“the Real Story in Life of Pi
the Difference Between Fiction and Reality Is Not Always Evident to Those Who Are Unable or Unwilling to Recognize the Difference.”

In Life of Pi, author Yann Martel utilizes metaphors to foreshadow future events and to reveal new insight about Pi’s character and the theme. When Pi is a young boy, his father teaches him and his brother why they should never put their hands in the animals’ cages. Pi’s father decides to teach them this valuable lesson by forcing his sons to watch a hungry tiger devour a vulnerable goat. Pi says, “I don’t know if I saw blood… or if i daubed it on later, in my memory, with a big brush” (39). As Pi tells two stories of the same event, it foreshadows the ending of the book where Pi tells news reporters two stories of his survival out at sea. This reveals that Pi is very creative and imaginative,

In the novel, Life of Pi, by Yann Martel, the theme of truth is seen most prominently in the last part of the book when main character, Piscine Patel is being interviewed by two Japanese men. Pi defines truth as being relative and an invention of man, when the believability of his story is questioned. He argues that even stories, such as his, can still be true to some no matter how difficult to believe they are.

Although it is not obvious at first, the large threat of a tiger on board blends into a symbol of survival for Pi. Though Richard Parker is a large issue for Pi, he is not the only issue being faced. Issues such as lack of food, scarce drinking water, and no sense of direction also

Claim: In the book the author takes time to describe details. He thoroughly explains the coming of Pi, his childhood, his journey, and his experience.

Once rescued, Pi’s credibility is questioned as he embellishes the accounts of his journey to the Japanese inspectors who find his story unlikely. Pi’s reasoning and rationale are based on illusions and mirages he envisioned while stranded on the lifeboat. His story demonstrates his desire to create a different story in order to avoid the harsh facts of life. Delving into deep and often complex truths, as Gladwell did in Outliers, enforces the reader to face the realities of life as they are and not live under any false illusions. Pi Patel, in Martel’s Life of Pi, differs from Gladwell in that he desires to live in a world of comforting lies. As he narrates his journey to others, Pi fabricates many aspects of the story in order to deceive himself and others surrounding

Pi’s narration also supports the theme of the importance of storytelling. As the only evidence of the story, people have no choice but to believe what he tells them, however wild it seems because while he might lack evidence, they don’t have any at all. When Pi is recalling his story to the Japanese in charge of the sinking, he tells them two stories, one with animals and one with people. One version, although it may be factually true, does nothing to reveals the emotions and masked memories that should not resurface. By creating the animals Pi blocks his mind from

In addition to personification, Pi creates an emotional bond with Richard Parker through their journey, so when he leaves Pi is confused as to “how he could abandon [him] so unceremoniously, without any sort of goodbye, without looking back even once” (Martel 6). Richard Parker’s depart is characteristic of how a tiger should react, but since Pi has personified the tiger, he expects an elaborate emotional goodbye since he thought they built up a relationship. Through personification, Pi is able to create a relationship with Richard Parker that cannot be reciprocated because in truth he is just a tiger. While Pi denies it, he personifies both Orange Juice and Richard Parker in the first story giving them human qualities in order to build relationships with the

Life of Pi shows that humans and animals should do anything necessary to survive whatever challenges they face to live instead of just accepting death. Whatever ways that help one to survive are necessary, even if they compromise personal values, are vicious, or are wicked. Pi, a human; a hyena, and a blind man all fight to survive in a variety of ways that are examples of this thesis.

On its surface, Martel’s Life of Pi proceeds as a far-fetched yet not completely unbelievable tale about a young Indian boy named Pi who survives after two hundred twenty-seven days on a lifeboat with a Bengal tiger named Richard Parker. It is an uplifting and entertaining story, with a few themes about companionship and survival sprinkled throughout. The ending, however, reveals a second story – a more realistic and dark account replacing the animals from the beginning with crude human counterparts. Suddenly, Life of Pi becomes more than an inspiring tale and transforms into a point to be made about rationality, faith, and how storytelling correlates the two. The point of the book is not for the reader to decide which

Living on a boat with an adult bengal tiger or watching a man murder everyone but you on a lifeboat. These were the main to points of each stories Pi told. The story without animals is the more believable for these reasons, Pi could not survive with a bengal tiger on the lifeboat, The animals were never released from their cages with the Tsimtsum sank, and in the story with animals the animals share all same qualities with human. Although, the story with the animals is more unique and interesting it is highly unbelievable.

Throughout time, humans have written books based on various genres in an effort to tell a story, whether it is fact or fiction. Storytelling is one of the most beautiful ways to express ideas, and creative thoughts, involving characters, settings, to create a plot. Life of Pi, by Yann Martel, cleverly incorporates ambiguity from the omission of information, and lack of resolution. These aspects in turn, create the ambiguity, which leaves the reader to interpret the text in anyway. The ambiguity formed develops the significance of Pi’s storytelling, to the author and the readers. The post-modern aspects in Life of Pi, leave many things open to interpretation based on Pi’s storytelling ability.

By sharing a lifeboat, Pi had a zoomorphic arrangement with Richard Parker, a 450-pound Bengal tiger. At first, Pi and Richard Parker did not coexist well, but then both had to adapt to living on a lifeboat with limited supplies and together they went through traumatizing experiences, such as the storm. By going through this experience with Richard Parker, Pi noticed a bond growing between them. Pi was first scared of Richard Parker, but then as time went on, he thought of him as a friend rather than an enemy. To some degree, Pi even loves Richard Parker and sees him as a human. Once the lifeboat reached Mexico, Richard Parker disappeared into the jungle unceremoniously, which troubled Pi. Humans often expect goodbyes when someone is leaving from their life and this shows how Pi had seen Richard Parker as almost human

There are certain events in our lives that can change a person. When an Individual goes through traumatic events, their subconscious has a method to trick them into believing events that have not occurred. In Life of Pi, Yann Martel creates two stories of what happens to the main character Pi. One about the animals and other about Pi being a murderer and turning cannibalistic. The two stories that are told are so identical, it seems that all Pi did was replace animals with humans. This gives us a deeper insight into Pi's subconscious and his method of dealing with the trauma and struggle caused by his journey.

Furthermore, his vast knowledge of animals, having grown up at a zoo, helps him to tame Richard Parker. Pi knows tigers’ psychological thinking and exploits this by classically conditioning Richard Parker. Likewise, Pi’s experience of watching a tiger kill a goat in his early childhood taught him the fundamental lesson that ‘an animal is an animal’, enabling him to strategically and mentally survive his long and testing time at sea. In addition to that, during the early parts of Part 2, Pi comes across a survival manual, a crucial object for his continued existence. The book gives him critical information on the do’s and don’ts of survival at sea and it is hard to imagine that Pi could have survived without this book which also gave him the opportunity to write down his words which were “all he has left’’.

Though Richard Parker is quite fearsome, ironically his presence helps Pi stay alive. Alone on the lifeboat, Pi has many issues to face in addition to the tiger onboard: lack of food and water, predatory marine life, treacherous sea currents, and exposure to the elements. Overwhelmed by the circumstances and terrified of dying, Pi becomes distraught and unable to take action. However, he soon realizes that his most immediate threat is Richard Parker. His other problems now temporarily forgotten, Pi manages, through several training exercises, to dominate Parker. This success gives him confidence, making his other obstacles seem less insurmountable. Renewed, Pi is able to take concrete steps toward ensuring his continued existence: searching for food and keeping himself motivated. Caring and providing for Richard Parker keeps Pi busy and passes the time. Without Richard Parker to challenge and distract him, Pi might have given up on life. After he washes up on land in Mexico, he thanks the tiger for