Cervantes Don Quixote

The protagonist, Don Quixote's obsessive reading of books of chivalry plays a major role in defining his character; his inspiration for his travels as a knight errant comes from the literature about chivalry that he reads, the literature that causes him to lose his mind and go mad. Everything that he usually experiences in his journey, first happened in the books that inspired his travels. The character, Dulcinea’s role as Quixote’s lady-love becomes equivalent with the position a king might hold in a true and honorable knight’s life.

“Beautiful and Cruel” marks the beginning of Esperanza’s “own quiet war” against machismo (Hispanic culture powered by men). She refuses to neither tame herself nor wait for a husband, and this rebellion is reflected in her leaving the “table like a man, without putting back the chair or picking up the plate (Cisneros 89).” Cisneros gives Esperanza a self-empowered voice and a desire for personal possessions, thing that she can call her own: Esperanza’s “power is her own (Cisneros 89).” Cisneros discusses two important themes: maintaining one’s own power and challenging the cultural and social expectations one is supposed to fulfill. Esperanza’s mission to create her own identity is manifest by her decision to not “lay (her) neck on the threshold waiting for the ball and chain (Cisneros 88).” Cisneros’ rough language and violent images of self-bondage reveal the contempt with which Esperanza views many of her peers whose only goal is to become a wife. To learn how to guard her power

The first of paragraph of The Myth of the Latin Women draws you in with anger but also a sense of embarrassment. Cofer buts up with antics for the name of comedy and is expected to take it well, for the mere fact that she is Puerto Rican. As a person as latin descent, the stereotyping and frustration draws me from a deeper standpoint. Her anger is justified and pushes for understanding for all those perpetrating. Her life is filled with anecdotes of people assuming that they can treat her a certain way because of the island her culture came from or the stereotypes portrayed in West Side Story. She uses sarcasm when she says “If you are a Latina, especially one like me who so obviously belongs to Rita Moreno's gene pool, the Island travels with you.” She is telling the world she is not Maria but an independent brain that is more than the oversexulatization of her background or the pigment of her skin.

One of the most important and controversial figures in Mexican history and literature is La Malinche. La Malinche, also known as Dona Marina, Malintzin Tenepal or Malinalli, played a significant role in the Spanish Conquest as translator and political mediator to Hernàn Cortèz. Although her importance in the conquest is undeniable, her depiction in literature and as a woman have been up for debate and the interpretations of her have influenced Mexican feminism. The two well-known interpretations of Malinche’s story are polarized interpretations of the historical figure and

The Spanish Roulette is a fictional account of events in the life of a young Puerto Rican named Sixto who swears to avenge for his sister’s assault. According to the story, Sixto’s sister had been raped by a local gang member who Sixto assures must suffer the same pain as his sister before he can finally kill him. Evidenced by the story, Sixto fights the thought of killing his sister’s tormentor while loading his revolver, but finally, snaps and decides to go ahead with his plan thereby leaving any logic and moral reasoning not to kill the gang member. The author, Ed Vega’s epic account of the life of Sixto closely resembles his first-person account of the life in Puerto Rico where the street is controlled by gang members who could rob from innocent families, handle drugs and unauthorized weapons including guns, and go about their business without being interfered by people in the community or the police (Lee). This essay asserts that based on the author’s argument and character representation, revenge is the only hope for the weak in the face of trouble when even the society cannot intervene and this argues that Ed Vega proved as creative and a competent writer by using the various features of poetic writing to create the intended image, environment, characters, and build on the theme of revenge.

Narrative fiction is a form of literature that was use by many Chicano writers to express their opinions on the Chicano Movement. One of their priorities was to reflect the issues that Mexican Americans were dealing with on a daily basis and how they reacted towards them. In this paper I will be discussing the works of Tomas Rivera and Jose Antonio Villareal, and how they illustrate the issues of challenging social norms, assimilation of a new culture, racism, and how Mexicans still face these issues.

