| Sarah Flower Adams. |
Hymn |
| Love |
| Nearer to Thee |
| Percy Addleshaw. |
It May Be |
| The Happy Wanderer |
| Travellers |
| Hamilton Aïdé. |
Remember or Forget |
| The Danube River |
| The Forsaken |
| When We Are Parted |
| Thomas Aird. |
The Swallow |
| Cecil Frances Alexander. |
There Is a Green Hill |
| Henry Alford. |
Colonos |
| Lady Mary |
| William Allingham. |
A Dream |
| Day and Night Songs |
| Half-Waking |
| Lovely Mary Donnelly |
| The Fairies |
| The Sailor |
| Alexander Anderson. |
Cuddle Doon |
| Anonymous. |
Epitaph of Dionysia |
| Matthew Arnold. |
Dover Beach |
| From “Balder Dead” |
| From “Empedocles on Etna” |
| From “Sohrab and Rustum” |
| Geist’s Grave |
| Memorial Verses |
| Philomela |
| The Buried Life |
| The Forsaken Merman |
| The World and the Quietist |
| Written in Emerson’s Essays |
| Sir Edwin Arnold. |
After Death in Arabia |
| From “The Light of Asia” |
| From “With Sa’di in the Garden.” II. Song without a Sound |
| From “With Sa’di in the Garden.” I. Mahmud and Ayaz: A Paraphrase on Sa’Di |
| Raglan |
| The Caliph’s Draught |
| The Musmee |
| Joseph Ashby-Sterry. |
A Marlow Madrigal |
| A Portrait |
| The Little Rebel |
| Thomas Ashe. |
A Vision of Children |
| By the Salpétrière |
| Marian |
| Phantoms |
| Poeta Nascitur |
| Alfred Austin. |
Agatha |
| At His Grave |
| Songs from “Prince Lucifer.” I. Grave-Digger’s Song |
| Songs from “Prince Lucifer.” II. Mother-Song |
| The Haymakers’ Song |
| William Edmondstoune Aytoun. |
Massacre of the Macpherson |
| The Execution of Montrose |
| Philip James Bailey. |
From “Festus” |
| James Ballantine. |
Muckle-Mou’d Meg |
| John Banim. |
Soggarth Aroon |
| Richard Harris Barham. |
Mr. Barney Maguire’s Account of the Coronation |
| The Jackdaw of Rheims |
| Sabine Baring-Bould. |
Child’s Evening Hymn |
| George Barlow. |
If Only Thou Art True |
| The Dead Child |
| The Old Maid |
| Jane Barlow. |
A Curlew’s Call |
| William Barnes. |
Blackmwore Maidens |
| The Castle Ruins |
| The Heäre |
| Woone Smile Mwore |
| Thomas Haynes Bayly. |
Oh! Where Do Fairies Hide Their Heads? |
| She Wore a Wreath of Roses |
| Pakenham Beatty. |
Charles Lamb |
| The Death of Hampden |
| Thomas Lovell Beddoes. |
Ballad of Human Life |
| Dream-Pedlary |
| From “Torrismond” |
| Songs from “Death’s Jest-Book.” II. Dirge |
| Songs from “Death’s Jest-Book.” III. Athulf’s Death Song |
| Songs from “Death’s Jest-Book.” I. To Sea, to Sea! |
| Songs from “Death’s Jest-Book.” IV. Second Dirge |
| Songs from “The Brides’ Tragedy.” I. Hesperus Sings |
| Songs from “The Brides’ Tragedy.” II. Love Goes A-Hawking |
| Henry Charles Beeching. |
A Summer Day |
| Knowledge after Death |
| Prayers |
| To My Totem |
| Mackenzie Bell. |
At Stratford-on-Avon |
| At the Grave of Dante Gabriel Rossetti |
| Spring’s Immortality |
| William Cox Bennett. |
A Christmas Song |
| Baby May |
| Be Mine, and I Will Give Thy Name |
| Arthur Christopher Benson. |
After Construing |
| An English Shell |
| Knapweed |
| Realism |
| John Stuart Blackie. |
My Bath |
| The Emigrant Lassie |
| The Working Man’s Song |
