foolear The Wise Fool in Shakespeare's King Lear Essay

The Fool is ironically different from his title. While the fool is commonly an idiot, Lear's fool seems to understand the political situation better that the king himself. His jokes and songs seem to be aimed at teaching Lear about the errors he has made rather than at making

In this world, people have this natural desire to protect the people they love and care for in their lives. This need can manifest in many ways, at times it comes across as the harsh criticism of a parent and other times it is the helping hand of a best friend or lover. In Shakespeare’s King Lear, the Fool plays as the protective role toward his master Lear. The Fool uses humour and sarcasm to try and push Lear to make the smart decision and the Fool acts as his voice of reason, although Lear tends not to fully comprehend his lessons. Not only does the Fool offer a sense of comic relief for the audience, but his witty lines have a more protective and caring attitude underlying them.

-The Fool is showing the error in Lear's way. He hinting that whoever put such a stupid idea in Lear's head should be punished according to Lear's future suffering.

One example of how the Fool’s speeches and actions reflect this attitude is when he calls Lear a fool and making clear that he should value Cordelia above Goneril and Regan, who are bad seeds. Also, when the Fool mocks Lear for giving away the kingdom to Goneril and Regan, and for leaving his one good daughter, Cordelia, out of the

Then Lear has an insight into the nature of his own transgressions. His attainment of self-awareness is a step forward despite the consequences. Dismissing his feelings at the end of this episode highlights the Fool’s function the play. For the first time, he obtains empathy and considers someone else’s feelings and puts their comfort in mind before his own. By the end of Act II the prime external causes of Lear’s madness have brought about a change in Lear’s thoughts and beliefs concerning man, the universe, a change in thought that is both a cause and a reinforcement of his

At the beginning of “King Lear,” an authoritative and willful protagonist dominates his court, making a fateful decision by rewarding his two treacherous daughters and banishing his faithful one in an effort to preserve his own pride. However, it becomes evident during the course of the tragedy that this protagonist, Lear, uses his power only as a means of projecting a persona, which he hides behind as he struggles to maintain confidence in himself. This poses a problem, since the audience is prevented from feeling sympathy for the king. Shakespeare’s ironic solution is to allow Lear’s progressing madness to be paired with his recognition of truth, thereby forcing Lear to shed his persona, and

King Lear has a serious problem with keeping his composure throughout the story. His release of anger to all of his daughters and servants turned on him later in the story. King Lear has a blatant issue and should have done something about it, since he didn’t realize he was hurting the victim and proceeded to make them feel inferior to him.

Throughout the tragedy, Lear, at times, seems to only be capable of heinous volitions. His malevolent actions extend especially to his daughters. While angry, Lear tells his daughter, Goneril, that she is “More hideous when thou show’st thee in a child / Than the sea monster” (1.4.268-269). After not receiving his way, Lear refers to his daughters as “unnatural hags” (2.4. 280) because they would not let him keep all of his knights. He then threatens Goneril and Regan by letting them know that he “will have such revenges on [them] both” (2.4.281). Lear’s scathing cruelty shines through in his unnecessary name calling and threatening approach to his daughters. Lear also tells his fool that “[they will] have [him] whipped” (1.4.178) as a showing of his cruel nature. If Lear were able to keep his preposterous actions in check by learning to not be so cruel, much of the sorrow and destruction that occurred would not

Both Lear and Riggan are arrogant, egotistical and ultimately ignorant to the surrounding world. Iñárritu and Shakespeare utilise the dialogue of other characters towards the protagonists, in albeit different ways, to show this. Shakespeare utilises the Fool to provide commentary for the audience. In the court of the king, the Fool’s role was to provide entertainment through comedy, but Shakespeare portrays him as the only character telling Lear the truth and thus this is an example of dramatic irony. Through his anecdotes and commentary, the Fool reveals to Lear the truth, but in his ignorance the king does not acknowledge this. Iñárritu demonstrates this through the audial and visual manifestation of Riggan’s younger self. While Shakespeare uses the Fool to tell Lear and the audience the truth, Riggan’s subconscious furthers his disconnection from reality and self-absorption. Additionally, Shakespeare uses eyes as a motif to emphasise this fatal blindness, attributed to age. The plucking out of Gloucester’s eyes is also a direct link to this. Lear’s crown is also used as a symbol of Lear’s poor judgement; by splitting the kingdom between his daughters, Lear “clovest his crown i’ th’ middle”, which ultimately lead to the tragic consequences at the end of the play. Iñárritu explores a similar idea of a limited view of the world through

He gave the audience a little wisdom but he was mostly depicted as king Lear's old self. I say this because due to them having a role reversal, it should also mean the Lear was wise back in his day. A wise thing that the fool says is shown by this quote, "Lear's shadow"(Act 1, Scene 4, line 220). This is wise because he wants to remind Lear that he is not the powerful king still and that he is just a faded image of what King Lear use to be. He wants Lear to think about how much power he lost when he gave it all away.

King Lear is easily decieved as he lacks the insight to see beyond what people

“King Lear” is known as one of Shakespeare’s greatest tragedies. “King Lear” is a play which tears off the outer coverings of human character. Two prominent themes that can be found in “King Lear” are disguise and deception. Disguise and deception are connected to each other because if you put on a disguise, you are masking yourself. If you are masking yourself, you are misrepresenting the truth, which is also known as deception. The characters constantly deceive each other throughout the play by either changing their physical appearance or changing their personality to mask their true identities and motives. Shakespeare’s exposure of the connection between disguise and deception reflects today’s culture and is still relevant today.

In William Shakespeare's comedy Twelfth Night, it is ironic how many times the fool is said to be dishonest, when, in fact, his role proves entirely opposite. Though sometimes the characters do not realize his hidden messages, the reader can instantly comprehend Feste's figurative language, which is evident in every scene in which the fool appears. Whether he is singing to Orsino, arguing with Malvolio, or playing around with Viola, Feste always manages to sneak in a few symbolic foretokens before his exit. His keen eye and fast wit help him to actively partake in the portrayal of the story, however, the fool is merely present to express that which cannot be fully expressed through the

King Lear is a character who displays a great deal of anger throughout the course of the play, he often allows his anger to take over him. A lot of things that are said and during the course of the play are due to Lear’s anger which is a leading factor for his insanity. Lear loses his temper during a love test when his daughter does not give the answer that he was looking for, he disowns her calling Cordelia his, “sometime daughter,” (1.1.119) and gives her share of the land to her sisters. This in turn leads to his insanity because in his blind rage he does not acknowledge the sincerity behind Cordelia’s veiled words; unlike her sisters she does not try to flatter her father in order to receive more land, whereas her sisters have their secrets agendas and do not truly love Lear. In addition to this, King Lear is also enraged when the Earl of Kent who is a loyal follower of Lear, goes against the banishment of Cordelia and speaks up in favour of the youngest daughter. Lear is livid with Kent going against him and banishes Kent, as well reminding him that, “if on the tenth day

Lear's entry into the play is similar to Gloucester's such that, through close analysis of the dialogue between the King and his daughters, the reader gains awful knowledge of the arrogance and ignorance that will soon become his downfall . The drama of his opening speech is at all points excessive; the reader discerns a man that is long accustomed to being listened to and indulged in every way. In a moral