August Wilson: An Inspiring Writer

The play “Fence” by August Wilson’s has a connection with real world fence. “The yard is a small dirt yard, partially fenced, except for the last scene, with a wooden sawhorse, a pile of lumber, and other fence-building equipment set off to the side. The Opposite is a tree from which hangs a ball made of rags. A baseball bat leans against the tree. Two oil drums serve as garbage receptacles and sit near the house at right to complete the setting” (Wilson 2). He mentions that the fence has three parts open, unopened and cornerstone. The word yard and fence are symbolically represented structure and dream of country, society and Troy’s family.

life in the mid to late twentieth century and the strains of society on African Americans. Set in a small neighborhood of a big city, this play holds much conflict between a father, Troy Maxson, and his two sons, Lyons and Cory. By analyzing the sources of this conflict, one can better appreciate and understand the way the conflict contributes to the meaning of the work.

August Wilson made his audience aware of the issues blacks were going through during that time period. For instance, Wilson shows the struggle Troy has with allowing his son Corey to play sports and get recruited. Troy goes on to say “I decided seventeen years ago that boy wasn’t getting involved in no sports. Not after what they did to me in the sports” (Wilson 1.3.111). Troy is referring to how the whites would not let him play in the major league because of his skin color and he believes they will do the same to Corey. Wilson expresses another theme of color discrimination when Troy talks to Bono about how only whites drive the garbage trucks while the coloreds do the picking. Troy states, “…Why? Why you got the white men driving and the colored lifting? … What’s the matter, don’t I count? You think only white fellows got sense enough to drive a truck…” (Wilson 1.1.10). This was a big problem for many companies in the 1950’s the African Americans played minor roles at the time only whites held the special privilege jobs. Many black men like Troy just wanted a change they wanted equal job opportunities like the white men were getting.

A recurring theme in American history has been that of the American Dream, the idea that anyone, regardless of race, can achieve success through hard work. In his stirring 1990 play The Piano Lesson, August Wilson uses African-American characters to embody the American Dream. Throughout the play, set in Pittsburgh in 1936, Wilson traces the economic successes of several African-American characters, such as Boy Willie and Lymon. However, Wilson’s portrayal of this apparent progress conflicts with the true historical setting. The reality between 1877 and the 1930s was that social barriers, such as Jim Crow laws and sharecropping, precluded economic progress for most African-Americans. A few black Americans such as Madam Walker, an Indiana businesswoman, made some progress, but in general there was stagnation in terms of pecuniary growth during this time period. August Wilson’s interpretation of African-American economic progress through fictional characters in The Piano Lesson is flawed because it represents a few economically successful African-Americans of the time, but fails to capture the lack of progress made by the majority between 1877 and 1930.

Author and playwright August Wilson’s Century Cycle, a series of ten plays representing the lives of African-Americans during each decade of the twentieth century, has widely been acknowledged by critics as well as the general public for its accurate depiction of the journey and struggles of the African-American community in its search for an identity in a white world. During the entire cycle Wilson almost exclusively focuses on black characters and their personal and collective stories.

The first time I read August Wilson's Fences for english class, I was angry. I was angry at Troy Maxson, angry at him for having an affair, angry at him for denying his son, Cory, the opportunity for a football scholarship.I kept waiting for Troy to redeem himself in the end of the play, to change his mind about Cory, or to make up with Ruth somehow. I wanted to know why, and I didn't, couldn't understand. I had no intention of writing my research paper on this play, but as the semester continued, and I immersed myself in more literature, Fences was always in the back of my mind, and, more specifically, the character of Troy Maxson. What was Wilson trying to say with this piece? The more that

August Wilson’s Fences was centered on the life of Troy Maxson, an African American man full of bitterness towards the world because of the cards he was dealt in life amidst the 1950’s. In the play Troy was raised by an unloving and abusive father, when he wanted to become a Major League Baseball player he was rejected because of his race. Troy even served time in prison because he was impoverished and needed money so he robbed a bank and ended up killing a man. Troy’s life was anything but easy. In the play Troy and his son Cory were told to build a fence around their home by Rose. It is common knowledge that fences are used in one of two ways: to keep things outside or to keep things inside. In the same way that fences are used to keep

August Wilson was born in a ghetto area of Pittsburg, Pennsylvania to his white father,

Woodrow Wilson, our 23rd president, became involved in a war that he did not want any part of. Wilson wanted to remain neutral and have peace as in his first term of office. During World War I Wilson’s roles in the war became well known in all countries. Wilson wanted peace more than anything else. In seeking for peace Wilson asked Congress for the U.S. to enter World War I. which may not sound like a peace strategy but Wilson felt it was the only way to stop Germany and gain peace. Wilson wrote his speech for world peace, Fourteen Points, that he was probably most famous for. He attended and played an integral part in The Treaty of Versailles. He was the founder of the League of Nations,

Troy refuses to let him have his chance, stating, “The white man ain’t gonna let you

In literature, slavery and the African American race are often analyzed and interpreted by numerous authors. Mark Twain reveals numerous hitches and aspects of society’s view towards different races throughout many of his novels. In Pudd’nhead Wilson Twain describes the status of African Americans in society, as well as how they are portrayed or believed to act in the eyes of other townsfolk. The portrayal of Roxy and the status of Tom and Chambers both help Twain show the wrongs of the

Winner of multiple awards such as the Tony Award, the New York Drama Critics Circle Award, and the Pulitzer Prize, August Wilson is known most for his forceful cultural plays. Born and raised in Pittsburgh, Pennsylvania, Wilson was born to a white father that later abandoned his family, and a black mother. Wilson dropped out of school in the ninth grade after being accused of plagiarism. Wilson after went to public libraries and read various books; this was an initiation for Wilson and his successful future. When Wilson first started writing he didn’t think he was able to write his own works because of such great writers before him. “Quote black literature criticism”. However

Woodrow Wilson was the first Southerner to be elected president after the Civil War. Born on December 28, 1856 in Staunton, Va., he was the son of a Presbyterian minister who supported the Confederates. Wilson assumed the presidency after a whirlwind career as a college professor, university president and New Jersey governor. However, Wilson left the Oval Office just as heartbroken as the Confederate soldiers that returned home when he was a boy.

Woodrow Wilson’s presidency was by many accounts one of the most successful in American history. Not only did his domestic affairs and reform policies give birth to the modern age of liberalism but his foreign policies would lead the United States to victory in World War I. This would in turn contribute to the United States involvement in world affairs.

Wilson’s plays are almost always realistic and have to do with everyday people in everyday situations. The majority of Wilson’s characters are black so their dialect really helps set up the play. Wilson’s plays have