Zola Neale Hurston Sweat Dialect Analysis

Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).

The short story “Sweat,” by Zora Neale Hurston, seems to exemplify the epitome of a bad marriage. Hurston uses foreshadowing and irony to demonstrate the disintegrated relationship between the abusive husband and the diligent wife. Throughout the story, it becomes obvious that the husband does not oblige by the motto, “Do unto others as you would have them do unto you.” Hurston’s use of irony and foreshadowing helps reveal the fact that “the good will prevail” and Sykes will finally get what he deserves.

The main character in Zora Neale Hurston’s “Sweat” is a black woman who resides in the South that clutches on to her belief in God to help her get through the suffering that she endures from her abusive and adulterous husband, Sykes. “Sweat” is full of religious symbolism that demonstrates that Hurston was using the theme of good vs. evil in the short story.

Zora Neale Hurston is a remarkable author who reflects her life in most of her novels, short stories, and her essays. She was a writer during the Harlem Renaissance, also known as “the new negro movement”, however; her writings were not given proper recognition at first because they were not of the “norm” for that time period. All of the authors during the Harlem Renaissance were expected to write about race with a political mind set. Hurston was tired of seeing the same writings just different authors so her literary works were very different and were meant to stand out (Trudell). Among all of her abstracts, Sweat was a story of determination and oppression, with religion and strength as the backbone of

Zora Neale Hurston’s short story “Sweat” is about a woman, Delia who is physically and emotionally abused by her husband, Sykes, whose actions she struggles to overcome towards her. Through all the abuse, Delia takes pride in her hard work and her religion. In this story, Hurston uses religions and moral symbolism that controls the character’s actions throughout the plot.

In the opening sentence of the story Hurston’s writes, “It was eleven o’clock of a Spring night in Florida. It was Sunday” (Hurston, 73). The beginning signifies correct English grammar and proper sentence structure, but in seamless Zora Neale Hurston’s fashion, the dialogue from the protagonist Delia Jones reads in broken incorrect syntax, “Sykes, you quit grindin’ dirt into these clothes! How can Ah git through by Sat’day if Ah don’t start on Sunday” (74)? In her short stories Hurston’s diction is elevated with the usage of morphology with the constant exchange of word formation with infixes, affixes and the combining of word choices. Hurston’s choice of diction offered a rhymical affect that adds a melodious tone to her writing shaped by the Harlem Renaissance period. As noted in the, The Florida Historical Quarterly “Hurston blended narrator and protagonist through language” (Haskin, 207) Her writing style aid in the management of mood, tone, character depiction, movement, and atmosphere in storytelling procedures. In the commencement of her stories, the storyteller, is communicating in standard English, the third-party narrative speaks as a representative for the character waiting to find his or her voice. As the character(s) discoveries their voice, they sway the narrator, and in the conclusion the narrator and central character are speaking for each other, using equally poetic, participating language (207).

In the short story “Drenched in Light” by Zora Neale Hurston, the author appeals to a broad audience by disguising ethnology and an underlying theme of gender, race, and oppression with an ambiguous tale of a young black girl and the appreciation she receives from white people. Often writing to a double audience, Hurston had a keen ability to appeal to white and black readers in a clever way. “[Hurston] knew her white folks well and performed her minstrel shows tongue in cheek” (Meisenhelder 2). Originally published in The Opportunity in 1924, “Drenched in Light” was Hurston’s first story to a national audience.

Zora Neale Hurston breathes life into “Spunk” by contrasting African American slang with the formal, educated tone of the narrator to emphasize adversity and express culture in the South. Hurston’s most memorable moments in her childhood were a result of “Skillful story-tellers [that] could hold their listeners spellbound for hours, with tales that combined elements of African tradition, the history of slavery, and current events,” (Bily). Oral storytelling was a news source and form of entertainment for those living in poverty. In “Spunk,” it is evident that Hurston’s goal is to combine the setting she grew up in with her fondness for written literature when Elijah Mosley cries, “‘Looka theah, folkses!’… slapping his leg gleefully.

