Antigone Character Essay

Sophocles’ play Antigone, my initial impression of Creon was that his beliefs of the law and the state were rational because of his role as a ruler. But as the play progressed, I began to disagree with his behavior and his values because he only focused on his own moral beliefs rather than considering the beliefs of other people, which could have resolved conflict. Throughout the play, the theme of authority of the state and religion is represented through the individual beliefs of Antigone and Creon.

Actions When a ruler frightens his society, people tend to keep their feelings and opinions to themselves, muted by fear, they become hostile towards their ruler. This will lead to rebellions. In Sophocles’ tragic play, Antigone, the main character, a young stubborn woman named Antigone goes against her uncle Creon. Creon is the king of Thebes, the city in which they live. Antigone’s brother Polyneices tried to take over the city of Thebes but Eteocles, Antigone’s other brother stopped him. During the

This theme comes to life in Sophocles’ Antigone, as he illustrates the internal and external struggles of complex characters. The play follows Antigone, a young rebellious girl betrothed to the king’s son. Haemon, prince of Thebes, finds his loyalty caught between his father’s legalistic ways and Antigone’s,  which stem from emotion. In Antigone, Haemon reveals himself as a tragic hero through his struggle between obedience to his father and his love for Antigone. His struggle reveals how obedience

If you want to determine a person’s real character, give them authority and power. Fear and violence are truly powerful feelings that can change a person forever. People in power positions abuse their power by creating fear and violence in their community. People in power positions abuse their power by evoking fear in their community. For example, in “Antigone,” King Creon evokes fear in his community by threatening to stone and torture people. When the Sentry scurried off to tell Creon the news

In Sophocles’ Antigone, Antigone finds herself between King Creon and her deep belief in the Gods. Antigone holds a high social status as she is one of the daughters of the late King Oedipus and she is King Creon’s niece. The play starts off with Antigone losing both her brothers in a battle that took place around the city of Thebes. One brother, Eteocles, is defending the city while the other brother, Polynices, is attacking. King Creon declares a decree that no one is to bury the traitor and if

A tragic character is a character in a tragic play that goes through the three different stages of a tragic character. The stages of a tragic character are hamartia, peripeteia, and anagnorisis. Hamartia is the flaw in their personality that leads to their downfall. A flaw could often be, but not limited to pride, ignorance, and selfishness. Peripeteia is the characters change in fortune also leading to their downfall. This is the part in the play where the story “flips” to give the tragic character

(Blondell 65). Creon in the play, Antigone, by Sophocles plays a major role as the tragic king of Thebes and the uncle of Antigone. Creon and Antigone’s conflicting relationship highlights Creon’s tragic figure. In the play Creon tries to establish decisions for the common good of Thebes, but his results end in great tragedy. In this play, I sympathize more with Creon because he puts Thebes above everything which makes him blind to what is happening around him while Antigone loses her brothers but remains

their unwritten and unchanging laws.” (lines 508-513) Antigone’s character contrasts with Creon’s character causing the two to have conflicts. These conflicts bring out anger, disrespect, and unreasonableness in Creon’s character. Antigone’s words, actions, and ideas contrast with Creon’s character since she believes in what the laws of the gods say and not what Creon’s laws say. Evidence of this appears in the text when Antigone says, “That may be, but Hades still desires equal rites for both

Both of the plays Medea and Antigone have tragic themes and their main characters are women who find themselves unhappy and so decide to act on behalf of these feelings. In both cases the result is a climax at the end of the play in the form of several deaths. One of the main reasons they decide to act is because they find it difficult to cope with competition of other women. Both Jean Anouilh in his play Antigone and Euripides in his play Medea have based their tragic plots on the roles of jealousy

drama where the main character in the end suffers extreme sorrow because of their mistakes or poor judgment. If characters’ fates are to suffer the extreme sorrows, then these characters are tragic characters. These tragic characters, however, must follow Aristotle’s principles which include hamartia, hubris, peripeteia, anagnorisis, nemesis, and catharsis. If the character has all six of Aristotle’s principles, then the character can qualify as an Aristotelian tragic character. Two examples of Aristotelian