plotlear King Lear Essays: Importance of the Parallel Plot in King Lear

The power that Lear gives to Goneril and Regan makes them treacherous and deceitful. Lear offers his

Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to

Though King Lear, of Shakespeare's play, King Lear, wrongs both Cordelia and Kent in his harsh treatment against them, the unjust actions of Regan and Goneril against King Lear cause him to be "a man more sinned against than sinning" (3.2.60-61).

     Shakespeare uses subplots to dramatize the action of the play and give spark on the contrast for the themes in King Lear. Sub plots usually improve the effect of dramatic irony and suspense. The latter, which is used in King Lear, gives us the understanding of the emotions of the characters in the play. This follows the parallelism between Gloucester and King Lear.

In the play King Lear, the two characters Gloucester and King Lear, both run on very parallel paths. the turning point in the play where the reader starts to feel sorry for them is as soon as things start to go bad for them. Early in the play, Lear makes bad decisions on which daughters to give his land and power to, while Gloucester is making Edmund feel bad for being a bastard. Their decisions blow up in their faces and the reader starts to feel bad for them. King Lear is driven to madness and Gloucester has his eyes gouged out and want to kill himself. The impressions on both of these characters change throughout the course of the play in the same way.

   King Lear meets all the requirements of a tragedy as defined by Andrew Cecil Bradley.  Bradley states that a Shakespearean tragedy has to be the story of the hero and there is exceptional suffering and calamity slowly being worn in.  Also, the current time must be contrasted to happier times.  The play also depicts the troubled parts in the hero’s life and eventually he dies instantaneously because of the suffering and calamity.  There is the feeling of fear in the play as well, that makes men see how blind they are not knowing when fortune or something else would be on them.  The hero must be of a high status on the chain and the hero must also possess a tragic flaw that initiates the tragedy.

What aspects employ the genre of tragedy within novels, plays, and cinema? Tragedy is something that is defined universally as the upheaval of any plot, story, or play where an event causes or leads to great suffering for everyone. Authors, playwrights, and even directors all know the certain scene or event that is key for the foreshadowing of tragedy to take place. This signal in any work allows us as an audience or reader to understand the meaning and significance for the need for a certain event to occur. King Lear the renown play about family ties by William Shakespeare has the genre tragedy stamped all over it due to the chaotic and brutal ending. The historian Hayden White’s essay “The Historical Text as Literary Artifact” focuses

King Lear, a tragedy by William Shakespeare, is about the delegation of power from the old generation to the young, new generation. Furthermore, the play demonstrates problems that can arise from a transfer made too early, from one generation to the next. A Thousand Acres is a modern retelling of King Lear, that is similar to King Lear, but it is not an exact word for word copy. The overall plot has been retained from King Lear, but some of the minor details have been changed to provide an intriguing new take on the same story. One such change is the fact the story goes from a third person view in King Lear, mostly following King Lear, to a first person narrative from the perspective of Ginny in A Thousand Acres. Ginny is the modern day version for Goneril’s character. King Lear and A Thousand Acres may take place in two different time periods; they both offer comments on the status of women, family relationships, and the natural order of things. The two time periods may be different, one modern day and the other set in the past, however the ideas presented are not that different on a whole. Both works presented share the same common thematic and universal elements throughout.

A lust for power is also displayed through Goneril and Regan as they reject their own father in favour of material possessions and power.

Shakespeare's tragedy King Lear can be interpreted in many ways and many responses. The imprecision’s and complication of the play has led

In these situations, the cast confronts instances of betrayal and eventually self-growth. The story initiates with King Lear’s urgency for flattery, which drives him to commit a decision that instigated the power-hungry course of his daughters. The betrayal of Goneril and Regan caused Lear to separate from his man-made principles and praise those of nature. Besides the change in Lear, the audience also observed Gloucester’s position concerning the legitimacy of his two sons. Societal views were a detriment regarding the rights of illegitimate children, like Edmund. Seeing his brother Edgar conquer all his father’s treasures, Edmund left his praise of nature behind and instead exploited the reliance of status and relationships in his royal family to overcome the laws of society, forming a great deception against his own family.

One of the underlying themes in Shakespeare's play, King Lear is the concept of the generation gap. This gap is mainly illustrated between the family. The older generation is Lear himself, and the younger generation consists of his daughters Goneril, Regan and Cordelia. In the second plot of the play, Gloucester represents the older generation, and his sons, Edmund and Edgar exemplifies the younger generation. Both younger generations can be divided into two distinct groups. Goneril, Regan and Edmund are the villains in both the plots and Edgar and Cordelia are the loyal, faithful children. This little twist adds to the effect of the generation gap in the play. There are many comparisons that can be made and confrontations that occur

The opportunity to view both productions of King Lear has appeared twice for me in the past two years. The first time I viewed Trevor Nunn’s 2009 production of King Lear my review would have been based solely on my ability to understand the dialogue and my appreciation of the acting of Ian McKellen. Two years later I have a better understanding of the actual play and while I still enjoy the 2009 production the 1982 production directed by Jonathan Miller presents the words of William Shakespeare in a more accurate and period specific manor.

The most prevailing images in King Lear are the images (metaphoric and actual) of nature. The concept of nature seems to consume the dialogue, monologues, and setting.

            The downfall of Lear is not just the suffering of him alone but the suffering of everyone down the chain of being.  For instance, Lear's pride and anger caused Cordelia and Kent to be banished, and Gloucester loses his position and eyes.  Everything that happened to these characters are in a chain of reaction and affected by Lear's tragic flaw.  If Lear did not lack of personal insight and if he did not have  such an obstinate pride, he would not have banished Cordelia and Kent, then Goneril and Regan would not be able to conspire against Lear. Without the plot of Goneril and Regan, Gloucester would not have been betrayed by Edmund and lose his eyes and status due to the charge of treason.  Moreover, the chain of reaction was continuous