Zora Neale Hurston’s short story "Sweat" takes place in the 1920s in a small African American community in southern Florida. The story takes a look at a woman dominated by her husband, a common issue for many wives in the south during this time. Delia Jones, the protagonist in the story, is a hard-working woman who has bought her own home and supported her husband for fifteen years by taking in the laundry of white folks from the next town over. Delia’s husband Sykes does not value her or the work she does to support the both of them. Sykes has abused his wife for fifteen years and takes no shame in parading around his fat mistress for all to see. Sykes wants to get rid of Delia and take everything she’s ever worked for. Delia, though

Hurston’s characters have idealistic dialect for an African American in that time period; correctly depicting any stereotypes that might fall on the situation. The slang and slurs used throughout the characters dialogue makes the tale more

In the story “Sweat” by Zora Neale Hurston she talks about a lady that is independent. This lady’s name is Delia. She is married to Sykes who does abuse her and has a mistress named Bertha who he is trying to get her into Delia’s house. Delia is the one that does all the hard work while Sykes just sits at home. The symbols in this story help get the theme across which are domestic violence and empowerment. The three main symbols in this story each stand for a theme which is the snake portraying domestic violence, the Chinaberry tree and the title “Sweat” both portray empowerment.

The story Sweat by Zora Neale Hurston tells the story of Delia who overcame her abusive husband, Sykes through her development of becoming a strong woman. The development of Delia’s character throughout the story relates to Zora Neale Hurston’s life of growing up into a strong, empowered woman. Delia and Zora were both verbally and physically abused which made them afraid and timid. Zora made her characters talk in a dialect that she grew up listening to which was uncommon to do in literature. Delia and Zora both had to provide for themselves by putting in the effort remain stable and happy. They also stood up for what they believed in which started their development into strong women. Delia had to let her husband die in order to gain independence, while Zora had to move away from home in order to be successful in her future which developed them both develop into independent women. They became stronger because of these things which empowered them to take back control of their lives. The snake is a symbol in the story that represents the evil that was overcome by the good. This story can now be better analyzed when looking at the life of Delia which connects to Zora Neale Hurston’s life.

In the book To Kill a Mockingbird Atticus tells Jem and Scout to shoot at tins cans in the backyard. He goes on to say, “ Shoot all the blue jays you want, if you can hit ‘em, but remember it’s a sin to kill a mocking bird.” “(Lee 103)”Miss Maudie explains it to the kids and says, “ Mockingbirds don’t do one thing but make music for us to enjoy. They don’t do one thing but to sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.” “(103)” In the story there are three characters that could be counted as mockingbirds and they’re Tom Robison, Boo (Arthur) Radley, and Mr. Dolphus Raymond.

“Everybody's good when they're good, darling. You don't judge a person by that. It's how they act when things aren't good that tells you who they really are.” ― Megan Jacobson (Goodreads, “56 Quotes”) Much like the world around us, literature has many elements that have the reader portray their own understanding and perspective of it. In Sweat, Zora Neale Hurston gives the reader many different situations where many readers can have several viewpoints. This seems to be very similar to the Bible, where a child of God can read the same scripture as another and have a completely different meaning in their eyes. Zora Hurston uses many elements that focus on the idea that actions one does speak louder than words, by the use of religious imagery and Delia, the wife.

Modernism is a literary style of American literature that begins in the 1920s and was ongoing until World War II. World War I, industrialization, The Great Depression, and World War II influenced many authors. These authors exemplify disillusion, loss of faith, loss of hope, and feeling of futility within their works. Hurston’s literary work, “Sweat”, a story of a black woman and her abusive husband describes Delia’s struggles against society, and the little power she has against her husband Sykes. Searching for comfort and happiness is a main focal point of Modernism within this story. Sykes does this and tries to be a snake by his evil qualities, physical abuse, and being unexpected like a rattler.