##s Of Love In Alain De Bordon's 'Falling In Love'

It is part of the human nature to love and be loved by a friend, a relative, or a partner.

Ever since the beginning of time, love has played an enormous role among humans. Everyone feels a need to love and to be loved. Some attempt to fill this yearning with activities and possessions that will not satisfy – with activities in which they should not participate and possessions they should not own. In Andrew Marvell’s poem, “To His Coy Mistress,” the speaker encounters an emotion some would call love but fits better under the designation of lust for a woman. In contrast, the speaker of Robert Herrick’s poem, “To the Virgins, to Make Much of Time,” urges virgins to marry, to make a lasting commitment in which love plays a

“You are always insane when you are in love (Friedlander).” The meaning of true love is the way a person feels about another person and the actions that person takes to prove his or her love. “Love is pleasure and pain, joy and sorrow. It has long been held that what you love can hurt you, in almost equal reciprocity. The more you love, the more you can get hurt. The more you love, the more you stand to lose (Black).” Often a person will give gifts and never express his or her feelings out loud. The purpose of his or her love would feel as if the love was being bought. “Money does not give joy. Material wealth does not give joy. It gives convenience, yet often takes way from love. How many rich people seek so hard and far, yet never find it (Black).” A person wants to be told that he or she is loved. Helena wants Demetrius to love her. Demetrius’ love for Helena is not true love though. It is misleading because the loving affection he has for her is not reality.

When one is truly in love, they think less of themselves and more of the one in which

Love isn’t easy. Love is such a disarrayed and varied topic that even scientists are unable to completely define the word. IND AFF, by Fay Weldon, is a short story about a woman falling out of love. The story demonstrates a comparison and contrast between the impulsive, violent actions of Gavrilo Princip and the heartfelt impulsiveness of the main character. In both situations both characters suffer for their beliefs. IND AFF proves that not all love is virtuous.

All humans are united in their imperfection. Everyone is inevitably flawed; this is human nature. How one rectifies their mistakes truly shapes who they are. Shakespeare’s Othello exemplifies the imperfection of human nature, focusing on what happens when each character’s fatal flaw takes control over their decisions, and eventually distorts their individual perspectives. Their actions consequently erupt in chaos by the end of the play. This play ultimately serves as a reminder of human nature. Though infinitely diverse and complex, humans are creatures of habit who ultimately share the same villainous tendencies. The evil in the world will always prevail through the manipulation of one’s imperfections, leading to the downfall of the

David Maybury-Lewis gives us viewers some insight on romantic love, being in love and just plain old love. He says that being in love is a need for possession because we feel incomplete and this is usually why we marry. The problem we have is that feeling fades. He also says that romantic love threatens the family. Societies need people who will live for their children, not those who will die for love.

“When we judge other people we confront them in a spirit of detachment, observing and reflecting as it were from the outside. But love has neither time nor opportunity for this. If we love, we can never observe the other person with detachment, for he is always and at every moment a living claim to our love and service.”.

If love longs to possess the good there are two possibilities, either man can come to possess the good or it can not. Now the good itself, the form of the good stands outside of the realm of human existence, it is not possible for men to see the form of the good. This can be derived from the worst

In her poem "Lanval," Marie de France shares a fantasy with her readers, telling the tale of a mysterious woman who journeys from a distant land to be with Lanval, a dishonored knight of King Arthur's Round Table. Marie's portrayal sets Lanval's mistress apart from the maidens and ladies in waiting at King Arthur's court, as she eclipses even Queen Guenever. Much like an editor of a modern woman's fashion magazine, Marie targets her audience of mostly aristocratic twelfth-century women. She describes a mysterious lady whose retinue, meadow pavilion, clothing, figure, cultured sentiments, deportment, and conduct depict her as a superior being. Lanval's mistress is a model Marie's readers

A person can corrupt another person’s mindset and reality. The person could be so trapped in the person’s charm

To effectively support this argument, it is vital to analyze different aspects of love as discussed by Beauvoir in her account of The Woman in Love. The first basis of this narrative portrays man as a superior being to whom an inferior has to submit. He is a god in his woman’s eyes modeled just a little lower than the angels . While the man occupies his rightful status as a god, the woman is deemed as the worshipper. Both eventually become the other’s prisoner. In this vulnerability, women are ready to submit completely to their husbands whose image they hold in high regard.

While the theme of love itself, may it be positive or negative, is reoccurring, Marie’s presentation of romantic relationships and their differing qualities can be considered a theme alone. In “Guigemar”, the relationship between the knight and his lady represents loyalty, and an ability to heal or cure. Yet, the relationship between the beast and his wife in “Bisclavret” demonstrates the selfish and traitorous behavior that can occur between partners, especially if one has proved to be adulterous.

In Stephen Kings “The Man Who Loved Flowers” and Edgar Allen Poe’s “Cask of Amontillado”, a common theme appears: People’s looks and actions can lead to false assumptions. In “The Man Who Loved Flowers”, the man whose name is supposedly Love, lead the people around him to false assumptions due to his actions and looks. This is seen when a woman “passed on her way, thinking: He’s in love” (King, 1). She doesn’t completely know if he’s in love, but the prep in his step and his ‘beautiful’ look makes her believe so.

love is good and only becomes ugly if a lover's motive is exploitation. Pausanias has brought out