Zora Neale Hurston was born on January 07, 1891 in Notasulga, Alabama. Despite her actual birthplace, Hurston often claimed her birthplace to be in Eatonville, Florida. Hurston and her seven siblings were raised in the all Black town of Eatonville where her father was a preacher and mayor. Hurston grew up comfortably, able to bear witness to all aspects of Black life, including what it means to see Black people in power. She was even able to see the ugly side of Black life after the death of her mother. The event of her mother’s death rocked the foundation of Hurston’s family and she soon ventured out on her own. Hurston’s writing career began after she moved to Harlem. While there she co-founded the magazine “Fire!!”, which contained her first play, “Color Struck” and one of her first short stories, “Sweat, A Story”. Through her writing Hurston was able to explore the concept of colorism and Black womanhood that other authors in the magazine may have glossed over. By doing this Hurston was able to dig deep into the very definition of Blackness.This quality gives her work an edge that would have undoubtedly created an upset with the general concept of Alain Locke’s New Negro. Zora Neale Hurston’s upbringing enabled and inspired her to write about the intricacies of Black life beyond the proclamation of the humanity of Black people. In opposition to Alain Locke whose goal was to make the complexity of Black people known, Hurston took the humanity of Black people as a given
The short story “Sweat,” by Zora Neale Hurston, seems to exemplify the epitome of a bad marriage. Hurston uses foreshadowing and irony to demonstrate the disintegrated relationship between the abusive husband and the diligent wife. Throughout the story, it becomes obvious that the husband does not oblige by the motto, “Do unto others as you would have them do unto you.” Hurston’s use of irony and foreshadowing helps reveal the fact that “the good will prevail” and Sykes will finally get what he deserves.
It is strange that two of the most prominent artists of the Harlem Renaissance could ever disagree as much as or be as different as Zora Neale Hurston and Richard Wright. Despite the fact that they are the same color and lived during the same time period, they do not have much else in common. On the one hand is Hurston, a female writer who indulges in black art and culture and creates subtle messages throughout her most famous novel, Their Eyes Were Watching God. On the other hand is Wright, who is a male writer who demonstrates that whites do not like black people, nor will they ever except for when they are in the condition “…America likes to see the Negro live: between laughter and tears.” Hurston was also a less political writer than
“A battered woman can only endure, and only God can save her - if God will”(Carter 616). In “Sweat”, by Zora Neale Hurston, Delia, the main character, is trapped in an abusive relationship. No one in the town is willing to help Delia get out of her relationship. Delia has had to become a source of strength for herself, but if she wants to be saved, she will need God’s help. Delia faces many struggles and through it all tries to remain a woman of God. Eventually, she becomes an example of the Passion of Christ by suffering and triumphing over her hardships (Banks 3). Delia is a strong Christian woman, and there are many Biblical references throughout the story. In fact, Christian symbolism can be seen throughout Zora Neale
Zora Neale Hurston’s short story "Sweat" takes place in the 1920s in a small African American community in southern Florida. The story takes a look at a woman dominated by her husband, a common issue for many wives in the south during this time. Delia Jones, the protagonist in the story, is a hard-working woman who has bought her own home and supported her husband for fifteen years by taking in the laundry of white folks from the next town over. Delia’s husband Sykes does not value her or the work she does to support the both of them. Sykes has abused his wife for fifteen years and takes no shame in parading around his fat mistress for all to see. Sykes wants to get rid of Delia and take everything she’s ever worked for. Delia, though
Zora Neale Hurston, known as one of the most symbolic African American women during the Harlem Renaissance in the 1930’s. Hurston was known as a non fiction writer, anthropologist and folklorist. Hurston’s literature has served as a big eye opener during the Harlem Renaissance, celebrating black dialect and their traditions. Most of her published stories “depict relationships among black residents in her native southern Florida, was largely unconcerned with racial injustices” (Bomarito 89). Hurston was unique when it came to her racial point of views, promoting white racism instead of black racism. Even though her works had been forgotten by the time of her death, now her literature has left a bigger impact to future literature
In the fall of 1919, Zora Neale Hurston became a freshman at Howard University. Hurston studied intermittently at Howard for the next five years; the institution she would proudly call “The capstone of the Negro education in the world.” Hurston enjoyed college life even though she was a decade older than other freshmen. With
Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).
