frank Hurley essay

David Bailey is an English author and photographer based in East London. He is widely revelled as one of the greatest photographers ever; thanks to his free-spirited and nonconformist approach to his technique. He felt as though he needed to integrate himself into his projects as well as his subjects, which is what set him apart from the others in his league. He always showed a piece of himself in every photograph or portrait in his career.

Winogrand took photos of everything he saw; he always carried a camera or two, loaded and prepared to go. He sought after to make his photographs more interesting than no matter what he photographed. Contrasting many well-known photographers, he never knew what his photographs would be like he photographed in order to see what the things that interested him looked like as photographs. His photographs resemble snapshots; street scenes, parties, the zoo. A critical artistic difference between Winogrand's work and snapshots has been described this way, the snapshooter thought he knew what the subject was in advance, and for Winogrand, photography was the process of discovering it. If we recall tourist photographic practice, the difference becomes clear: tourists know in advance what photographs of the Kodak Hula Show will look like. In comparison, Winogrand fashioned photographs of subjects that no one had thought of photographing. Again and again his subjects were unconscious of his camera or indifferent to it. Winogrand was a foremost figure in post-war photography, yet his pictures often appear as if they are captured by chance. To him and other photographers in the 1950s, the previous pictures seemed planned, designed, visualized, understood in advance; they were little more than pictures, in actual fact less, because they claimed to be somewhat else the examination of real life. In this sense, the work of Garry Winogrand makes a motivating comparison to Ziller's

For this essay the works of Robert Draper, author of “Why Photos Matter,” and Fred Ritchen, author of “Photography Changes the Way News is Reported,” will be analyzed. Though both deal with the topic of photography, their take on the matter is very different. While Ritchen is a photographer who writes on “what professional photographers will be doing in the future,” Draper is a writer for the National Geographic writing on how the photographers of the magazine share “a hunger for the unknown.” Both writers, however, write on the topic of photographers having a deeper understanding of their subjects, Ritchen due to research and practice, and Draper because the photographers “sit [with] their subjects, just listening to them.” In both essays the need for a deeper understanding of the

In Telling the Truth About History, three historians discuss how the expanded skepticism and the position that relativism has reduced our capacity to really know and to expound on the past. The book talks about the written work of history and how individuals are battling with the issues of what is “truth.” It likewise examines the post-modernist development and how future historians

Howard Cosell, a legendary commentator, spoke words about this legendary man that more or less sums up his legendary career. He said "Frank Sinatra, who has the phrasing, who has the control, who understands the composers, who knows what losing means as so many have, who made the great comeback, who stands still, enduringly, on top of the entertainment world. Ladies and gentlemen, from here on in it's Frank Sinatra!" Frank Sinatra, the only singer in history to have hit records in five consecutive decades, led a lot more distinctive life than people were led to believe.

Richardson’s non-interventionist style is a prime example of observational documentary, and works specifically well in capturing and promulgating the subject of death. According to Nichols, observational documentaries started appearing in the 1960’s as result of more mobile and smaller equipment. Furthermore, observational documentary stresses non-intervention, as filmmakers objectively observe indirect speech, candidness in the form of long takes, and create a world out of historical reality not fabricated with

When he was 5, his father was found dead of a gunshot wound outside a vacant school. He was raised by his mother, Carmen, who worked on a truck assembly line. They lived in housing projects.

In the end, such works that indeed provided versions of reality that documented life being lived, live on not necessarily because of their artistic or literary merit but because of their rendering of actuality during a specific time and place. They have become, in effect, cultural documents (Connery).

In this image that Frank Romero made that is called "Going to the Olympics " I see a lot of beautiful colors. It is very colorful and has a lot of symbols like a stamp from the Olympics, a horse, the new years blimp, and a guy that is wrestling. All of those symbols are from the Olympics. I also see a lot of cars in this picture and cars in Los Angeles means either you love your car a lot and you would do anything to fix it or there might be a lot of traffic on the freeway. Once you see the shiny red lights on the freeway and they are not moving you know there are going to be a lot of traffic until you get to your destination. The cars have hearts on top so it does mean a lot of people love their cars. In Los Angeles there is a lot of palm trees. Everywhere you go you are going to see them. You see them in the streets or there is one close by from where you live. Los Angeles has a lot of palm trees.

Nate was born in Norfolk, Virginia, to his mother Carolyn Whitfield. Even though his mother never married Nate’s real father, Nate still had a relationship with him. Nate has problems with his stepfather which led him to move to Virginia Beach to live with his uncle. Jay Combs, his uncle who was a former wrestler, inspired him to join wrestling in high school. He attended Princess Anne High School, followed by Churchland High School, Great Bridge High School when finally getting into Penn State University, with the scholarship. After being accused of the rape he was transferred to University Of Oklahoma and graduated in 2002. Nate’s career started when he was going to an event with a model friend, where the talent manager Jon Simmons had him audition and recorded him and

Contextual changes make is complex to decide the significance of a rediscovery. A change in context can lead to renewed perception, thus a new significance in the discoverers world. This complexity is demonstrated in ‘Frank Hurley: The Man Who Made History’, which portrays the complicated debate over the

The second picture I chose called Laxman Singh, Rajasthan, 2002 I felt that this man is a prisoner in his own world because he has no legs to walk but prosthetics. I believe that the photographic approach of contemporary photojournalists have changed with both the idea and the technique since Gardner’s era. There is more history going on every day and there are so many stories that can be told that each photojournalist can use different techniques and ideas to tell that story to a viewer.

“The documentary tradition as a continually developing “record” that is made in so many ways, with different voices and vision, intents and concerns, and with each contributor, finally, needing to meet a personal text” (Coles 218). Coles writes “The Tradition: Fact and Fiction” and describes the process of documenting, and what it is to be a documentarian. He clearly explains through many examples and across disciplines that there is no “fact or fiction” but it is intertwined, all in the eye of the maker. The documentarian shows human actuality; they each design their own work to their own standards based on personal opinion, values, interest and whom they want the art to appeal to.

The diary of a young girl is about the unimaginable horror that Anne Frank had to face accompanied with seven others, living in the secret annex. The main character being Anne Frank, writes in her diary about the most important events that happen inside and outside the annex. Once finishing reading the book I realized that the actions Nazis took against Jewish people was inhumane and overall just unacceptable in any society.

Art critic Robert Hughes once said, “People inscribe their histories, beliefs, attitudes, desires and dreams in the images they make.” When discussing the mediums of photography and cinema, this belief of Hughes is not very hard to process and understand. Images, whether they be still or moving, can transform their audiences to places they have either never been before or which they long to return to. Images have been transporting audiences for centuries thanks to both the mediums of photography and cinema and together they gone through many changes and developments. When careful consideration is given to these two mediums, it is acceptable to say that they will forever be intertwined, and that they have been interrelated forms of