Apocalypse Research Papers

The characters or zombies are that they aren’t coordinated; always have an appetite Frontal lobe that tells them what to do. What determines what a zombies

People should start preparing for the apocalypse. Not the end apocalypse but the Walker apocalypse-A.K.A The zombie apocalypse if you are not a fan of the walking dead.

Continuing on, zombies have had a huge pop culture impact on the world. The peak popularity time of zombies every year is undoubtedly the month of October as Halloween approaches. During the Halloween season many zombie movies, books, video games, etc. are released and a lot of them have a major “hype” factor around them. For example, the popular video game series “Call of Duty” tends to

Zombies aren’t supposed to exist. But what if they do, and we interact with them every day? Chuck Klosterman’s essay, “My Zombie, Myself”, compares everyday life to the task of killing zombies. Through elaborate metaphors, quotes from zombie experts, and a strong call to action, he successfully appeals to pathos, ethos and logos to convince his readers. Klosterman argues that even though modern life is monotonous, it is possible to escape the monotony.

“The principal downside to any zombie attack is that the zombies will never stop coming; the principal downside to life is that you will never be finished with whatever it is you do” (Klosterman 2).

In the possible occurrence of a zombie apocalypse, certain measures involving shelter, food, weapons, and fitness should be taken to better the chances of survival in such a desperate situation. Throughout the years, movies, television shows, and other miscellaneous hype have heightened a large number of people’s suspicion about the possibility of disease-ridden humans taking over the world. In reality, that atrocity is not exactly far-fetched. With so many vaccines and medicines being mass produced without the sufficient steps taken to test the results, the chance of humans contracting unimaginable side effects is a rational possibility. If

Step one of the preparation is the easiest: assessing the potential of, and being on the lookout for, a sudden and massive wave of zombification. I know what you must be thinking, “Zombies? No way,” but I beg for your attention on this matter; it could be the difference between life and death and un-death. Ruling out the more extreme, and significantly less likely, possibilities of sorcery and hell reaching its maximum seating capacity, leaves genetic mutation, viral infection, and science gone wrong as candidates. For simplicity’s sake, we can boil these three causes down to a disruption of brain chemistry in one way or another. As far as the possibility of an outbreak goes, in regard to the fundamental corruption of a brain’s chemical equilibrium, the risk is exponential. One piece of Mad Cow grade beef, a corn crop dusted with a carcinogenic pesticide or maybe just a simple radioactive leak into a local water supply and all of a

First, the living vs. the zombies have an overwhelming conflict with the zombies trying to eat the living in all. The living have to find food, water, ammo and shelter to stay alive. On the general’s

AHHHHhhhhhh........! Imagine being awakened by a soft, distance scream. Wide awake, the world returns to being silent except for a racing heartbeat. Suddenly, a soft resonating moan starts to fill the empty air of the bedroom. Looking out the window, the world is an eerie grey with nothing moving but the occasional garbage blowing in the wind. Suddenly the horizon begins to change as a crowd of people begin to emerge. Watching nervously, the figures get closer and turn into something much more menacing. They are all disease-invested, flesh-rotted, brain-hungry zombies! Where did these undead monsters come from? How do they survive? What

Ever since the first zombie movie was created in 1932, there has been a constant rise of zombie appearances in popular media. Like with all monsters, the majority of zombie media aimed to represent a certain aspect throughout the society in question. Whereas vampires represented romanticism and Dracula represented how a certain social group was viewed during a certain time period, zombies in Romero’s “Night of the Living Dead” aimed to create a situation whereby a group of people had to survive a night together, despite their racial tensions between one another. Being the founder of all subsequent zombie films, “Night of the Living Dead” provided a guideline for zombie behavior. As time passed, more and more versions of the zombie came out, whereby zombies stopped being a plot device and turned into the focus of the film itself. The Walking Dead, currently standing as the fourth most popular TV series, took a turn from this progression and decided to imitate Romero’s take on zombies. By including zombies which simply aimed to sustain themselves by consuming the flesh of the “live,” the creators of The Walking Dead caused the remaining survivors to gather together and rely on primitive human instinct to survive. Even though the zombies in this series run rampant, they play a very minimalistic metaphoric role. Instead, by presenting the zombies as a plot device, the characters in this series were able to demonstrate their true prejudiced view on society, ultimately revealing

The fast-paced humor and physical comedy (most notably the fence gag) are obviously elements of screwball and slapstick comedies, respectfully. Additionally, typical focal points of zombie movies are refused or defied as well. The zombies are prominently not referred to as zombies. A decision was made and kept to not reveal the origins of the zombie apocalypse, an element noted to be one of interest after fear of radiation was exploited and used as the reason behind the rising of the undead (Altman, 218). The hero of the movie, Shaun, isn’t much of a hero to go with; he defies narrative ideas of a hero, as pointed out with the line “for a hero, you’re quite a hypocrite!” Finally, the so desired and so expected happy ending is bittersweet; the road to this ending being difficult in and of itself. Many people close to Shaun die (such as his mother), relationships are bared down to their harsh realities (for instance, between David and Di), and even though his best friend technically survives, he exists as a zombie. Though, considering the way Ed was living, one could equate him as already acting like a zombie and surmise that his fate didn’t ultimately change much of who he was. Yet the fact still remains his state of undead isn’t an ending one would picture as being happy; it’s more like the best outcome,

Klosterman proposes that he knows why the interest in zombies has grown so much. He attributes this to zombies being very easy to kill, come in large quantities, and have no depth of character. Klosterman’s explanation for such intrigue in zombies is their parallel to our day to day existence. He relates zombies to many real life activities, like going through a weekends worth of emails on Monday. Along with the constant saturation of news we can get from the internet, the concept of it being easy to close, or kill, and come in large quantities are very similar to zombies. Klosterman provides this as a better exploitation of the popularity of

My zombie is the result of a severe psychosis condition. Although many different more specific disorders may be responsible for this more broad conclusion, the psychosis condition my zombie is experiencing causes an altered state of reality, or severe hallucinations. While my zombie is in fact a zombie in her mind, she is, in reality, no more deranged than any other mortal human. Her altered perception of the world around her has caused her to believe she is a brain-eating, horrific zombie. As does any other, or most, cases of extreme hallucinations, it does eventually come to an end as Halloween and the month of October also wean away the other supernatural creatures lurking in her hallucination. This twisted experience of reality did not,

Zombies or cannibalistic humanoids are popular among the horror genre of myths and legends. As a result, they have became dominant in the pop culture with their appearance in numerous iconic films and shows. Within these legends, stories or films, zombies have been depicted in different versions. They can either be quick and cunningly vicious or slow and mindless. Some stories even portray them having a smart efficient society where they utilize a strange sense of teamwork. Although all of these versions have its comparisons, zombies always end up having a relation to the infamous virus that infects

“The principal downside to any zombie attack is that the zombies will never stop coming; the principal downside to life is that you will never be finished with whatever it is you do” (Klosterman 2).