She uses idealistic examples and real world situations to get the best realistic interpretation on the matter of the harlem renaissance. This novel also is a great way to learn and understand the importance of women's roles and rights during the harlem renaissance era for the black/african american women. All in all, Hurston’s depiction of the harlem renaissance reflects and departs the major topics and does so
Purpose- Hurston’s purpose is to demonstrate that she is proud of her color. She does not need the bragging rights of having Native American ancestry, nor does she ‘belong to the sobbing school of Negrohood who hold that nature somehow has given them a lowdown dirty deal and whose feelings are all hurt about it.’
“Everybody's good when they're good, darling. You don't judge a person by that. It's how they act when things aren't good that tells you who they really are.” ― Megan Jacobson (Goodreads, “56 Quotes”) Much like the world around us, literature has many elements that have the reader portray their own understanding and perspective of it. In Sweat, Zora Neale Hurston gives the reader many different situations where many readers can have several viewpoints. This seems to be very similar to the Bible, where a child of God can read the same scripture as another and have a completely different meaning in their eyes. Zora Hurston uses many elements that focus on the idea that actions one does speak louder than words, by the use of religious imagery and Delia, the wife.
Symbolism is often utilized in literary pieces to help express an idea and reveal a deeper meaning. In Zora Neale Hurston's short story "Sweat," the main character, Delia, is a victim that suffers from her husband Sykes' cruelty and abuse. The symbols of clothing, sweat and snakes play a major role in "Sweat" and reveal hidden meanings (the truth) about the two characters Delia and Sykes.
The story Sweat by Zora Neale Hurston tells the story of Delia who overcame her abusive husband, Sykes through her development of becoming a strong woman. The development of Delia’s character throughout the story relates to Zora Neale Hurston’s life of growing up into a strong, empowered woman. Delia and Zora were both verbally and physically abused which made them afraid and timid. Zora made her characters talk in a dialect that she grew up listening to which was uncommon to do in literature. Delia and Zora both had to provide for themselves by putting in the effort remain stable and happy. They also stood up for what they believed in which started their development into strong women. Delia had to let her husband die in order to gain independence, while Zora had to move away from home in order to be successful in her future which developed them both develop into independent women. They became stronger because of these things which empowered them to take back control of their lives. The snake is a symbol in the story that represents the evil that was overcome by the good. This story can now be better analyzed when looking at the life of Delia which connects to Zora Neale Hurston’s life.
Comparison of Hurston's life and work is ironic. Though Janie, having passed through dominance and loss, had a 2 story home and money in the bank to come home to, Hurston had none. Hurston's later life was that of the economically disadvantaged-- what Ellison, Wright, and other male black authors penned their novels in protest of. Brilliant, talented, she could not rise above the economic limits imposed on her and thus a talented anthropologist with two Guggenheims ended up buried in an unmarked grave.
In the story “Sweat” by Zora Neale Hurston she talks about a lady that is independent. This lady’s name is Delia. She is married to Sykes who does abuse her and has a mistress named Bertha who he is trying to get her into Delia’s house. Delia is the one that does all the hard work while Sykes just sits at home. The symbols in this story help get the theme across which are domestic violence and empowerment. The three main symbols in this story each stand for a theme which is the snake portraying domestic violence, the Chinaberry tree and the title “Sweat” both portray empowerment.
In the short story “Drenched in Light” by Zora Neale Hurston, the author appeals to a broad audience by disguising ethnology and an underlying theme of gender, race, and oppression with an ambiguous tale of a young black girl and the appreciation she receives from white people. Often writing to a double audience, Hurston had a keen ability to appeal to white and black readers in a clever way. “[Hurston] knew her white folks well and performed her minstrel shows tongue in cheek” (Meisenhelder 2). Originally published in The Opportunity in 1924, “Drenched in Light” was Hurston’s first story to a national audience.