First and foremost, this novel is about Chicano people and the struggles they endured. While each small passage can be viewed as the progression of the unknown male protagonist, it also gives a multitude of other views as well. Middle-aged male

Sandra Cisneros’s short story “Never Marry a Mexican” deals heavily with the concept of myth in literature, more specifically the myth La Malinche, which focuses on women, and how their lives are spun in the shadows on men (Fitts). Myths help power some of the beliefs of entire cultures or civilizations. She gives the reader the mind of a Mexican-American woman who seems traitorous to her friends, family and people she is close to. This causes destruction in her path in the form of love, power, heartbreak, hatred, and an intent to do harm to another, which are themes of myth in literature. The unreliable narrator of this story was created in this story with the purpose to show her confusion and what coming from two completely different

Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these

Consequently, most of the situations that Don Quixote is placed in during his ridiculous quest are excellent examples of slapstick comedy. The reader is highly entertained by Don Quixote on his adventures during which he implicitly believes that he is like the knights in the novels he has read and so; he logically believes his own fiction. The reader is embarrassed when Don Quixote decides that by choosing a new name for himself, his horse, his lady and his friends that this will suffice in making him a knight. Just like he shaped his own appearance, he chooses his name as “Don Quixote de La Mancha” and this becomes one of the most prominent jokes of the book. It is a name that is undignified and pretentious but simultaneously amusing because La Mancha is a dry, sparsely populated region of Spain, which is exactly what a knight should avoid. The suffix –ote was considered derogatory at that time and it is even funny sounding. We are skeptical from the very beginning as to whether or not Don Quixote is worthy of the title “Don” and our suspicions are confirmed when he fails to assist people in distress like any good knight should. It is highly entertaining when Andrés specifically asks Don Quixote not to complicate his life with any more of his help

Sancho only plays the part of squire in hopes of becoming wealthy and owning his own island. Quixote yearns to recreate this world he has long read of: chivalry, battles with giants and evil beings and the rescue of maidens. However, in a more realistic sense, Don Quixote deals with windmills, bedclothes, and injustices. While Don Quixote represents illusion and imagination, Sancho Panza represents reality. They complement each other in a dualistic way. They foil each other in such a way that they might be seen as two halves of a whole. They represent a person who needs to have imagination whilst living in reality, because too much reality is destructive for any one man to deal with. However, their relationship, which is a combination of idealism and realism, affects each other in a negative way, in terms of the things they stand

“At the heart of Don Quixote is the discrepancy between external appearance and internal perception.” says Wirfs-Brock (2). In that respect, Don Quixote is depicted as a character who is guided merely by his internal perceptions, disregarding external appearances. Most of the time, he is deluded, depended on his faculty of imagination, stuck in his make-believe world through the guidance of chivalric books he is obsessed with and “everything he read in his books took possession of his imagination” (1/1 p.27). He takes everything he reads in those books for real as if they were parts of history and decides to join this glorious history by making a knight errant of him. In order to put all he has read into practice, he puts on a rusty armor, devises a heroic name for himself which is ‘Don Quixote de la Mancha’ and for his horse which is ‘Rocinante’. Additionally, since “a knight errant without a lady-love is a tree without leaves or fruit, a body without a soul” (1/1 p.29) he finds “a good-looking peasant girl” called Aldonza Lorenzo and decides to call her ‘Dulcinea del Toboso’. So this peasant girl becomes a princess, the most beautiful lady in the world for him to whom he may serve “as if he really were in love” (1/1 p.31).

enemies would be left to rot, but in his own reality, he is doing the only

Gabriel Garcia Marquez’s text depicts the cultural life and setting of Latin America. His inclusion of conventional values portrayed in the novel such as pride and honor influences specific characters such as Pedro

When Don Quixote was dieing and in his bed, he was depressed until he thought he was a knight again. Aldonza told him he was not well and he said "Not well? What is sickness to the body of a knight-errant? What matter wounds? For each time he falls he shall rise again-and woe to the wicked!" (Man of La Mancha pg 79). He was happy and had the illusion that he was okay. He was sick minutes earlier and could not even get out of bed. After Aldonza brought Don Quixote back, he jumped out of bed and felt invincible. He was not worried about dieing anymore. He was Don Quixote de La Mancha. Sancho and Aldonza were glad to see Don Quixote back to normal.