Zombiess And Zombies In Movies, Comedy, Fiction And Fiction?

The article “Dead man still walking: Explaining the zombie renaissance” by Kyle Bishop is about the revitalization of the zombie genre. The article talks about the inception in the late 1960’s, the category of zombie films has had its roller coaster ride of ups and downs, starting with its decline in the early 1980’s with the release of Michael Jackson’s “Thriller” video. Furthermore, during 1990’s, due to the shift in the cultural consciousness that came with the Clinton Administration and the countries isolation from global tragedies, the popularity of these films continued to decline. Cultural consciousness refers to the understanding and awareness a shift in feelings, sensations, thoughts, of not only our own culture, but adjoining cultures.

For example, in the article “Vampire Gentlemen and Zombie Beasts: A Rendering of True Monstrosity” by Tenga and Zimmerman, it shows the difference between vampires and zombies over time: “As Natalie Wilson notes, today’s vampires is ‘a lonely immortal longing for love, family, and approval’” (76). This quote shows how vampires have become more adaptive to human nature. They live for love, with the feeling of a human being, and wanting to be a part of our society. In addition, Tenga and Zimmerman also state: “Unlike Dracula, who inhabited a dilapidated castle, these vampires enjoy an opulent lifestyle, and perhaps more importantly, the accoutrements that represent their way of life can be purchased” (81). This shows that vampires have become more advanced in the way they live. In other words, they have abandoned their monstrous characteristics and inhumanity in order to preserve their kind.

What are vampires and zombies? “Vampires suck the human blood at the time of night. But their brains are pretty much functional. On the other hand, zombies are brain-dead and they feed on human flesh at any time of the day” (ReComparison.com). Vampires are intelligent and cunning, using their wisdom to attract prey. A common behavior of vampires is seduction; this is because vampires are usually attractive. It helps with getting an easy meal; they don’t have to deal with too much of a fight, unlike zombies. Zombies don’t have much wit and must chase after their prey. With their brainless behaviors, zombies don’t have individual personalities. They are all similar and act on the same instinct. Vampires are full of their individual

In the modern movie genre, horror movies accounts for very great proportion of the number of followers. Relevantly, the zombie film genre has been developed into a dominant part of mainstream horror, replacing the previous monster such as vampires and werewolves. In Max Brooks’s essay “The Movies That Rose From the Grave”, he offers his opinion that throughout the process of zombie film transformation, it increasingly captivates viewers while gradually generates the modern horror. Brooks’s essay should be an appropriate inclusion of a college textbook which explains the phenomenon of the “undead explosion” in various kinds of media, proving to the audiences with enthusiasm, interest, credibility and specific examples that zombie culture is resurrecting a formerly obsolete genre.

Vampires and Zombies are common in today’s modern world through the use of the media. In this essay, I will be talking about how each of these beings say something about society, how vampires have been portrayed across time and how zombies have been portrayed. By doing this, I will use two references from TV shows.

The foundation of horror genre was set by monsters that not only haunted your dreams but also conveyed rich themes found deep beneath the surface. Vampires are considered a symbol of seduction and sophistication while Frankenstein monsters represent misunderstanding, oppression, and rebellion. Some of the strongest symbolism is found in standard films of the horror genre does not come from the frequently updated relics. Utilizing fear and horror as mechanisms for subtext, social commentary, and symbolism, George Romero created a new horror genre, one that scares and shines just as much as great horror classics. Romero’s Night of the Living Dead revolutionized the once stagnant zombie film and made into something unstoppable, still to this day zombie movies rake in millions of ticket sales at the box office while remaining culturally relevant.

Today, the new movie "Zombieland" has just been released into theaters so the zombie is still going strongly through culture. Night of the Living Dead was a serious horror look at zombies but society has turned a once terrifying genre into some humor. Spoofs like ‘Shawn of the Dead’ and ‘Zombieland’ “has fun messing around with the rules of the post-apocalyptic zombie movie genre” (Machosky). However the reason the undead have survived so long is because they have broadened their publicity range. Not only does the world see zombies in movies, but mankind must “watch out for Nazi zombies rising from the grave in videos games like ‘Dead Snow’ and ‘Call of Duty: World at War’” (Greene). Zombies have been expanded into music as well with the Kingston Trio’s release of the song “Zombie Jamboree”. Even books have been used to spread the disease, such as “at Borders zombie literature runs the gambit from Pride and Prejudice and Zombies to Zombie Haiku” (Greene). In addition, David Lubar has just recently expanded the zombie craze to elementary school children with his newest novel, My Rotten Life (Lauer-Williams). This is a children’s book about a middle school student who is also a zombie. Zombies, once a scary menace only for the brave at heart, have become a friendlier topic for everyone.

