1935

The dualism of Nazi Germany makes it difficult to ascertain the level of Nazification present at the state-level prior to 1935. John Herz writes that the ‘underlying purposes and tendency of the originators and leaders of the Nazi regime was to create a completely party-dominated and party-permeated state and society’. However, Herz goes on to argue that this desire to completely restructure government institutions and personnel was soon recognised as being detrimental to the plan to rapidly gear

On September 15th 1935, Germany’s leader Adolf Hitler presented laws called Nuremberg after the rally, These laws started a systematic persecution of non-Aryans. The Nuremberg laws would be the basis of many more laws, policies, decrees to follow. The Nuremberg laws protected Aryan race and stripped Jews of German citizenship. The Nuremberg laws also outlawed marriage and sexual relations between Aryans and Jews. Nuremberg laws also affected Blacks and Romas. The Nuremberg laws were created for many

During the 1930s, major improvements were made in microphone technology. In 1923, the moving-coil, or "dynamic" microphone was developed by Captain H. J. Round in London for the BBC. This was improved in 1930’s by Alan Blumlein and Herbert Holman who released the HB1A. W. C. Wente and A. C. Thuras at Bell Labs continued to improve on the design in the late 1920's, and applied for a patent in 1931. The ribbon, or "velocity" microphone was introduced by RCA in 1931, believed to have been developed

Negro enters a White band, he loses his identity as a Negro musician” (“DownBeat Dodges the Racial Issue”). Benny Goodman, however, broke this barrier, initially in 1935 with the first interracial jazz performance, and again in his 1938 Carnegie Hall concert featuring black musicians. Benny Goodman’s career did not begin with the Trio’s 1935 performance; a clarinet player from a young age, Goodman started his professional career in 1925 as a member of the Ben Pollack Orchestra. During his time in the

The aim of our experiment is to investigate the effect of two contradicting stimuli on the time it takes participants to name them correctly. The experiment was a simple replication of Stroop (1935). The design was a repeated measure and the participants were chosen by convenience sampling as it was most favorable. The IV was which word list would be presented, the word list in black ink or the one in colored ink. The DV was the time in seconds that it took the participants read off the list of words

enters a White band, he loses his identity as a Negro musician” (“DownBeat Dodges the Racial Issue”). Benny Goodman, however, broke this barrier, initially in 1935 with the first interracial jazz performance, and again in his 1938 Carnegie Hall concert featuring black musicians. Benny Goodman’s career did not commence with the Trio’s 1935 performance; a clarinet player from a young age, Goodman initiated his professional career in 1925 as a member of the Ben Pollack Orchestra. During his time with

band was not significant simply for their playing ability, but rather for their role as the first interracial band to play in a performance context, a “bold statement” in the segregated society of the time (Chronicle of Jazz, p 84). In December of 1935, Benny Goodman claimed the title of the first official jazz concert when, at the Chicago Rhythm Club’s Sunday afternoon dance, the audience showed up and simply listened, signifying the birth of and the jazz concert was born (McDonough). A few months

The Harlem Riot in Harlem Runs Wild by Claude McKay In Harlem Runs Wild, Claude McKay depicts the Harlem Riot of 1935 as merely "…a gesture of despair of a bewildered, baffled, and disillusioned people." (McKay 224) The Harlem Riot of 1935 was spontaneous and unpremeditated. It was not a race riot in the sense of physical conflict between white and non-white groups as there was little direct violence to white persons. McKay states, "The mass riot in Harlem was not a race riot." (McKay

of a piece that uses history that is timeless. The dance was choreographed in 1935 for students at Bennington College in Vermont during their summer dance workshops. These workshops contained unique American modern dancers and choreographers that shared their ideas and technique. The piece is separated into three sections named, "Theme of Dedication," "Imperial Theme," and "Popular Theme”. It premiered on August 14th, 1935. The set was designed by Arch Lauterer and Mobiles were created by Alexander

Trespass in a Place of Residence under Section 170 of the Criminal Law Consolidation Act, 1935. The possible punishments of this offence are maximum penalties of either 15 years for a basic offence, however, for an aggravated offence it could be lifetime in prison. For a lesser offence, the maximum penalty would be 3 years for a basic offence and 5 years for aggravated offences (see Criminal Law Consolidation Act 1935 s 170). This particular trial, including the charge and punishments, reflect the values