the chrysanthemums Essay

1. In "The Chrysanthemums," the interaction between Elisa and the traveling repairman helps develop the story's theme about taking risks. Describe their interaction and explain how it helps to develop the story's theme. Be sure to use specific details from the text to support your ideas. (10 points)

Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills,

In the portion of the story where Elisa is talking to the "Fixer-Guy" who happens to pull down the road to her farm, Steinbeck shows Elisa's eagerness for attention and how she comes to the realization that there is a more exciting life outside the farm. In the “Fixer-Guy”, Elisa finds somebody who sees her as more than a housewife, someone who can appreciate her from an unbiased viewpoint. He offers his services and she turns him down saying “I tell you I have nothing like that for you to do.” At first she resists conversation with him. Then when he asks about her plants Steinbeck writes “The irritation and resistance melted from Elisa’s face.” “I raise them every year, bigger than anybody around here”, she boasts. She is now very eager to talk about her chrysanthemums. Elisa's face becomes "tight with eagerness" as she talks about them, as if they were her children. The vibes from her infatuation with these flowers are picked up by the old man, and there is an unspoken connection between these two perfect strangers as they have both chosen their own preoccupation in life, his being a passion of pots and hers a love of chrysanthemums. It is this connection that ignites the realization that she longs to break free from the everyday routine she calls life. This feeling is so strong that "her hand went out toward his legs in the greasy black trousers" as if to grasp a piece

     Elisa quickly retreats inside to clean up for dinner, taking longer that usual to clean up. Henry shortly returns to the house to clean up as well, but notices the extra time Elisa must have taken, remarking, “why– why, Elisa. You look so nice!” After dressing, Henry leaves to start the car, and the two leave for town, and Elisa leaves her moment of passionate freedom behind. On the way, however, Elisa spots the cluttered

The chrysanthemum is cut every year before it blooms. Elisa said that helping them bloom is the hardest part. This is also a way the flower is like Elisa. Even though she is cut down, she tries to grow right back so to speak. In this way she is strong like the flower, but also very delicate in the fact that it only takes one man to humiliate her and cut her right back down to size. Elisa is a very strong woman, and the word strong is language that is used quite often in this story. Like the strong, resilient chrysanthemum so is Elisa. On page 285 Henry Allen tells his wife that she has "a strong new crop coming." With an arrogance she says "Yes. They'll be strong this coming year." The word 'strong' itself is a way the language in the story has a little something extra on it. Healing is the longest, hardest part about anyone being put down and humiliated. Eventually she will "bloom" again and it is like she was never hurt. When Henry says she has a strong crop, Steinbeck is referring to Elisa's state of mind. At the time of the statement, Elisa was

The novel The Sign Of The Chrysanthemum takes place in Japan during the 12th century. This novel is about a boy named Muna, meaning “no name”, that has moved from a rural part of Japan to the city, Kyoto. He was told that his father had a Chrysanthemum tattooed on his arm. Muna sets out to find his father after only knowing this little information about him. Muna was also told that his father was a Heike warrior, which brings up this conflict between two feuding clans. During this time period in Japan there was a conflict between the Heike and the Genji clans. The reason behind their fighting is because of the conflict over political power of Japan. Muna embarks on his journey

We get our next glimpse into the struggles she is internally suffering when her house is introduced to us as “hard swept” (Steinbeck 348). Elisa extends her insecurities and sorrow onto over-compensating in tending to the house she shares with her husband. The exchange between Elisa and her husband is cold and uncompassionate as they discuss their plans for dinner and a movie. He stands outside the wire fence which serves as a wall between Elisa and the rest of society. As her husband leaves to herd their cattle she watches and swiftly returns to tending her garden.

Firstly, Elisa and Mrs. Mallard related in the fact that they both faced the sad reality that women in their time periods were unbearably unequal to men. For example, in "The Chrysanthemums," it was clear that women had no say in the business aspects of things such as running a ranch. This is

The Flowers By Alice Walker Written in the 1970's The Flowers is set in the deep south of America and is about Myop, a small 10-year old African American girl who explores the grounds in which she lives. Walker explores how Myop reacts in different situations. She writes from a third person perspective of Myop's exploration. In the first two paragraph Walker clearly emphasises Myop's purity and young innocence.

The chrysanthemums being fenced in from the rest of the ranch symbolizes her feelings of isolation. Elisa craves to live an exciting life like the tinker does but is told that such lifestyle women cannot live. A reader could analyze that Elisa’s chrysanthemums are a replacement for the children she lacks. In Skredsvig analysis she states, “Elisa's planting skills is the possibility that her gardening is a sublimation of her frustration over having no children and a projection of her "natural" role as mother” (Skredsvig). Elisa tends them with love and nurture as the flowers are her pride and joy. Additionally, they represent Elisa’s femininity and sexuality as a woman. For example, Elisa feels resentful of Henry because he does not appreciate her femininity image; however, after having an encounter with the tinker, her hopes are renewed and revived for a brighter future. As she gets ready for a night out with Henry, she admires herself in the mirror appreciating the beautifulness of her sexuality with confidence. After witnessing her flowers wrinkled on the road, Elisa is devastated to see her flowers diminish symbolizing

In conjunction with the symbolic representation of Elisa’s life, the dramatic description of the environment can also be seen as a unique representation of the relationship conflict between husband and wife. Steinbeck’s foggy description demonstrates conflict through the following statement, "a time of quiet and waiting." This description is interesting because the fields are personified as waiting for rain, however, “rain and fog do not go together” therein lies the conflict just as Elisa waits for a positive change in how her husband treats her (Palmerino, Gregory J). Gregory P. further points out that, “The natural elements of the foothills ranch seem as unwilling to confront each other as the characters that inhabit its environs. Hence, fog and rain can be seen as the female and male equivalents to Elisa and Henry.” This only further solidifies the deep rooted troubles within Elisa and her relationship with her husband. The setting of the story is personified to act as a symbolic representation of the couple’s relationship (Steinbeck, John 337-338).

Elisa has obviously taken on a more masculine façade due to her years spent on the farm. However, it seems apparent, both early on and later in the story that she has tried to maintain what femininity she has.

Steinbeck uses Elisa’s clothing to symbolize her masculinity as well as her isolation from the outside world in order to reveal how society’s standards cause women to become frustrated with the opportunities

The short story "The Chrysanthemums" gives insight into the life of its author. John Steinbeck was born on February 27, 1902, in Salinas, California. The locale of the story is of key resemblance to the Salinas in which Steinbeck was born and bread. "Salinas was a typical American small town, [differing] only in location and a few distinctive features" (McCarthy 3). The protagonist of this story, Elisa Allen, also resembles Steinbeck's first wife. "Steinbeck probably based the character of Elisa Allen on his own first wife, Carol Henning Steinbeck. Like Elisa, Carol was a woman of considerable talent and energy who wore 'masculine clothes' and was 'strong, large-boned' and 'handsome rather than

Yet Elisa's power is not used for "masculine" activities; in fact, her power is derived from a feminine source, nature. Mother Nature, a female, controls the environment. This female power is part of matriarchal lineage since Elisa'a mother also "could stick anything in the