Zora Neale Hurston And Richard Wright Essay

In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus

During the twentieth century, many African American writers wrote several texts that tell the story of their lives and experiences in the society that they had lived. This includes the author, Richard Wright who often wrote gruesome poems, criticisms of other African American writers, and short stories. Many of Wright’s text, like “Between Laughter and Tears,” “Between the World and Me,” and “The Library Card,” has challenged and reflected the brutal discrimination of African-American, socially, politically, and philosophically.

It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

     Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.

Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).

Purpose- Hurston’s purpose is to demonstrate that she is proud of her color. She does not need the bragging rights of having Native American ancestry, nor does she ‘belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it.’

Richard Wright and Alain Locke’s critique on Zora Neale Hurston’s novel Their Eyes Were Watching God reveal the common notion held by many of the time, and still today, that there is a right and wrong way for a black person to talk and to act. Wright’s point of view of clearly racially charged and coming from a place of ignorance and intolerance. While, Locke’s point is simply due to a lack of an ability to think out of the box and observe deeper meaning, perhaps due to internalized oppression and a fearful desire to talk and act just like a white man in order to be taken seriously. Wright’s argument that the novel has no central theme and is parallel to minstrel shows, and Locke’s belief that Hurston uses relatable language to avoid diving into mature writing, are inherently wrong and fueled by the very issues Hurston was trying to combat: racism and sexism.

Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.

    Comparison of Hurston's life and work is ironic. Though Janie, having passed through dominance and loss, had a 2 story home and money in the bank to come home to, Hurston had none. Hurston's later life was that of the economically disadvantaged-- what Ellison, Wright, and other male black authors penned their novels in protest of. Brilliant, talented, she could not rise above the economic limits imposed on her and thus a talented anthropologist with two Guggenheims ended up buried in an unmarked grave.

Some of the significant accomplishments of Richard Wright is simply that he is one of America’s greatest black writers, Richard Wright was also among the first African American writers to achieve literary fame and fortune. Not only that but his reputation has less to do with the color of his skin than with the superb quality of his work. That and he gained respect from many people in America. But also Richard Wright had helped

Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and

The Harlem Renaissance was a cultural movement in the 1920s that led to the evolution of African-American culture, expression through art, music, and literary works, and the establishment of African roots in America. Zora Neale Hurston contributed to the Harlem Renaissance with her original and enticing stories. However, Hurston’s works are notorious (specifically How it Feels to Be Colored Me and Their Eyes Were Watching God) because they illustrate the author’s view of black women and demonstrate the differences between their views and from earlier literary works.

In the short story “Drenched in Light” by Zora Neale Hurston, the author appeals to a broad audience by disguising ethnology and an underlying theme of gender, race, and oppression with an ambiguous tale of a young black girl and the appreciation she receives from white people. Often writing to a double audience, Hurston had a keen ability to appeal to white and black readers in a clever way. “[Hurston] knew her white folks well and performed her minstrel shows tongue in cheek” (Meisenhelder 2). Originally published in The Opportunity in 1924, “Drenched in Light” was Hurston’s first story to a national audience.

Hurston prides herself on who she is because of her background. Her identity of being a black woman in a world