The extract under consideration is a piece of a third person narration. However, it is not just a matter-of-fact account of events. You can find not a few pieces of description throughout the story. Thereby the finely wrought delineation of the characters and scenery is gained. Also there are quite a lot of dialogues in the story which are important in revealing a person’s inner state and overall atmosphere.
On the whole, the prevailing tone of the extract appears to be rather romantic and elevated. This effect is caused by the description of the two friends Frank Ashurst and Robert Garton. The former is an idealistic and romantic young man full of absence. And the latter stands in contrast to his friend, being too practical. The author
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As if opposed to his friend, Robert is matter-of-fact and barren of imagination. There is a remarkable peculiarity about the way Garton’s appearance and actions are depicted. I mean metaphors and similes of which the author is lavish. They are sharp and facetious and can’t but evoke an ironic smile, for example: “Garton queer, round-the-corner, knotted, curly, like some primeval beast”, “Garton's was a kind of dark unfathomed mop”, “Robert was talking through his hat!”
As to Megan, her portrayal is very laconic. She doesn’t appear to be beautiful but her eyes are wonderful. Their delineation is symbolic – they are the reflection of her soul - dewy as if opened for the first time that day. And girl looks at Ashurst without shyness in an open manner, she is inartificial and naïve. Megan feels pity for Ashurst because of his knee, and her attention pleases him. Once again this feeling is recurrent in the story and it definitely has symbolic significance. It creates the mood of the approaching disaster.
And Megan’s aunt seems to forebode it. The author portrays her by several sharp strokes. "Mrs. Narracombe had a quick, dark eye, like a mother wild-duck's, and something of the same snaky turn about her neck.” She appears to be very strict and acute woman and distrusts the strangers but finally Ashurst gains her
It is a third person omniscient narrator, which gives the reader an opportunity to gain insight into the minds, thoughts and perceptions of Munda and the white men. This allows the reader to empathise with the characters. The narrator is implicit, as he/she does not participate in the story. The events are seen from both the black and the white people’s points of view, which clarifies the reasons behind the hostile relationship between these two population groups. In this way, the reader becomes acquainted with both sides of the story. The narrator’s own attitude to the events and to the characters is not shown, but the sympathy lies with Munda and the
The point of view in the story is the third person because there is a narrator who
(2) The narrator knows does not know very much about what is happening because in the story it states in paragraph one sentence one " It looked like a good thing: but wait till i tell you". When i read this I realized that the narrator could
This story was written in the first-person perspective. More specifically, the story is a dramatic monologue in which the narrator is responding to ambiguous questions asked by an ambiguous character. The narrator is a major participant taking part in the story as she is the main character, but she isn’t necessarily a reliable source of information because of her extremely emotional state of mind. She is repressing memories from the night of the incident and from her life in general, and this is shown when she says, “I hate to repeat it, my life” (41), and “I don’t want to talk about her” (43). The narrator is also highly unreliable because she isn’t even certain of the validity of the story she is telling. She says, “What? Did I say that?...Then maybe I do remember it, it’s all so confusing and…” (45). Because this story is first-person, we can know only what the narrator reveals. We don’t know the questions being asked of the narrator or the response of that person, and the narrator doesn’t always finish her sentences or thoughts, either. She drifts off and this is shown by the abundant use of ellipses. This is when the reader starts to speculate what is being left out of the narration. The narrator is repressing memories and refusing to talk about them, like when she says, “I don’t want to talk about it again” (41), so there is some
The first passage reveals the parallel suffering occurring in the lives of different members of the family, which emphasizes the echoes between the sufferings of the father and the narrator. The narrator’s father’s despair over having watched
Along in with the author’s use of metaphors is the frequent use of imagery. In this reading, it is simple to envision the scenes as the different scenarios are explained and the audience can easily picture Staples in the places he is describing and also the people he comes across. Perhaps the most powerful and memorable imagery is provided in the author’s description of people’s different reactions and faces when they come into contact with him. Actions speak volumes and an immediate change of facial expression is possibly one of the
For this essay I will analyze the unnamed narrator whom is the protagonist in the story. The story opens up with the narrator describing
Relationships have shaped humanity since the beginning of time. From Adam and Eve to Romeo and Juliet to Kim Kardashian and Kanye West, relationships influence culture and fuel the imaginations and passions of many. Perhaps the most important aspect of a relationship lies in what it brings long-term: the continuation of our species. For all these reasons, relationships constantly appear and reappear in culture, music, and literature. However Charles Dickens and Betty Smith do not focus the effect of relationships on the bonding of two people together, but rather the full development and maturation of one individual’s identity. In their respective novels, Great Expectations and A Tree Grows in Brooklyn, Dickens and Smith explore how relationships impact a person’s identity and the importance of caution in selecting a lifelong partner.
The setting changes while Francie continues to mature into a woman. She becomes 16, and is beginning to lead a life of her own. The family leaves the grieving they had for Johnny behind. Not only does Francie start out with a clean slate, so does the rest of the Nolan family. After the two and ½ years of mourning for Johnny, Sergeant Mc Shane asks Katie to marry him. War rages through the country. While he and Katie make arrangements for the fall wedding and gifts of money and whatnot, Francie makes headway in her personal life.
11. Most of the passage is told from a limited third-person point of view in which
*Who is the narrator of this story? What special insight does that provide the reader? What would you understand differently if the narrator had been another character?
Hence, Austen’s protagonist Catherine Morland, is not the typical gothic heroine, she is an ordinary, gullible, and naïve young girl. However, stereotypically, to the gothic novels she reads, Catherine becomes absorbed with the metonymical language, and hackneyed fantasised events portrayed in this gothic fiction. Thus, Catherine’s ingenuousness disposition makes it difficult for her to differentiate between the fictitious gothic world, and real life-reality. Ultimately, she misunderstands situations, confuses friendships, and fails to distinguish between manipulative and genuine
While this text is set from a third person viewpoint, it also uses an interesting narrative technique, which is known as 'free indirect discourse' or 'free indirect style'. This is when a third person story uses certain features of first person speech. This style is different in the fact that introductory expressions such as, ‘she thought’, and ‘they said’, are not used. Using this technique allows a third person text to utilise a first person perspective, portraying the characters thoughts and words more directly.
“The Love Song of J. Alfred Prufrock” by T. S. Elliot is a poem that tells a character’s story with the use of emotions and imagery. The character J. Alfred Prufrock is first introduced as taking a walk and describing the surroundings such as vacant streets and dreary sights. Women are also introduced as talking about Michelangelo. The setting is covered in a yellow fog that stretches over every detail of the town. Prufrock’s emotions at first seems to be confident with the ladies. As the poem progresses, Prufrock is seen more as an average middle-aged man, but also a sad honest man. He seems to stick to a routine and does not stray from it much. His bland personality is not much of an appeal to the women, thus making him pathetic. In “The Love Song of J. Alfred Prufrock”, T.S.
Catherine’s story begins with the description of her living in the village Fullerton where she has grown up with her family of nine siblings and her parents (who educated her over the years). It is then that family friends of the Morlands, the Allens, (a wealthy couple without children), proposal that Catherine comes along with them to visit the tourist town of Bath. Catherine is more than willing to take up the invitation but her expectations of the outside world are exaggerated due to her reading