Zona Galactica Case Study

In several cultures, women are seen as archetypes more than men. The proposition of women are instantly idealized and glorified and instantaneously ignore the true complexity of a woman. Countless of these superficial images can be seen across various cultures where the societies within these cultures define what it means to be a female and what type of behavior is and isn’t acceptable within those parameters. The persistent restatement of these stories throughout these generations reinforces the gender system. Women who step out of the norm in these societies are then held punishable for their actions. Alicia Gaspar de Alba pinpoints the three archetypal roles that are given to the women in the Mexican and Chicana cultures. These are,

Common stereotypes about women in the Mexican-American culture include that women are uneducated, good housewives, and very fertile. Many parents still believe it’s the woman’s job to stay home and be the homemaker. The concept of gender, which is socially constructed, is reinforced since birth. (Sociology Lecture 08/24/2015) Ana was caught in the middle of gender politics. Her mother oppressed her daughter so she can become a grandmother. The film “Real Women Have Curves” deals with gender stereotypes and struggles of poor women living in East LA. Carmen was trying to have Ana chained to the notion of women being inferior to men. Carmen believed men to be superior, whereas Ana thought differently. However Ana strived to liberate herself from traditional cultural norms by pursuing her college education. Her mother’s negative influence only caused Ana to rebel.

Marin said that “she’s going to get a real job downtown because that’s where the best jobs are, since you always get to look beautiful and get to wear nice clothes and can meet someone in the subway who might marry you and take you to live in a big house faraway.” (Cisneros,26-27) This mean she will change her life with man not her own. In this story’s background society is woman should work in a house and man should go outside and make money so this is like man should protect woman. Also, another character that similar with Marin is Rafaela. She is beautiful so her husband didn’t let her go outside of her house. Then, she never left outside and she just look outside through the window. This can be said that women rely on men and leave all responsibilities for men. In the past, this thought, same as them is very normal but as time passes, most people agree for gender equality. Then, literally, gender is being equal. But, Esperanza thought that woman should live in recognition of these thoughts and consider them after she met normal woman in that

The woman’s role in society had many changes during the era of WWII to the baby boom era. It went from the strong independent woman that can work in a factory to a house wife that takes care of the family to the final slightly dominant, but still dependent female. All of these different feminine mystiques were changed because of society and through indirect propaganda in TV shows and

“The boys and the girls live in separate worlds.” - House On Mango Street by Sandra Cisneros. Simply because of our gender, we are expected to take different roles in our lives, especially in Esperanza’s society, many people view that women have to become a housewife or work in a factory. Anyone can take a role, no gender has to dominate. I learned from Esperanza that more danger is on women, because we are usually viewed as weak and unable to defend ourselves, as Esperanza got sexually assaulted this proved true to some cases, but not all women are the

Friedman argues that these conceptions and different moral norms and stereotypes associated with each gender create a “division of moral labor.” A division of moral labor identifies the roles that are acceptable for each gender. For example, the roles of authority, regulation of social order, politics and economy are expected by men and the roles of care-giving, responsiveness, nurturing and being emotionally expressive are expected by females. Hence, society creates different gender expectations. Females are expected to emotionally available to their family’s needs and men are expected to be the breadwinner of the house and maintain power over the females. People are expected to follow the norms and fulfill their roles according to the division of moral labor and if they fail to do so, they are labelled deviant.

During the Spanish ruling, the Spanish mentality of conquest is that the role of women is to be a housewife and take care of the children while men’s role is to be the provider, worker, and protector of the family. Women were not given the right to work, own property, or attain jobs, without the permission of their spouse. The purpose of life for a woman is to marry and establish an alliance, ultimately creating a peaceful situation at home. Catalina vows to go against deeply ingrained gender norms; implanted in every society lives distinct gender roles for both men and women, with that there are specific ways that those roles can be violated or subverted. Catalina attempts to threaten the social order, as she asserts her power by dressing up as a man as it allows her better opportunities than appearing as a woman. Catalina's gender presentation of herself as a stereotypical male, being abrasive and quick to anger when anyone challenges her masculinity, demonstrates the minimal opportunities for women in Spanish society. Erauso assertion that the “nun’s habit becomes useless and I threw it away, I cut my hair and threw it away” demonstrates that the trappings of womanhood are not working for her. By becoming a man, Catalina succeeds more, due to the fact that men were granted better opportunities such as the right to join the armada where she sets sail for Spain, or the right to go to Madrid and meet with the King, or the right to gamble in Charcas.

