Zora Neale Hurston Feminism Quotes

In the novel "Their Eyes Were Watching God" written by Zora Neale Hurston, Janie the protagonist is seen by critics as having no voice. For all women silence knows no boundaries of race or culture, and Janie is no exception. Hurston characterizes Janie with the same silence that women at that time & period were forced into, (complete submission.) "Women were to be seen and not heard." Janie spends forty years of her life, learning to achieve/find, her voice against the over-ruling and dominate men in her life. But in the end Janie comes out the victor, breaking the silence. In her essay "What do Feminist Critics Want?" Gilbert states, "Like Wagner's master singers....men had the power of speech,[but]....women

Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature

     Zora Neale Hurston was a phenomenal woman. At the height of her success she was known as the “Queen of the Harlem Renaissance.” She came to overcome obstacles that were placed in front of her. Hurston rose from poverty to fame and lost it all at the time of her death. Zora had an unusual life; she was a child that was forced to grow up to fast. But despite Zora Neale Hurston’s unsettled life, she managed to surmount every obstacle to become one of the most profound authors of the century.

Janie Crawford is surrounded by outward influences that contradict her independence and personal development. These outward influences from society, her grandma, and even significant others contribute to her curiosity. Tension builds between outward conformity and inward questioning, allowing Zora Neal Hurston to illustrate the challenge of choice and accountability that Janie faces throughout the novel.

Zora Neale Hurston is considered one of the most unsurpassed writers of twentieth-century African-American literature. Published in 1937, Zora Neale Hurston’s Their Eyes Were Watching God depicts the life of Janie Crawford, an African-American woman, who is in search of true love and ultimately her true self. In the novel, Janie shows us that love comes in all shapes and forms, and love is different with each person you choose to love. In the opening of the novel, Hurston uses a metaphor to say that, while men can never reach for their dreams, women can direct their wills and chase their dreams. Hurston uses this metaphor to make a distinction of men and women gender roles, and Janie went against the norms that were expected of her.

Folklorist, anthropologist, playwright, and novelist, Zora Neale Hurston 's career took off after publishing, what is, today, her most famous novel, Their Eyes Were Watching God. Unlike any other work at the time, the dialect in her novels portrayed how African-Americans speak in the deep south. Set in Southern Florida, the heroine Janie, is thought to have been modeled after Hurston, herself, if she had chose to stay in her hometown of Eatonville instead of going to college. In the novel, Janie is unable to develop a life as a New Woman through much of her adulthood due to the geographical area she lived in, basic education, financial state, grandmother 's values, history of slavery, and her marriage to Joe Sparks. Hurston, on the other hand, was able to develop her life as a New Woman due to her access to higher education, financial state, and support from her mother.

Feminism and gender equality is one of the most important issues of society today, and the debate dates back much farther than Zora Neale Hurston’s novel, Their Eyes Were Watching God. To analyze Janie’s existence as a feminist or anti-feminist character requires a potential critic to look at her relationships and her reactions to those relationships throughout the novel. Trudier Harris claims that Janie is “questing after a kind of worship.” This statement is accurate only up until a certain point in her life, until Janie’s “quest” becomes her seeking equality with her partner. In Their Eyes Were Watching God, Janie’s main goal pertaining to her romantic relationships undergoes multiple changes from her original goal of a type of worship to a goal to maintain an equal relationship with her husband.

 Overtime, no matter what kind of circumstance set up towards the term superiority, the meaning of it being expressed has not changed. It has not been expressed differently between any kind of man, even during the early 1900s era where they claimed their dominance over women. Women were put through the same overwhelming motive of repression that man (regardless of the race) had attempted to suffocate them with. It is in the hands of a women on how they take the repression that has been brought upon them by man. Portrayed in Zora Neale Hurston’s novel Their Eyes Were Watching God, Janie is an African American women who endures the superiority of man. As an African American women she is brought up to know when she is allowed to do as she wants and when she is not. She exemplifies the standard view that society has set up for a male to have the last word in the way a female must live their life. Unlike a women who has been pampered her whole life to do as she wants whenever she wants as brought to us by Edna in The Awakening by Kate Chopin. The two must try to coexist within the superiority brought by man.

Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.

