1981 in film

12 Years A Slave and Hunger two are films by highly acclaimed director Steve McQueen. 12 years a Slave deals with the inequality and injustice that shook the African American Nation before the civil war. The film forces viewers to face the harsh reality of slavery while also being an unflinching look at human brutality and is an incredibly vivid and authentic portrayal of American slavery. His other film, Hunger, deals with the political injustice and unfairness experienced by the Northern Ireland

Randomly select films from Netflix popular movie section between the years 2007 to 2017. This experiment will be coding for differences in male and female lead roles in movies, also compare the frequency of male and female lead roles. Introduction From the day we are born, whether you are male or female, we are constantly influenced by the word around us. Our environments feed us information that we conceptualize and store, ultimately aiding in the development of one’s ego, which is obtained by what

have a very distinctive humour which could be labelled “black humour”. We can see it in many films, for instance “Crocodile Dundee (1986), Kath and Kimderella 2012 and the castle (1997). Even films about subjects regarded as serious, such as Gallipoli (1981) depict the typical Australian as a larrikin, always out for a joke. We use humour as a way of coping, and as a defiance against authority These films are good examples of pure Australian humour, which poke fun at everything but are mainly directed

With the 1940s came a paradigm shift in the attitude to cinema, with film makers increasingly adhering to cinematic norms of acting, as opposed to the theatrical and demonstrating a willingness to address everyday reality. The film that can be said to have been instrumental in bringing about this change was Udayer Pathe, made in 1944. Its writer, Jyotirmay Roy, was responsible for the streak of social awareness that informs the film, while director Bimal Roy, later to find international recognition

is the Harry Potter series. Best-selling British novelist J.K. Rowling has penned a saga that has become the record breaking book series in history. More importantly, the book collection, is the basis for the Harry Potter film installments and is the second highest-grossing film series in history (Wikipedia, 2015) The Harry Potter and the Deathly Hallows Part Two movie trailer will represent the artifact as the topic of this paper. Harry Potter and the Deathly Hallows Part two is the climax of the

egocentrism, unilateral respect (where the child respects the parents' authority but is not respected in return), rigidity of rules (as given by adults and therefore not changed), and objective responsibility (action judged according to consequences (Ruffy, 1981, p. 61). A child is morally autonomous when s/he can establish relationships with others based on mutual respect. Moral autonomy also means the child places more importance on the intention leading to an action than on its consequences (Ruffy, p. 61)

The ethos in this film was  discreetly implemented so the audience could carefully follow along the film to discover and trust in Chris Gardner’s ambition. It is only going through the entire film do we see that Chris had what it took all along.     Rhetoric in a film is of utmost importance that without valid justification for what is occurring in the screen, the film can become confusing unless there is some degree of logos. In the Pursuit of Happyness  the theme of hopelessness effects the logos

( a region of Macedonia ) is considered the western area of Greece from where the Doric order originated from. The Doric order is represented through this sensationalized work of film through the columns of the architecture destroyed by one of nature's elements. It is through this romanticized version of mythology in film, that Greek mythology as well as history has reached a wider audience. The influence for which the set design of The Clash of the Titans was based upon the High Classical period

Hunger (2008)- Steve McQueen Film Analysis Rooted in the 1981 Irish hunger strike, artist Steve McQueen’s brutally raw film Hunger retraces the crusade of Provisional Irish Republican Army prisoners who desired Special Category Status while imprisoned at Maze Compound Prison. Starting near the middle of a four-year-long stalemate, McQueen’s triptych follows the routine of a prison guard, Raymond Lohan, the introduction of a new, IRA, “non-conforming” prisoner Davey Gillen into the “dirty

epic space opera franchise, centered on a film series created by George Lucas. It depicts the adventures of various characters "a long time ago in a galaxy far, far away". The franchise began in 1977 with the release of the film Star Wars (later subtitled Episode IV: A New Hope in 1981[2][3]), which became a worldwide pop culture phenomenon. It was followed by the successful sequels The Empire Strikes Back (1980) and Return of the Jedi (1983); these three films constitute the original Star Wars trilogy