When analyzing this piece of writing it is clear that the purpose is not to entertain or persuade. The purpose, instead, is to inform and give a new perspective on zombie movies in a simple way that an audience of all ages can understand. In Andrew Cooper and Brandy Blake’s, “George Romero Zombie Films: A Plague of Meaning,” the authors walk the reader through how as time changed zombie movies changed with it. The authors further explain how zombies in many movies represent the time and culture. The writers inform the reader through their use of information from past zombie movies and analysis of the events of the times they were made.

There has been a resurgence of zombie films in the last decade, ranging from Danny Boyles 28 Days Later to Paul W.S. Andersons Resident Evil. This renaissance of zombie cinema has resurfaced in response to the cultural, political, and social volatility experienced in today’s society, much like its predecessors. A zombie film, unlike other monster movies, plays more with the real-world fears and anxieties, presenting the audience with inescapable realities. However, to understand why this subgenre has been brought back into the mainstream cinema, a comparison is needed across generations of film. This paper will focus on the comparison between George A. Romero’s Night of the Living Dead and Danny Boyles 28 Days Later; in an attempt to show how zombie cinema is a reaction to cultural shocks.

In the modern world, media outlets and pop culture constantly revive the idea of zombies taking over human society. From The Walking Dead to Michael Jackson’s “Thriller,” zombies are portrayed as slow-moving living-dead creatures shown in mass amounts to create the idea of consumption. While this monster as it is depicted in movies and television shows is nonexistent, there are living zombies walking the surface every day. They hide in the shadows of town and often only wear the clothes on their back. They spend every day trying to survive with the little amount of money they can scavenge. Money to them acts as the cure to help them get the necessary resources they need. Many people in this nation and across the world are categorized as living under the poverty line. The spectrum of people ranges from homeless and sleeping on the streets to large families settling in garage-sized apartments. Even when taking out of consideration the similarities in physical appearance, zombies are an accurate representation of the major issue of poverty in today’s society due to the instant eeriness that the stereotypes of both subjects represent and the idea that the poor are unable to receive the necessary health treatments.

Zombies continue to keep their popularity alive through the entertainment industry. Zombies have been around for years now with no sign of leaving anytime soon. In the story Max Brooks suggests that zombies have given the other horror movie monsters a run for their money because, zombies are the only monsters that keep their popularity going strong in today’s society. I enjoyed the way Max Brooks shows the reader that he is a fan of zombies and thinks that zombies have been dominating the entertainment industry.

Zombies today are more popular than any other movie or television show. Zombies are popular today because most people can relate to them and it ties into our everyday modern life. In the article “My Zombie, Myself: Why Modern Life Feels Rather Undead,” Chuck Klosterman offers insightful commentary on why zombies are so popular.

Horror movie junkies have made these monsters popular time and time again. Vampires and zombies are the most popular monsters in today’s media, thanks to shows like The Vampire Diaries and The Walking Dead. Shows and movies are always changing the demographic of their viewers for more revenue like a kid zombie movie would be Disney Channels new movie Zombies or for Vampires it would be My Baby-Sitters

The generalization for vampires has been displayed in films and literature for hundreds of years. The stereotypical versions of vampires are that they have long fangs, sleep in coffins during the day, and suck the blood out of humans. Both novels contradict those stereotypes in different ways. To understand the diversity of the vampires described in both novels, one must examine the characteristics that the vampires display and the meaning and purpose behind them. David D. Gilmore’s book “Monsters” analyzes monsters and other mythical creatures. Gilmore describes why humanity invented the idea of

Is it possible to kill an idea when it is undead? Classic movie monsters tend to fade in and out of popularity as audiences grow bored and move on to fresher concepts. But there is one that has risen up and does not seem to slow down: zombies. Zombies have gone from being a small subgenre of horror film to a staple of popular culture across various media. This paper will explore the rise of zombies in popular culture and why it continues to remain relevant.