period of Yayoi yet. In this text ‘Korean’ is just a compact term to designate groups of Mongoloid race speaking a language of Buyeo group . All items of ‘Korean’ origin that can be seen in the period of Yayoi are mostly elements of cargo cult, i.e.: copying of some items without due understanding of their true meaning. For instance, famous dōtaku 銅鐸bell-shaped bronze vessel of Yayoi period (pic. 6) evidently had no practical usage, but were

built many Buddhist art to spread the words. Early arts of Buddhist in the Sui Dynasty keeps part of

Westernization, which primarily spread in the mid to late 19th century, brought forth a profound change of ideas and cultures across the world. Both Japan and India were affected greatly as Western practices and ideologies seeped into the minds of individuals throughout various societies. Influential individuals, such as Thomas Babington Macaulay and Fukuzawa Yukichi wished to reform India and Japan by introducing Western ideas into these countries. Artists such as Honda Kinkachiro and Werner Forman showed the effects of Westernization on Japan. Through the writings and artwork of Macaulay, Yukichi, Kinkachiro, and Forman, we are able to understand that Europe’s colonizing mentality, as well as Asia’s acceptance of new ideas, were both supported by the belief that the West is superior.

Thesis Statement: Although many scholars believe that the feathered figures on the drums are depictions of ancestor figures, ethnographic evidences from the Karen’s use of the drum and the Toraja’s funeral rites suggest that the images engraved on the drums are mere portrayals of village life in Dongson.