Aristotle Poetics Essay

Aristotle and the Tragic Hero The traditional hero stresses courage and nobility as essential traits of heroism. He lived by a code of honor and valued certain things as more important than others, so that he is willing to take risks and endure hardships for their sake. He is often a leader and protector of a community. The fact that the hero not only performs great deeds but performs them out of worthy principles renders his deed even more admirable. On the other hand, the Greek tragic hero is

powerful. They have meaning. Words are defined as ways feelings are express and influence is spread. Throughout history, questions like, “What is justice?” and “How do we justify what is just or good?” have popped up in human minds and Plato and Aristotle were the first philosophers to answer these questions. 2. Plato 2.1. His Life To many people, Plato was known as the first writer of philosophy. Plato was born in Athens in 429 BC (Plato-Biography, egs.edu). His birth name was Aristocles and gained

Aristotle discusses the distinction between great Aristotelian tragedies and inferior works by informing his audience that every great Aristotelian tragedy includes the effectual and successful use of peripeteia and anagnorisis to create a greater cathartic effect, which Aristotle outlines in Poetics. Aristotle believes that these two concepts are essentials in highly-respected works of tragedy because they contribute to the plot and increase the cathartic effect that is created throughout the tragedy

not possess the qualities to be defined as a tragic figure. So what qualities make a character tragic and how does one go about defining a tragic hero? Aristotle offers a thorough and comprehensive analysis of the elements that a tragedy consists of in The Poetics. Known as one of the earliest surviving documents discussing dramatic theory, Aristotle presents ideas and arguments that are widely accepted by dramaturgs and are still useful in analyzing more

Aristotle’s Poetics argues that a successful tragedy is determined by its “plot, character, diction, reasoning, spectacle and lyric poetry”(50a8). According to Aristotle, plot is essential to a great tragedy: the most effective tragic device is conveyed through the work’s plot. Yet, having a protagonist of “not outstanding moral excellence or justice” undergoing bad fortune due to own error instead of “moral defect or depravity” would distinguish a good tragedy from a poor one. Additionally, Aristotle

amongst the most surely understood grievous legends ever. His bizarre destiny drives him to terrible destruction that leaves both the peruser and the gathering of people feeling candidly influenced. As indicated by the meaning of the Greek thinker, Aristotle, Oedipus' troublesome story qualifies him as a sad legend. Oedipus is the epitome of Aristotle's portrayal of a shocking saint through his capacity to safeguard his excellence and intelligence, in spite of his defects and scrape. The Aristotelian

Tartuffe is an excellent example of a neoclassical drama because of its close adherence to the guidelines set forth in Aristotle’s Poetics, its use of character structure, and its incorporation of the common neoclassical ideas involving: reason, rational thinking, as well as logical problem solving. During the beginning of the 17th Century neoclassical thought began to dominate the stage in France. In the domain of theatre, this meant that neoclassical writers began to look back to the ideals and

the main character, the protagonist, experiences a life changing event that alters his fortune from good too bad. William Shakespeare’s play, Othello, the Moor of Venice is classified as an Aristotelian classical tragedy based on the guidelines Aristotle sets when examining a tragedy. Othello is a general in the Venetian army, and the husband of Desdemona, and well respected by society. The play describes how Othello’s fate has an undesirable change in fortune, the reversal. In brief, Othello is

Thebes. The play follows the story of a girl named Antigone and her disobedience to the laws of Thebes ruler, Creon. Several centuries following the work of Sophocles, Aristotle published a product of dramatic theory, known as Poetics. In this work, Aristotle discusses the different aspects that make up a true tragedy. According to Poetics, Creon is the character whose attributes fit him perfectly into the mold of a tragic figure. Creon believes he is doing good, but his fatal flaw leads him to his demise

Imitative Art A Comparison of the Philosophies of Plato & Aristotle And the Ultimate Beneficial Nature of the Tragic Drama By: Stephanie Cimino In the various discussions of imitative art there has been a notable disagreement between two distinguished philosophers; Plato and Aristotle. Although it was Plato who first discussed the concept of imitative art, it is my belief that Aristotle was justified in his praise and admiration of imitative art, specifically, the tragic drama