| John Arthur Blaikie. |
Absence |
| Love’s Secret Name |
| Song |
| Laman Blanchard. |
Hidden Joys |
| Nell Gwynne’s Looking-Glass |
| Edith Nesbit Bland. |
Ballad of a Bridal |
| William John Blew. |
O Lord, Thy Wing Outspread |
| Mathilde Blind. |
From “A Love-Trilogy” |
| From “Love in Exile” |
| The Dead |
| Wilfrid Scawen Blunt. |
Gibraltar |
| Laughter and Death |
| The Old Squire |
| To Manon |
| To the Same |
| Horatius Bonar. |
Abide with Us |
| A Little While |
| Lost but Found |
| The Master’s Touch |
| The Voice from Galilee |
| Thy Way, Not Mine |
| Francis William Bourdillon. |
A Violinist |
| Eurydice |
| Old and Young |
| The Night Has a Thousand Eyes |
| Sir John Bowring. |
From the Recesses |
| What of the Night? |
| Robert Seymour Bridges. |
A Passer-By |
| Asian Birds |
| Awake, My Heart! |
| Elegy |
| I Will Not Let Thee Go |
| O Youth Whose Hope Is High |
| Poor Withered Rose |
| So Sweet Love Seemed |
| Thou Didst Delight My Eyes |
| Upon the Shore |
| Anne Brontë. |
A Prayer |
| Her Last Lines |
| Song |
| Stanzas |
| The Old Stoic |
| Warning and Reply |
| Stopford Augustus Brooke. |
Songs from “Riquet of the Tuft.” II. Prince Riquet’s Song |
| Songs from “Riquet of the Tuft.” I. Queen’s Song |
| The Jungfrau’s Cry |
| Versailles |
| Robert Barnabas Brough. |
My Lord Tomnoddy |
| Ford Madox Brown. |
For the Picture, “The Last of England” |
| O. M. B. |
| Elizabeth Barrett Browning. |
A Court Lady |
| A Musical Instrument |
| From “Aurora Leigh” |
| From “Casa Guidi Windows” |
| Mother and Poet |
| My Heart and I |
| Sonnets from the Portuguese |
| The Cry of the Children |
| The Sleep |
| Robert Browning. |
Abt Vogler |
| A Face |
| Cavalier Tunes. II. Give a Rouse |
| Cavalier Tunes. III. Boot and Saddle |
| Cavalier Tunes. I. Marching Along |
| “Childe Roland to the Dark Tower Came” |
| “De Gustibus—” |
| Epilogue |
| Epitaph |
| Evelyn Hope |
| Home Thoughts from Abroad |
| “How They Brought the Good News from Ghent to Aix” |
| In a Gondola |
| Incident of the French Camp |
| Meeting at Night |
| Memorabilia |
| Misconceptions |
| Muckle-Mouth Meg |
| My Last Duchess |
| One Way of Love |
| One Word More |
| Parting at Morning |
| Prospice |
| Respectability |
| Song from “Paracelsus” |
| Song from “Pippa Passes” |
| The Bishop Orders His Tomb at Saint Praxed’s Church |
| The Lost Leader |
| Youth and Art |
| Oliver Madox Brown. |
Before and After |
| Laura’s Song |
| Edward Bulwer-Lytton, 1st Baron Lytton. |
The Cardinal’s Soliloquy |
| When Stars Are in the Quiet Skies |
| Edward Robert Bulwer-Lytton, 1st earl of Lytton. |
Aux Italiens |
| Indian Love-Song |
| Tempora Acta |
| The Chess-Board |
| The Dinner Hour |
| The Legend of the Dead Lambs |
| The Utmost |
| Thomas Burbidge. |
Eventide |
| If I Desire |
| Mother’s Love |
| Mary C. G. Byron. |
The Fairy Thrall |
| The Tryst of the Night |
| Wathen Marks Wilks Call. |
Summer Days |
| The People’s Petition |
| Charles Stuart Calverley. |
Ballad |
| Companions |
| On the Brink |
| George Frederick Cameron. |
Standing on Tiptoe |
