Zombie Literature

She allows the reader to truly imagine themselves in a zombie apocalypse by using description and comparison. “If you work in the many white-collar fields that have suffered in this recession, zombies are the perfect representation of the fiscal horror show” (Bosch, 651). Any reader that works in the white-collar fields, or knows anyone that does, can relate to what Bosch is saying because she used a vivid description and a comparison in one sentence. Readers will read this line and imagine their work chaos during the recession and immediately visualize zombies taking over the world and the madness that goes along with that. “There was a recession. It was a time of unemployment – of white-collar employment…” (Warner, 197). She also uses another type of figurative language: a metaphor. When she talks about the reality of zombie television shows and movies, she used a metaphor to compare modern day zombies to unicorns. “[n]o longer are zombies the beloved genre of the lonely, virgin teenage male, the macabre flipside of the girls’ obsession with unicorns” (Bosch, 651). She uses this metaphor to enhance the reader’s reading experience with humor but also by allowing the reader to understand how modern day zombie television shows and movies are looked upon. It is no longer for guts and gore but for fondness of shows and

Zombies, as we know them today, have mortified movie viewers for the last forty six years. Modern zombies first appeared in George A. Romero’s Night of the Living Dead in 1968. These zombies were the slow moving, staggering ghouls that one has seen in countless films, but in 1985, Return of the Living Dead featured a new kind of zombie, the first fast moving and talking ghoul. Both Night of the Living dead 1968 and Return of the Living Dead 1985 feature the zombie as its villain, but Return of the living dead’s fast moving, talking zombies are a more modern take on the movie monster.

Reading through the whole essay, there are many appealing strategies found in order to strengthen the essay academically. Brooks attracts the audience with a pathos-style strategy, giving specific movie examples to straighten up the essay. The movie Night of the Living Dead resonates the viewers with an image of a flesh-eating and harmful zombie figure instead of a harmless voodoo-created zombie, which makes the notion of zombies transformed into a horrifying figure, provoking the sense of fear of audience with emotional appeal. The revolutionary creation of zombie film was led by George A. Romero, the father of the entirely new horror genre. In his work, zombies are characterized as a form of undead

Zombies aren’t supposed to exist. But what if they do, and we interact with them every day? Chuck Klosterman’s essay, “My Zombie, Myself”, compares everyday life to the task of killing zombies. Through elaborate metaphors, quotes from zombie experts, and a strong call to action, he successfully appeals to pathos, ethos and logos to convince his readers. Klosterman argues that even though modern life is monotonous, it is possible to escape the monotony.

“Zombies are like the Internet and the media and every conversation we don’t want to have. All of it comes at us endlessly (and thoughtlessly), and – if we surrender – we will be overtaken

A valuable lesson you hope to pass on to the next late night pedestrian you and your new friends come across; Underestimating the potential for a zombie outbreak is a highly dangerous (and foolish) activity. Preparedness is something one can never have too much of when considering an epidemic of the walking dead. Some of the basics are: Assessing the potential for a zombie outbreak at any given time, knowing the four types of zombies and how to respond to each (an absolute must), and most importantly, you need to have a plan.

First off, I love Mathias Clasen’s paper, about people becoming reanimated corpses or zombies. I would not know what I would do if my Mom become an undead monster, or worse, what if my father, who passed away six years ago, came back from the grave. Could I bring myself to kill them, (well kill my dad again because he already dead) or tie them up, lock them in my basement and just go to see them, like the movie, Shaun of the Dead. The dynamic questions come into that what are monsters within and without. Clasen talks about zombies being “dull creatures” and having one life goal, “to eat fresh and brains” (3) compared to vampires or werewolves, who retain their intelligence. Compared this cultures and looking from the outside on taboo monsters that are alive monsters (aliens, killer sharks, or killer humans), the undead breaks the code of

When analyzing this piece of writing it is clear that the purpose is not to entertain or persuade. The purpose, instead, is to inform and give a new perspective on zombie movies in a simple way that an audience of all ages can understand. In Andrew Cooper and Brandy Blake’s, “George Romero Zombie Films: A Plague of Meaning,” the authors walk the reader through how as time changed zombie movies changed with it. The authors further explain how zombies in many movies represent the time and culture. The writers inform the reader through their use of information from past zombie movies and analysis of the events of the times they were made.

