ARTS103OL Art Appreciation FORMAL ANALYSIS FORMAL ANALYSIS of: Luncheon of the Boating Party By Auguste Renoir For ARTS103OL Art Appreciation Instructor: The intent of this paper is to provide a greater understanding of the selected art object. Through objective analysis of the formal elements that make up the art object and considerations of the social and cultural climate in which it was conceived, a greater understanding of the art objects significance will be achieved. Part II - Identification of the Art Object: 1. Title of the Work: Luncheon of the Boating Party 2. Artist/School: Auguste Renoir/ Impressionist 3. Year or Time Period Completed: 1881 4. Medium/Technique/Process used: Oil on Canvas 5. Size: 51 x …show more content…
Standing behind her over her left shoulder is a man wearing a cream colored jacket with wispy blue stripes. He wears a white shirt and a black cravat. His hair falls over his forehead and is reddish brown. He has a small mustache and a goatee beard. He is leaning over the woman’s shoulder with his hand resting on the back of her chair, looking down at her. Behind him in the background over his left shoulder is a woman standing facing left, with black gloved hands raised to the sides of her face. She wears an ornate black hat with feathers and a black dress. Standing next to her with his arm around her is a man with a straw hat with a red hat band, wearing a red and white striped shirt. He faces forward looking at her intently. To his right stands another man facing the woman he has his arm around. This man has a full beard and wears a black hat. Behind him seated at the back table is a woman in a flowered straw hat who is drinking from a glass, she looks directly out of the picture plane past the table in the foreground at the viewer. A man seated to her left is barely visible in profile and past the shoulder of the man in the cream colored jacket. The entire scene is brightly lit with ambient light from the open sides of the porch the majority of which were enters from the front left of the picture plane. The white tablecloth on the table in the foreground glows with reflected
← Doyle, William. The French Revolution: A Very Short Introduction. New York: Oxford University Press, Inc. 2001
To discuss the development of France’s economy I will focus on the Marshall Plan. Marshall Plan, as an approach of the United States to control the Europe and oppose the Soviet Union, also helped the Europe with their bad economics. After the second world war, France tried to use government intervention by Jean Monnet to recover its economics. In fact,
During the late 1840s, France had suffered commercial decline. France had begun construction on a large scale rail network, but failed to budget their construction properly, leaving the construction unfinished, and it’s backers bankrupt. This cascaded further than the initial investors, as smelters who relied on the railways to buy their metal lost a major purchaser. The resulting economic fallout lead to unemployment across several industries. The lack of work for the majority of the populace led many to poverty. At the time, bread prices began rising prices, further straining the economic situation of the working class.
The article did not contain much information and did not go into detail about each topic mentioned. The information was not very organized and some parts included extraneous details about the status of the building or landmark in modern times. It also included details about France’s modern industry. These again were irrelevant and unnecessary details that did not aid in the research of the topic. The database itself was difficult to navigate. The articles it presented for the topic were irrelevant and the content of the articles did not provide adequate information. The article was taken from Funk and Wagnall's New World Encyclopedia. This encyclopedia is used in many different databases and is considered to be a reliable source. It contains over 25,000 different records of various subjects. However, there are many others websites and sources that provided the same information in a more organized, detailed manner. Overall, this source was not beneficial to the research of eighteenth century France and is not recommended for other
J.F. Bosher’s conclusions on the reasoning of the success and failure in the New France trade during the seventeenth and eighteenth centuries are inconclusive at best. Yet, the professor of history at the University of Toronto to his best summation is that the right religious association or social stature could have undoubtedly influenced prosperity. However, in Bosher’s study of fifty-eight bankruptcy cases between 1660-1760, he is quick to argue that there is no definitive evidence that point to one direct cause for financial ruin. Rather multiple conditions including chance that contributed to the fates of trade families. These complexities included war, the government, volatile economic trends, and religious/social structure (Bosher 458).
In the 1700’s, France was easily the richest country in Europe next to Great Britain. Its great and powerful navy and an army of hundreds of thousands of men also made it a formidable state.
Explain the economy, government, and current state of affairs in France between 1870 and 1914. Who are their friends and who are their enemies and why? (At least three paragraphs). (9 PTS)
In Edith Wharton’s The House of Mirth, she presents us the real New York City in late nineteenth century. Due to the rapid development of industry, the wealth gap got wider and wider. Money functions extremely important in people’s social lives. People from upper class can purchase anything they want: luxury goods, artworks, even women. As the main part of consumption, women’s consumption reflects the gender relation in American society during this time period. The protagonist Lily Bart is a representative of females in 19th century. She was born in a rich family. However later she can only marry the rich from upper class, by her perfect appearance, in order to continue her luxuries life. Things do not turn out as her wishes, her marriage doesn’t go well. Lily is just viewed as a beautiful decoration of upper class which can be taken advantage of. Women are tempted by money and controlled by vanity. They consume on the basis of men’s standards. They are more like men’s accessories. Ultimately they become goals of men’s sexual desire and victims of the society. Gender relation is clearly established in this book.
Before 1661 the French economy was in ruins. The economy had been greatly damaged by the 30 years war and there was also great corruption among the nobility.
Luncheon of the Boating Party is a European artwork painted in 1880-1881 by French Impressionist, Pierre Auguste Renoir. In traditional Impressionist style, Renoir depicted a scene from modern life and based it in a place he knew well - the Restaurant Fournaise. Chatou was one of Renoir's beloved settings and Luncheon of the Boating Party is a romanticized portrait of his friends enjoying a Sunday afternoon on the balcony of the restaurant. His intention was to take a normal scene and create a modern day party that portrayed the youth and beauty of his friends. The arrangement of Luncheon of the Boating Party represents a relatively new Impressionist movement as well as the changing character of French
The portrait is displayed horizontally with a gold trimmed frame. The subject is a female that looks to be in her early 20’s sitting upright on a large brown chair. If the viewer travels up the painting the first indication of the woman’s class is her satin, blue dress. The saturated blue shines and falls in the light like water. Paired with the dress are her exceptionally detailed endings to her sleeves. The lace is even painted as though it is translucent, allowing a little of the blue dress to show through the sleeve. Flowers throughout history have symbolized innocence of a woman and her virginity. The repeating theme of flowers, in the sleeve cuffs and ribbon) in the woman’s attired suggests her purity or innocent nature. Another very details section of the painting includes the corset/torso details. The sewing suggests texture in the torso with small beading in between. Towards the top of the chest in the center, the female seems to bear an extravagant, ribbon piece with a tear drop bead in the center. The light pink
In “Lasting Economic Structures: Successes, Failures, and Revolutionary Political Economy,” Jeff Horn researches the impact of the economy during the French Revolution. Historians investigated consumption, production, labor, and technology of the political economy during the Revolution. Guy Lemarchand, a historian, intensively approached the political economic history before and after the Revolution. Therefore, Horn researched the economic policies from 1789 to 1799 to conclude that they influenced the outcome of the Revolution.
To describe, and analyze any period of our marvelous World Art History, it is crucial to find a piece of art to motivate our lines. The Impressionism is not the exception, that is why Luncheon of the Boating Party, and Pierre-Aguste Renoir, are the principal characters of the paragraphs that you are going to read.
In these ready-mades there was no artistic intervention such as colour. The ready-mades just existed by themselves. These objects chosen by the artist– not made by the artist own hand – were the result of an intellectual process and thus art. A process that involved minimal amount of interaction between the artist and art and provoke the spectator to participate and
of art as a finished product, signed by the artist and authenticated by the art market,