| The Golden Text |
| What Matters It |
| William Wilfred Campbell. |
A Canadian Folk-Song |
| A Lake Memory |
| The Were-Wolves |
| To the Lakes |
| William Canton. |
A New Poet |
| Karma |
| Laus Infantium |
| Jane Welsh Carlyle. |
To a Swallow Building under Our Eaves |
| Thomas Carlyle. |
The Sower’s Song |
| Bliss Carman. |
A More Ancient Mariner |
| A Sea Child |
| A Windflower |
| Envoy |
| Golden Rowan |
| Hack and Hew |
| Marian Drury |
| Song |
| Spring Song |
| The Mendicants |
| Lewis Carroll. |
From “The Hunting of the Snark” |
| Jabberwocky |
| Of Alice in Wonderland |
| Ethel Castilla. |
An Australian Girl |
| Herbert Edwin Clarke. |
A Cry |
| In the Wood |
| The Age |
| Elizabeth Cecilia Clephane. |
The Lost Sheep |
| Arthur Hugh Clough. |
Ah! Yet Consider It Again |
| A Protest |
| From “Amours De Voyage” |
| From “The Bothie of Tober-Na-Vuolich” |
| In a Lecture-Room |
| Ite Domum Saturæ, Venit Hesperus |
| Peschiera |
| Qua Cursum Ventus |
| Where Lies the Land |
| Hartley Coleridge. |
Ideality |
| “Multum Dilexit” |
| Prayer |
| Song |
| The Birth of Speech |
| To Shakespeare |
| To the Nautilus |
| Whither? |
| Sara Coleridge. |
From “Phantasmion” |
| Mortimer Collins. |
A Greek Idyl |
| Kate Temple’s Song |
| The Ivory Gate |
| Eliza Cook. |
The Quiet Eye |
| The Sea-Child |
| Thomas Cooper. |
Chartist Song |
| Barry Cornwall. |
A Petition to Time |
| A Poet’s Thought |
| Golden-Tressed Adelaide |
| Life |
| Peace! What Do Tears Avail? |
| Sit Down, Sad Soul |
| The Blood Horse |
| The Hunter’s Song |
| The Poet’s Song to His Wife |
| The Sea |
| The Stormy Petrel |
| William Johnson Cory. |
A Poor French Sailor’s Scottish Sweetheart |
| Heracleitus |
| Mimnermus in Church |
| George Cotterell. |
An Autumn Flitting |
| In the Twilight |
| William John Courthope. |
From “The Paradise of Birds.” I. Birdcatcher’s Song |
| From “The Paradise of Birds.” II. Ode—To the Roc |
| From “The Paradise of Birds.” III. In Praise of Gilbert White |
| Elizabeth Craigmyle. |
Solway Sands |
| Dinah Maria Mulock Craik. |
Philip, My King |
| Too Late |
| Walter Crane. |
Across the Fields |
| A Seat for Three |
| Isabella Valancey Crawford. |
The Axe |
| The Canoe |
| Louisa Macartney Crawford. |
Kathleen Mavourneen |
| Lady Mary Montgomerie Currie. |
A Foreboding |
| Afterwards |
| A May Song |
| In Green Old Gardens |
| Olive Custance. |
The Parting Hour |
| The Waking of Spring |
| Twilight |
| George Darley. |
Songs from “Sylvia; Or, the May Queen.” I. Chorus of Spirits |
| Songs from “Sylvia; Or, the May Queen.” II. Morning-Song |
| Songs from “Sylvia; Or, the May Queen.” III. Nephon’s Song |
| Songs from “Sylvia; Or, the May Queen.” IV. Romanzo to Sylvia |
| Summer Winds |
| The Flower of Beauty |
| Agnes Mary Frances Darmesteter. |
A Ballad of Orleans |
| Celia’s Home-Coming |
| Cockayne Country |
| Darwinism |
| Dawn-Angels |
| From “Tuscan Cypress” |
| Rosa Rosarum |
| John Davidson. |
A Ballad of Heaven |
| Harvest-Home Song |
| London |
| Thomas Osborne Davis. |
The Boatman of Kinsale |
| The Sack of Baltimore |
| The Welcome |
