Zora Neale Hurston's 'Their Eyes Were Watching God'

In Their Eyes Were Watching God, Zora Neale Hurston portrays the religion of black people as a form of identity. Each individual in the black society Hurston has created worships a different God. But all members of her society find their identities by being able to believe in a God, spiritual or other. Grandma’s worship of Jesus and the “Good Lawd,” Joe Starks’ worship of himself, Mrs. Turner’s worship of white characteristics, and Janie’s worship of love, all stem from a lack of jurisdiction in the society they inhabit. All these Gods represent a need for something to believe in and work for: an ideal, which they wish to achieve, to aspire to. Each individual character is thus

Throughout the novel Their Eyes Were Watching God, by Zora Neale Hurston, there is an ongoing story of how Janie, the main character, grows up and deals with the many challenges life throws at her in her quest for her “Horizons”. A horizon is a metaphor for one’s ambitions, hopes and dreams. To be truly happy, one must conceive their own horizons, explore them and embrace them. Janie’s “horizons” evolve throughout the novel, starting as limited and socially determined, moving towards being expansive, individualized, and fully realized.

This loneliness was supposed to be filled by another man, her second husband Joe Starks. She continued her development as a woman especially in the beginning of the new relationship when Joe “spoke for change and chance” (28). The problems Janie had to face in this marriage were that her husband did not treat her equal but rather treated her as an ornament. She found out that the love he provided to her in the beginning was rather part of the ulterior moves Joe had about becoming an important landlord and major. Joe gave only material goods to Janie who felt again as if something misses in her life.

It’s amazing that one state can have within it places that differ greatly in all aspects—people, surrounding, weather, and feeling. Zora Neale Hurston exemplifies this phenomenon in Their Eyes Were Watching God. There are a multitude of differences between Eatonville, FL and the Everglades; each place represents a certain theme or feeling to Janie (the main character) and their differences each contribute to the meaning of the novel as a whole.

Janie, like Esperanza of House on Mango Street, matures through her journey through the novel. However, unlike Esperanza, matured more mentally and emotionally than she did physically. Janie’s most important lessons that she learned was the ones involved with love. When she was on the brink of feeling sexual desires, she started kissing a young man at the end of her gate, but her Grandmother (who raised her) resented the idea of her granddaughter would marry a statusless man with no wealth. Consequently, she demanded that Janie would marry a wealthy farm/land owner named Logan Killucks. Janie was repulsed when confronted with this idea because Logan was an older man and was simply unattractive, but she eventually bought the myth that marriage would lead to love between the two of them. This couldn’t be farther from the truth, and she ended up resenting him even more once they were married due to his unhygienic nature, his desire of her working on his land with him, and lack of affection. Her experience taught the first lesson on her life journey and “She knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman” (Hurston Ch. 3). In addition, her marriage to Mr. Killucks influenced her to run of with a charming man named

Zora Neale Hurston’s novel Their Eyes Were Watching God recounts the life and loves of a bi-racial woman in the racially charged South during the 1900s. After the death of her third husband, Janie returns to Eatonville amid judgment and gossip, prompting her to share her life’s lessons with dear friend Phoeby. As Hurston’s protagonist relives her turbulent loves, she embarks of a journey of self-discovery, her voice transforming from suppressed to empowered over the course of her marriages.

The struggle for women to have their own voice has been an ongoing battle. However, the struggle for African American women to have their own voice and independence has been an ongoing conflict. In Zora Neale Hurston’s novel Their Eyes Were Watching God Janie struggles a majority of her life discovering her own voice by challenging many traditional roles that are set by society during this time. Hongzhi Wu, the author of “Mules and Women: Identify and Rebel—Janie’s Identity Quest in ‘Their Eyes Were Watching God,’” recognizes the trend of African American women being suppressed by making a comparison between animals throughout the novel and Janie. Wu argues that there are ultimately two depictions of the mule that the reader remembers and compares both of these interpretations to Janie’s transformation throughout the novel. While Wu’s argument is sound in the fact that it recognizes certain stereotypes African American women faced during this time, Wu fails to recognize Janie’s sexuality in depth as her major push away from the animalistic pressures she has faced.

During the 1930s there was a time period known as the Harlem Renaissance, during this time African Americans sought a newfound cultural freedom and advancements in social classes. In the novel, Their Eyes Are Watching God, Zora Neale Hurston portrays both similarities and departures from the ideals of the Harlem Renaissance. Hurston uses the main character Janie to illustrate these ideals such as the struggle to find oneself and fight against the opinions of others. In addition Hurston also depicts issues and similarities like African Americans who achieved high social classes and discriminated those below them, racial segregation, but also a new found African American confidence. She also demonstrates departures from the Harlem Renaissance

In this global era of evolving civilization, it is increasingly difficult to ignore the fascinating fact about love. Love is a feeling of intimacy, warmth, and attachment. Love is inevitable and it plays a vital role in human life as Janie uses her experience with the pear tree to compare each of her relationships, but it is not until Tea Cake that she finds “a bee to her bloom.” (106).

