art history formal analysis Renoir luncheon of the boating party

4340 Words Oct 6th, 2013 18 Pages
ARTS103OL
Art Appreciation
FORMAL ANALYSIS

FORMAL ANALYSIS of: Luncheon of the Boating Party
By Auguste Renoir

For ARTS103OL Art Appreciation Instructor:

The intent of this paper is to provide a greater understanding of the selected art object. Through objective analysis of the formal elements that make up the art object and considerations of the social and cultural climate in which it was conceived, a greater understanding of the art objects significance will be achieved.

Part II - Identification of the Art Object:
1. Title of the Work: Luncheon of the Boating Party
2. Artist/School: Auguste Renoir/ Impressionist
3. Year or Time Period Completed: 1881
4. Medium/Technique/Process used: Oil on Canvas
5. Size: 51 x
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Standing behind her over her left shoulder is a man wearing a cream colored jacket with wispy blue stripes. He wears a white shirt and a black cravat. His hair falls over his forehead and is reddish brown. He has a small mustache and a goatee beard. He is leaning over the woman’s shoulder with his hand resting on the back of her chair, looking down at her. Behind him in the background over his left shoulder is a woman standing facing left, with black gloved hands raised to the sides of her face. She wears an ornate black hat with feathers and a black dress. Standing next to her with his arm around her is a man with a straw hat with a red hat band, wearing a red and white striped shirt. He faces forward looking at her intently. To his right stands another man facing the woman he has his arm around. This man has a full beard and wears a black hat. Behind him seated at the back table is a woman in a flowered straw hat who is drinking from a glass, she looks directly out of the picture plane past the table in the foreground at the viewer. A man seated to her left is barely visible in profile and past the shoulder of the man in the cream colored jacket. The entire scene is brightly lit with ambient light from the open sides of the porch the majority of which were enters from the front left of the picture plane. The white tablecloth on the table in the foreground glows with reflected