Zora Neal Hurston's Sweat

The character, Delia Jones, in Sweat and the narrator in The Yellow Wallpaper are personalities that are significantly persuaded by what their societies considered to be acceptable roles and behaviors for married women. However, throughout both works, both personalities opposed these norms to overcome the obstacles in their respective lives. Delia in Sweat was a washwoman, which made her the sole financial provider of her household. Her husband, Sykes, did not work at all and also challenged the era’s social standards by carelessly spending Delia’s hard earned money. Delia wanted to wash her clothes when she came back from church on Sunday. Although it was

Perhaps the most important event in the story occurs when Sykes brings home a huge six-foot living snake. Fear once again overcomes Delia and she pleads, “Syke! Syke, mah Gawd! You take dat rattlesnake ‘way from heah! You gottuh. Oh, Jesus, have mussy” (360). Sykes, on the other hand, stands in amusement almost as if he loves to see Delia psychologically abused. His cockiness unravels as he acts like he is invincible and like anyone and anything should and will comply with him. In regards to the enormous snake, Sykes boasts, “…He wouldn’t bite me cause Ah knows how tuh handel ‘im” (360). He makes sure to instill fear into Delia by telling her to be careful because the snake would have no problem coming after her. Hurston also has Sykes portray his own death. In this same scene, Sykes’ reply to

Knowing Zora Neale Hurston was a religious woman, it is no shock that throughout the “Sweat” there are many hidden Biblical references. One reference the story often makes is the snake. The snake is a reference to many things. It first, is a reference to the snake in the book of Genesis, where the devil tempts Eve. The snake also represents original sin and the darkness that comes in all of humanity. In “Sweat”, Delia is afraid of the snake, thus showing her fear of sin and darkness, portraying her as a strong Christian character. The snake can also be a connection to Christ. When the snake is first brought to the house it appears dead. It remains this way for three days, until it miraculously awakens (Carter 611). This relates to Christ when he is hung on the cross and buried. He

The Harlem Renaissance marked the coming out of many brilliant black authors and thinkers. Names like Jessie Redmon Fauset, Alain Locke, Ralph Waldo Ellison, Langston Hughes, and Zora Neale Hurston marked the scene. Hurton portrays many messages in her stories without having to explicitly spell it out. This among other reasons make Hurston's writing so rich. Two of her almost fable-like stories, "Sweat" and "The Gilded Six-Bits", each portray powerful messages individually. In "Sweat," you get a message of "whatever goes over the Devil's back, is got to come under his belly." You will reap what you sow among other messages. In "The Gilded Six-Bits," you learn that time will heal, money is the root of all evil, and other morals. These

     As she lies on her bed, Delia gains a moment of comfort, and a getaway from her great disdain. She is able to create a spiritual barrier from the mistreatments she receives from her unscrupulous husband. The bed is her Eden, her only resource for relaxation and a content being. Even the hamper in the bedroom is the only group of clothing that is considered neat and tidy, representing the cleanliness of the room. Everywhere else in the house, Sykes would step on and trample over the clothing Delia had to clean. He had no respect for his wife and her work. The bedroom used to be the only place that hadn’t been defiled by Sykes, until he slept with Bertha in it. Knowing of this travesty brings Delia over the edge.

Sykes personality is totally different than Delia’s. Sykes Jones is physically and emotionally cruel to Delia. He is immoral and unfaithful; furthermore he takes the money that is earned from Delia's tough labor and squanders it away on his mistress, Bertha. Whereas Sykes may be strong in body, he does not have any belief in God. Sykes in a sense can be compared to the devil because like the devil he drained Delia of her beauty, joy and happiness that she once possessed. This point is brought up in the story when Joe Clarke and the village men are talking about Delia and Sykes ” …But dey squeeze an’ grind an’ wring every drop uh pleasure dat’s in ‘em out” (443). According to Davis Masson, who wrote, Essays Biographical and Critical “All sadness and melancholy come from the devil” (86). Once their marriage starts to fall apart, Sykes uses Delia’s anxiety of snakes against her. Andre’ Ménez, who wrote The Subtle Beast, states, “Being sometimes poisonous, hidden in the shadows; slowly and mutely guiding, snakes have often been deemed powerful and shifty, evil creatures whose major aim was to frustrate the natural and proper development of life” (9).

Delia represents the good in the story. She remains calm, level-headed, and spiritually in tune despite her husband‘s determination to make her miserable. Once a "right pretty li'l trick," Delia is now worn and dried out like sugar cane that's been chewed to no end (“Sweat” 43). However her soul remains strong as she turns to her spirituality for comfort and hope. She has smarts although uneducated and the fact that she built her own house and now supports her and her husband by washing white

Above all the evilness from Sykes, Delia’s strength lies in her religion and her humility towards her husband, in the end, victorious over his brutal strength and attitude. In the beginning of the story, Delia was very tolerant of her husband’s pranks and malicious threats. Being strong towards her religion, she would still attend church every Sunday and pray every night before she goes to bed. Towards the end of the story, Delia’s tolerance towards Syke’s actions begins to change and she becomes more aggressive towards him. She starts talking back to him and draws an iron skillet and strikes a defensive pose, which Sykes is in shock, coming from her. Also towards the end of the story, Sykes lets loose a poisonous snake knowing Delia is afraid of them. Delia then sees the snake in her basket and leaves it loose for Sykes. At the end, thanks to karma, the snake bites Sykes on the neck and Delia refused to help while he is dying.

