a dolls house

Torvald was ill and the only thing that could save him would be time spent away from the cold. Nora never tells Torvald about this loan because he doesn’t believe in borrowing. Toward the end of the play when Torvald finds out about the loan, his true colors come out and Nora finally gets to see what her husband is really like. This is what really causes Nora to leave her family and to try to find who she really is. This situation also causes Torvald to change a little as well. Near the end when Torvald finds out about the loan, he gets angry with Nora. Once he learns that she is going to leave him and the children, he begins to change his ways a little and starts treating her with a little more respect. He hopes this will make Nora stay, but she already has her mind set and finally has control for once in her life.

In “A Doll’s House” Torvald Helmer and Nora start out to seem as a happy married couple with three young children. In the beginning Nora is seen as woman who cares about her children and her husband but someone who also cares greatly about money. Torvald is seen as a man who is important in the society. Nora was portrayed as a very caring wife when it is revealed that she borrowed money illegally from Krogstad to fund the trip to Italy to try and save her husband life because he was sick. Once Krogstad begins to try and blackmail her Nora tries everything in her power to prevent Torvald from discovering the truth so that his pride and reputation would not be hurt or challenged. When Torvald finally discovers the

If you read Henrik Ibsen’s “A Doll House” from a literary perspective, you will see a story about this “perfect” family, but if you just dig a little deeper you will see there is a whole lot more to this play than the eye first sees. You soon find out that this perfect family is not so perfect after all. From a symbolic perspective “A Doll House” is about marriage, respect, feminism, and how Torvald’s family is like a doll house. Nora’s actions are very shocking to the general public that this book was first written for. This story was written in 1879, therefor women played the role as a house wife with no voice. The women were treated more as property, than significant others. Women had little to no rights which is a reason why many older

Nora and Torvald have been married for a long time and they do their best to make sure they are happy. Nora loves Torvald very much and would do anything to

Firstly, Nora and Torvald have different opinions regarding money: he upholds that borrowing is never an alternative to financial problems, but acknowledges that Nora does not follow this rule. Torvald believes she cannot help her tendency of over-spending, describing it as a hereditary condition: "It is in the blood; for indeed it is true that you can inherit these things, Nora." (p 9). She has been content to maintain her secret of borrowing money from Krogstad without her husband’s consent. This allows her husband to think of her as a possession and an expense, as "One would hardly believe how expensive such little persons are." (p 8). This becomes the main source from which the play 's tension originates. This is essential, as Nora’s terror of Torvald uncovering this secret causes her to weave an increasingly unstable web of lies, which subsequently collapses around her

restricted to playing with the children, doing little housework, and working on her needlepoint. A problem with her responsibilities is that her most important obligation is to please Torvald, making her role similar to that of a slave. Torvald easily talks down to Nora saying things like: “…worries that you couldn’t possible help me with”, “Nora, Nora, just like a woman”, and “Mayn’t I look at my dearest treasure? At all the beauty that belongs to no one but me—that’s my very own?” as if she is considered his property.

Nora and Torvald have been married quite a long time. In total, they have been married for 8 years and they have 3 children together. Nora is unemployed and works as a housewife and Torvald currently is working in a bank and is about to be promoted to the bank manager.

Previous to the opening of the play, Nora makes the decision to get a loan without Torvald's knowledge so that he can go to Italy and improve his health, showing compassion and love for her husband. Nora's aquiring the loan with her father as a guarantor, shows that she cared enough not to worry her husband with money problems at a time that he needed to heal. Forging her

In the story “Doll House” Nora had been previously scolded by her husband and finally informed Torvald, “I’m saying we’ve never sat down seriously and got to the bottom of things” (936 MLM). Nora was done being treated as a child by Torvald. He shielded her from the world, like her father, and would never let her form an opinion stray from his own. He wouldn’t let her talk of the serious matters in life, from morality to simple decisions with money, that had to do with being her own person with her own mind. This led Nora to leave and find herself as Torvald would not let her just be with his grown instinct that love from a husband must have a controlling nature over the wife in the marriage, not an equality between the

Nora and Torvalds’s marriage directly followed the gender role guidelines that was imparted to them the moment they came out of the womb. Torvald being the male was brought up to be the stereotypical masculine workaholic bread winner. His main purpose in life is to support his family and educate his wife.

Ibsen’s character Nora in A Doll’s House, shows gradual development throughout the play to support his theme that above all else, you are human; even in marriage both parties should be given the equal opportunities, rights and respect. While Nora may at first seem happy with her life inside her “doll house”, she begins to recognize that she must find herself, and stop being a toy in the lives of men.

He never wanted her unhappy or upset with him. But no matter what he did, he was always at fault for something; Norma never seemed to be completely happy. All Torvald did was fire Krogstad, and his marriage went into jeopardy. Nora decided to leave. She’s not even taking their children with her. She tells Torvald that she’s “sure” she’ll think of him and the children often. Nora gave Torvald the keys to their home and told him it’s

responsibility for the false union of her marriage and the strain of motherhood. Torvald is Nora's

Later in Act I, her friend Mrs. Linde visits Nora. Even in their conversation Mrs. Linde comments on Nora's childish behavior. "Well my heavens - a little needlework and such - Nora, you're just a child." (Ibsen 1511). Nora quickly defends herself, in some sense to regain her standing within her own ranks. "I've also got something to be proud and happy for. I'm the one who saved Torvald's life." (Ibsen 1511). By doing this Nora is secretly undermining society and providing for her husband. In contrast to society beliefs at the time, shouldn't a wife provide for her husband in his sickness? Thus creating an interesting paradox passed upon wedding vows. Apparently not or Nora would have confided in Torvald sooner. "Mrs. Linde: And you've never confided..." (Ibsen 1512).

Later in the play things start getting complicated for Nora. Her husband Torvald had become Mr. Krogstad boss at work, and Torvald wanted to fire Mr. Krogstad. This is when Mr. Krogstad starts to blackmail Nora. He wants Nora to stop Torvald from firing him. If she does not, Mr. Krogstad was going to tell Torvald her secret. This should have been the perfect time for Nora to tell the truth to her husband, but she believed that telling Torvald the truth will ruin their relationship. Nora says to her friend Mrs. Linde “Torvald, with all his masculine pride – how painfully humiliating for him if he ever found out he was in debt to me. That would ruin our relationship. Our beautiful, happy home would never be the same” (Iben 802)