The role of the patriarchal society and its impact on the oppression of female characters

“Mixed cultural signals have perpetuated certain stereotypes…”(Page 372, paragraph 2, line 1). The Myth of the Latian Woman: I Just Met a Girl Named Maria, by Judith Ortiz Cofer is about how Judith Ortiz Cofer was discriminated because she is a Latina Woman. She describes about several people treating her differently than others, through song, through looks, and through sexual thoughts and actions towards her. Even after all the discriminating actions persisted upon her, she still pursues on to help others learn that Latinas are not always like the movies say they are or should be like. Judith Ortiz Cofer does this by writing poetry and novels. “My personal goal in my public life is try to replace the old pervasive stereotypes and myths about

The relationship between the gender roles reflected in telenovelas and the the role of women in Latin American countries is a matter of parallelism. This is because as Judith Butler, the author of the book Gender Trouble: Feminism and the Subversion of Identity, emphasized that it is “impossible to separate out ‘gender’ from the political and cultural intersections in which it is invariably produced and maintained”. Gender is undeniably socially constructed, and is a product of the values deemed important by that society being constantly reenacted and reinforced. In that sense, telenovelas are also another medium through which beliefs in gender can be relayed to the audience, forming what is called the “imaginable domain of gender” as they either perpetuate or go against ideal hegemony (Beard 2003).

In Chronicle of a Death Foretold, the way women have been represented and characterized gives us an idea of how the female gender are treated differently from the male gender as well as children in Latin America during the 1950s. The husbands were given all the authority, also known as machismo, whereas women weren’t allowed to take charge of anything, and were portrayed as weak and impotent.

As the world has grown throughout the centuries, females have generally been under the domination of males. This remained culturally entrenched until the late nineteenth century, when women began to appear in public more often and also began to join alongside men in the work force. In the network of employees and employers in the emerging institution of the Parisian department store, men and women depended on each other for survival in the workplace. Such interdependence is a microcosm of the bourgeois French society during that time, which Emile Zola wrote of in The Ladies’ Paradise, the eleventh book of the Rougon-Macquart series detailing middle-class life. According to Professor Brian

The males within the novel always seemed to be placing their skills and knowledge above the women's own. Characters such as Coverdale and Hollingsworth placed their own thoughts above those of the female characters almost anytime that they could. The women, oddly, seemed to show diverse roles. Subtly, this is a representation of women as more complex than men in general. One of the characters, Zenobia, is probably the most least genderized character of the novel, that is, until the end. Throughout most of the novel, she is seen as very masculine (in comparison to traditional roles that is) yet very feminine at the same time. She has a mystical illusion about her yet seems very sensible in the ways of life. However, by the end of the novel, Hawthorne writes her character to be very manipulative and weak, for she dies of grief. On the other hand, the other female character, Priscilla, seems to hold the same mystical aura about her, yet she is the is the typical female character. She is feminine in her daily activities; she prances around with a constant smile and seems naive about the world. She is the victim of other's doings. The hierarchy of the sexes is blatantly obvious in that it favors the male and holds the male ideals perfectly.

Poverty and lack of education bring women to the zone. Workers are taught in a classroom, one-third of zone workers cannot read or write. Even though prostitute women suffer social stigma because of their profession, as well as gender inequalities, they earn more money than many other zone workers. As the price for clients to enter the Galactic raised workers feared it would affect them, therefore many went to strike to fight for lower entry cost while others were forced into striking. The strike did not drop entry cost but it did help the with the removal cost of using public toilets. Women who work at the Galactic Zone are unlikely to publicly identify themselves as a prostitute and take their labor disputes outside the

By having legitimate groups of women, it follows to have illegitimate groups. During the story, we are introduced to the concept of “unwomen” – those who are unable to reproduce, or simply refuse to obey orders. Another illegitimate group that we learn of is the one that Moira eventually joins – prostitutes or ‘Jezebels’. These two groups only reiterate the point that individualism is not allowed, and is not welcomed, in this government.