I want to focus on the story ‘Sweat’ because it happened to be my favorite from the selected female authors we read this semester. I was very struck by the story because Hurston wasn’t afraid to speak her mind, and represents women even in a male-dominated culture. The story ‘Sweat’ takes place in a rural setting. Hurston tends to focus on relationships and conflicts in her writing. In this story, Delia is a hardworking woman. She is also strong, despite being in an abusive relationship. Her husband is portrayed as rude, and clearly doesn’t appreciate anything she does. The narrator also tells the reader how young and beautiful Delia used to look before her abusive marriage. The husband in the story is upset and mad at white people. However, Delia has to work so she defends herself and her job. The story ends with a snake bite that kills her husband. However, he was the one who brought it in the house to scare and more than likely kill Delia. I believe that Hurston’s intentions were to represent a strong female woman who held no regards for a man who mistreated her. I also believe that her intended audience was for females in general. By making Delia hardworking and strong, she is a woman who represents female empowerment. By doing so, Hurston makes women more aware that they don’t have to be consumed in a male-dominated culture, but that a woman can do as she pleases, and not have to

Not only does he drain her financially, but he has also abused her mentally and emotionally for the most of their marriage. Delia reminds Sykes that all she does is "Sweat, sweat, sweat! Work and Sweat, cry and sweat, pray and sweat!" from the fifteen years she has been washing laundry and laments (Hurston 278). However, despite all the cruelty that is happening, the author still portrays her persona with great compassion. Delia has enormous love, but soon discovers that she has the capacity to hate as much as she loves which has developed from her long-suffering life with Sykes. The author creates Delia based off her own life of being a Christian woman, therefore, in the story "Sykes is clearly wrong throughout the story, and Delia is right in living out the principles of Christian love, tolerance, and humility" (Banks). The importance of this quote is that it puts Delia's character into perspective and reveals why the way she is. The author's beliefs and practices are demonstrated through Delia and explain her actions in the story.

Delia was physically abused many times by her husband, Sykes. He was also mentally and verbally abusive to her by calling her names and constantly teasing her. This can be seen when he pretends to scare Delia with a snake, and then calls her names for being scared. In Zora’s life, this is seen where she also grew up as an abused child from her father. Her father did not like her very much because her sassy attitude. He said that she “was too spirited and too mouthy for her own good” which hurt her feelings and made her very aware that she was not his favorite child in the family (Boyd 27). Her father would also physically abuse her by threatening and spanking her as a child. In the story, Sykes represents Zora’s father because they were both abusive towards women. Zora included this detail in her story to explain her life as a child. The story is put in the perspective of a grown woman who had been abused, but how she would feel the same pain a child would feel who had been abused. No matter the person’s age, anyone

Through external conflict exhibited by three significant occasions with the antagonist and husband, Sykes Jones, Zora Neale Hurston takes her leading character, Delia Jones, through an internal change from a submissive character to an aggressive and defensive character in her short story, "Sweat." When the story opens, one finds Delia Jones on a Sunday evening washing clothes, as was her profession, and humming a tune, wondering where her husband had gone with her horse and carriage. Little did she know that within the week she would stand against her abusive husband and watch him die of the situation he would create.

In “Sweat” adoration and hatred continuously go back and forth and Delia even “attempted friendliness, but she was repulsed each time” (1092). The despair and isolation Delia felt in the end of the story, perhaps even more than the straightforward and steadily building anger, is what caused her to allow him to die in the end.

The snake in the story symbolizes evil which portrays domestic violence. Sykes tried getting rid of Delia so he could go and be with Bertha, his mistress. He knew how afraid Delia was of snakes so he decided to bring one home. “Then, moved by both horror and terror, she sprang back toward the door. There lay the snake in the basket!” (Hurston 8). He really wanted the snake to bite Delia so he could get rid of her. Leaving the snake in the basket where he knew was the easiest place for it to bite her. Sykes knew that the snake would bite her. He was pure evil. The snake however did not bite Delia but it bit Sykes. “He crept an inch or two toward

The symbolism that is apparent in this story is the snake. Delia is terrified of snakes and her husband Sykes loves to tease her about her fear of snakes (Hurston, 1926). In the beginning of the story, while Delia is sorting clothes Sykes throws his big bull whip on her and she is terrified until she notices what it is (Hurston, 1926). Irony is shown in the story because even though Sykes brings the rattlesnake home to scare Delia off, it ends up killing him in the end (Hurston, 1926). The reader can also see the literary element of figurative language being used when Delia gets fed up with Sykes having the rattlesnake at their house and she begins to let him know how fed up she is of him: “Yo’ ole black hide don’t look lak nothin’ tuh me, but uh passle uh wrinkled up rubber, wid yo’ big ole yeahs flappin’ on each side lak uh paih uh buzzard wings (Hurston, 1926, para.49). Although the above example may be hard to read, it is a great example of similes being used in this short story.