Rodney Clapp, writer, editor for Wipf and Stock Publishers and expert in topics such as theology and culture, in the article, “Attack of the Zombies”, argues that many things in life are beginning to resemble zombies. Clapp assumes that the audience also views zombies as lifeless creatures that go around spreading their disease. The author’s purpose is to persuade the audience to believe that many things they see today are starting to resemble zombies. The author writes in a challenging tone for people who question the similarity of zombies to every day life. Clapp supports his argument by comparing and contrasting, and exemplification.

During the atomic age, the zombie was born, as a new monster that resembled Cold War anxieties. One of the most known fears was the fear of the spread of communism in the United States that would "[turn] citizens into mindless hordes." Nowadays, zombies have developed and are not stupid and slow as shown in the first zombie movies, but they are smart and fast today. The perfect killing machines. Zombies can be compared to "terrorist sects and sleeper cells [...]" (66). The zombie walked represents insecurity in a culture, about "who we are, who the enemy is, and whether s/he is us." The zombie walk helps participants to express their feelings about cultural anxieties related to death and warfare. The destructive force of zombies is detectible in modern anxieties over terrorism and worldwide war. Here, zombies walks have a deep meaning. They "act as a means for working through [...] the structural conditions of a new and violence that so

Predecessors of George Romero’s Night of the Living Dead, the film that greatly popularized the zombie sub-genre of horror, display a clear divergence from the monster we recognize today from literature and media. In the 1930s, prior to evolving into the modern flesh and brain eating monsters, zombies were mindless slaves controlled and made to do the bidding of their evil masters. The process of zombification was an avoidable danger for its victims and was a state that was induced and reversible as, without their master, the zombie became aimless and was restored back to normalcy. The zombie films of the 1930s to the 1950s, specifically The Mummy (1932) and White Zombie (1932), originated the zombie genre, laid the foundation for Romero to

As we all know most of us find zombies repulsive, ugly, and scary. Zombies can also connect our fears with death. Zombies are looked at as being fictional and created through a reanimation of a human corpse. Zombies are most likely found in horror films and fantasy genres, but can have connections with history with complex origins.

The humdrum of normal life gets infected with the infected with little to know details about why or how it happened. The only scientific conclusion drawn in the shows 6 seasons is that as soon as you die, bitten or unbitten, you turn. The zombies in this show are more traditional. They are normal colored decomposing bodies whose only drive is to rip apart any living creature it can get its hands on. The zombies have been scene eating people and a wide variety of animals. A bite from a zombie leads to an illness that eventually kills, and triggers the turn of, whoever the unlucky victim may be. The only way to stop the bite from infecting a victim is immediate amputation. The main protagonist is human ex-cop Rick and his gang of survivors. The clear antagonists are the zombies. However, as the series progressed past the initial years of the apocalypse the zombies almost become a background threat to the human villains that pop up and wreak havoc. Having human and zombie’s antagonists is the only thing these two shows have in common. The zombies of IZOMBIE are drained of all color, hunger is only one of their characteristics, they only eat human brains, and people only turn if they have direct contact with zombie DNA. Most of them opt to tan and dye, unlike protagonist Liv Moore, and live their lives under noses of the humans of the city. The manage this for a year before being

The idea of Zombies first came from Haiti, in the 17th Century when the French had control over the land which at the time was called Saint Domingue, which had a lot of sugar plantations. With all this land to work the French decided to bring slaves over from Africa to work the land. The slaves like all slaves throughout history were treated awful. They were treated so bad that many of them committed suicide just so they didn’t have to suffer another day. The slaves believed in two different types of death which are Unnatural and natural. Unnatural death occurs when a person is murdered or commits suicide or any type of death that is not god’s will. The other type of death that the slaves believed in was natural death, that is

Is it possible to kill an idea when it is undead? Classic movie monsters tend to fade in and out of popularity as audiences grow bored and move on to fresher concepts. But there is one that has risen up and does not seem to slow down: zombies. Zombies have gone from being a small subgenre of horror film to a staple of popular culture across various media. This paper will explore the rise of zombies in popular culture and why it continues to remain relevant.