ate Grenville’s best selling 2005 book The Secret River, directed by Neil Armfield and adapted by

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ate Grenville’s best selling 2005 book The Secret River, directed by Neil Armfield and adapted by Andrew Bovell, is a shocking, scandalous – not to mention thrilling - insight into the historic events of the settling of Australia. This ambitious new play teaches us the truth behind what really happened between the two groups the ‘Dharug’s’ and the white settlers and by the use of Aboriginal dialect we are placed in the perspective of one white man, leaving the theatre in a deafening silence.

The insightful casting of William Thornhill (Nathaniel Dean), an award winning actor and voice over artist, brings you to a better understanding of the archetypical character. The casting is percipient and the excellent Ursula Yovich plays the roll of
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While Bovell maintains that William Thornhill is still central to the play, he has been deliberate in giving voice to the silent characters of the book.

Factual research is interweaved with fictional drama in Grenville’s novel, revealing the shocking history, yet building a story around it. Part of the unfolding tragedy of the book and now the play is the sense that both convey, of how history could have been different. Thornhill charges in seeing the land as “the blank page in which a man might write a new life” but for the Aboriginal’s it has always been their land, so they are torn on what to do. It is the shocking, unexpected truth that leaves the audience so silent you could hear a pin drop. Throughout the play there is brutal enslavement and repeated rape of young aboriginal woman (played courageously by a naked Miranda Tapsell). Smasher Sullivan (a rascally Jeremy Sims) commits these crimes, which are ignored and William Thornhill (Nathaniel Dean) carelessly turns a blind eye to them.

Interestingly The Secret River is Andrew Upton and Cate Blanchett’s very first commission for Sydney Theatre Company, so it’s been a while in the making. It’s also been worth the wait! The production line for this play has been massive and unequalled.

Most audience members will be intrigued, amazed, and in ore at this spectacular performance, but in particular those interested in

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