Summary: Janie Crawford is a southern African-American woman who grows up under the care of her grandmother. Janie’s mother has her at seventeen and soon after Janie’s birth, she becomes a drinker and stays out late until she leaves for good. Janie’s Nanny’s background of slavery makes her push Janie to be someone she could not be during her days. Nanny urges Janie to marry Logan Killicks. Janie is not in love with Logan, but Nanny and others push Janie to marry him. Janie assumes “she would love Logan after they were married. She would see no way for it to come about, but Nanny and the old folks had said it, it must be so”’ (20). Because of this mindset, Janie’s marriage to Logan diminishes her idea of a loving and romantic relationship. Janie spends a little over a year with Logan under miserable conditions, until she marries Joe Starks not long after. Mr. and Mrs. Starks move to a new town where they meet friendly townspeople. Not long after, Joe becomes mayor of the town

Janie Crawford from Their Eyes Were Watching God by Zora Neale Hurston, and Hester Prynne from The Scarlet Letter by Nathaniel Hawthorne, were both two women who lived in America during two different time periods, with contrasting backgrounds and beliefs. Hester Prynne, a Puritan who came from England to Boston in the 1600’s, and Janie Crawford, a woman of color living in the deep South in an all Black community post civil war. Janie and Hester are both two outliers in their communities, and were both harassed when there actions differed from the others around them, yet neither of them rebelled and emerged above everyone else in the end.

At the same time, however, Janie begins to confuse this desire with romance. Despite the fact that nature’s “love embrace” leaves her feeling “limp and languid,” she pursues the first thing she sees that appears to satisfy her desire: a young man named Johnny Taylor (Hurston 11). Leaning over the gate’s threshold to kiss Johnny, Janie takes the first step toward her newfound horizon. Nanny sees this kiss and declares Janie’s womanhood. She wants Janie to marry Logan Killicks, a financially secure and well-respected farmer who can protect her from corruption. The marriage of convenience that Nanny suggests is “desecrating … [Janie’s] pear tree” because it contradicts her ideal vision of love (Hurston 14). Because she did not have the strength to fight people in her youth, Janie’s grandmother believes that Janie needs to rely on a husband in order to stay safe and reach liberation. Ironically, Janie’s adherence to Nanny’s last request suppresses her even more because it causes her to leave behind her own horizon.

     The plan for Janie’s future begins with her lack of having real parents. Hurston builds up a foundation for Janie that is bound to fall like a Roman Empire. Janie’s grandmother, whom she refers to as “Nanny” takes the position as Janie’s guardian. The problem begins here for Janie because her Nanny not only spoils her, but also makes life choices for her. Nanny is old, and she only wants the best for her grandchild, for she knows that the world is a cruel place. Nanny makes the mistake of not allowing Janie to learn anything on her own. When Janie was sixteen years old, Nanny wanted to see her get married. Although Janie argued at first, Nanny insisted that Janie get married. “’Yeah, Janie, youse got yo’ womanhood on yuh… Ah wants to see you married right away.’” (Page 12). Janie was not given a choice in this decision. Her Nanny even had a suitor picked out for her. Janie told herself that she would try to make the best of the situation and attempt to find love in her marriage to Logan Killicks. But, as time went by, Janie realized that she still did not have any feelings of what she had considered to be love in her husband.

Janie receives this definition of Nanny’s love and protection with the faith and obedience that one would offer God; “[i]n the few days to live before she went to Logan Killicks and his often-mentioned sixty acres,” Janie decides, “Yes, she would love Logan after they were married. She could see no way for it to come about, but Nanny and the old folks had said it, so it must be so” (21). When the forced marriage quickly threatens to annihilate her, however, Janie uses her voice and fights to salvage her dream and her life; “[s]he beg[ins] to cry” to Nanny and announces, “’Ah wants things sweet wid mah marriage lak when you sit under a pear tree and think’” (24). Unfortunately, Janie uses her voice to little avail with her first parental figure because Nanny hushes her and says, “’Better leave things de way dey is…Yo’ mind will change[,]’” and she “sen[ds] Janie along with a stern mien” (24).

Joe Starks is a “quick-thinking, fast-talking, ambitious man, headed for a newly founded all black community, where he plans to make a fortune” (Rosenblatt 30). Jody offers up a new start to Janie and she leaps at the opportunity of marrying him, “committing bigamy” (Rosenblatt 30). Jody becomes the mayor of Eatonville and provides Janie with a middle-class furnished house that does not provide her “with the felicity and self-fulfillment that she needs” (Ha 33). Janie is treated no more or less than that of the mayor’s wife.