Zora Neale Hurston was an influential African-American novelist who emerged during the Harlem Renaissance. (Tow 1) During the Harlem Renaissance Hurston’s novel "Their Eyes Were Watching God, was written in southern dialect so that the African American audience can relate, mainly because Hurston could only write about what she knew. “In the case of Hurston, dialect, as a regional vernacular, can and does contain subject, experience emotion and revelation.” (Jones 4) when Hurston's novel first was released many people didn't not accept the writing for what it really was. “When Their Eyes Were Watching God first appeared in 1937, it was well-received by white critics as an intimate portrait of southern blacks, but African-American reviewers rejected the novel. (Telgen, Hile 1) In this modern day the novel is well accepted and has been called "a classic of black literature, one of the best novels of the period" (Howard 7) In "Their Eyes Were Watching God", Janie takes on a journey in search of her own identity where each of her three husbands plays an important role in her discovery of who she is.

    Comparison of Hurston's life and work is ironic. Though Janie, having passed through dominance and loss, had a 2 story home and money in the bank to come home to, Hurston had none. Hurston's later life was that of the economically disadvantaged-- what Ellison, Wright, and other male black authors penned their novels in protest of. Brilliant, talented, she could not rise above the economic limits imposed on her and thus a talented anthropologist with two Guggenheims ended up buried in an unmarked grave.

Janie is a black woman who asserts herself beyond expectation.  She has a persistence that characterizes her search for the love that she dreamed of since she was a girl.  Janie understands the societal status that her life has handed her, yet she is determined to overcome this, and she is resentful toward anyone or anything that interferes with her quest for happiness. "So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have to, but he don't tote it. He hand it to his womenfolks. De nigger woman is de mule uh de world so fur as Ah can see, "(Page 14)  laments Janie's grandmother as she tried to justify the marriage that she has arranged for her granddaughter with Logan Killicks. This paragraph establishes the existence of the inferior status of women in Janie's society, a status which Janie must somehow overcome in order to emerge a heroine in the end of the novel.

Hurston’s main way of inspiring a sense of feminism in her novel, is through the relationships of Janie including her Nanny, Logan Killicks, Joe Starks, and Tea Cake. She addresses Janie’s role differently in each of these relationships using motifs and stereotypes. Janie begins her journey of self-discovery following the dreams of her Nanny to becoming a strong, independent woman who makes her own decisions. All of the roles that Janie obtains stem from the distinct

While Janie yearns for “idyllic union” and emotional fulfillment, Nanny maintains the “prevailing sexual and racial milieu” by arranging her marriage with wealthy landowner Logan Killicks (Meese 264). Hurston purposefully compares Janie’s progressive ideals to those of feminists who were coined as “New Women” who sought marriages based on equality. She directly relates this contrast in beliefs to feminist’s dreams of and efforts towards success and equality through female autonomy rather than material wealth and security under a man’s control. Furthermore, as Janie settles in her second marriage with Jody Starks, she becomes increasingly dissatisfied. Janie’s feelings of confinement and entrapment steadily rise as Jody orders her to remain introverted and shuttle between the general store and home (Moss and Wilson 3). He forces Janie to play the role of a beautiful and submissive wife and “does not allow her to articulate her feelings or ideas [although she] longs to participate in everyday town life” (Moss and Wilson 3). Accordingly, Hurston scorns Jody for believing “She’s uh woman and her place is in de home” (43) and utilizes his chauvinistic outlook to promote women to establish importance outside of homemaking and caregiving. Hurston’s proposal directly reflects and supports Catharine Beecher’s influential efforts to “reconcile women to the limitations of the domestic sphere” (Cott 40) and expand women’s ability to excel in a multitude of different

    It's not chance that the three main characters besides Janie are men. Hurston was writing in a society where men were still dominant in the literary field. The struggle Janie emerged from to find her inner self needed men as a catalyst. The male/female relationship cannot be duplicated with a female/female one. Logan Killick's ownership of her being could not have happened with a woman counterpart. After marrying Killicks for protection rather than love, Janie realizes that she is living Nanny's dreams rather than her own. She also realizes that with protection comes obligation--Killicks feels he deserves to slap her around. With that discovery, she makes the choice to escape with Jody and his ambitious ideas. Joe seems closer to her ideal, closer to the dream of marriage that she has nourished despite opposition.