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Zitkala-Sa Analysis

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Returning to Zitkala-Sa, we can see how her work strongly contests Turner’s ideas about what it means to be “evolved.” At home in the west, Zitkala-Sa and her family and friends had well-established, respected customs for everything: food collection, meal preparation, hairstyles, fashion, crafting, storytelling, religion, and more. Without recognizing this point we risk falling into the same mindset as Turner, in believing that Indian culture was primitive at best and nonexistent at worst. Conversely, at boarding school, Zitkala-Sa and her fellow Native American peers are forced to learn a new language, cut their hair short, wear “immodest” clothes, and indoctrinate themselves into Christianity, among other things. In Turner’s eyes, this may seem like the natural course of action in the “procession of civilization” (32), but to Zitkala-Sa, these experiences left her feeling like a “mummy,” chained up prior to her “burial” (Zitkala-Sa 97.) She states that it was “inbred in [her] to suffer in silence” at the hands of the “civilizing machine” (96), and remarks that she often “wept in secret, wishing [she] had gone West, to be nourished by [her] mother’s love, instead of remaining …show more content…

Early in his essay, he calls the United States “the land which had no history” before colonists arrived (Turner 31). He even goes as far as to say “Long before the pioneer farmer arrived on the scene, primitive Indian life had passed away” (32). Meanwhile, every single line of Zitkala-Sa’s piece refutes the idea that Indian culture did not exist or had “passed away” by the time the colonists arrived. Scenes where Zitkala-Sa is depicted listening to Ikomi stories from her elders, learning how to do beadwork, preparing a meal for an older gentleman, or praying to the Great Spirit all depict customs of a long-standing, thriving Native American

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