Benin Essay

of the king, so I decided to dedicate this paper on the bronze heads of the Benin kingdom, and the Edo peoples. The bronze head to the upper left is the commemorative head of a neighboring leader, the artist of this artwork is an unidentified African it is made of copper alloy, iron. The creation of this sculpture is said to be around the late 15th century to the early 16th century. In 1897 it was removed from the Benin Royal Palace by Captain Guy Burrows, and then sold to Lt. General Augustus

In December 2002, the directors of 18 museums located throughout Europe and the United States issued the Declaration of the Importance and Value of Universal Museums. The declaration is an attempt, by the directors of major Western museums, to defend against demands for restitution of museum objects by defining themselves as “universal museums” which are of value to all of humanity. This document fails as a convincing defence against restitution claims for several reasons. First, it dismisses circumstances

French Imperialism had a negative impact on Benin because its economy and education did not improve during imperialism. The French controlled Benin which is why Imperialism has an affect on Benin today. Benin is a country that once prefered child labour over education because of imperialism. Nowadays, kids are getting an education, but are not receiving support or any help from their uneducated parents. The population of Benin is 11,176,000 people and the literacy rate is only 38.4%. According

created in the early 16th century for king of Benin, King Esigie, to honor his mother. In the Benin culture images of women were not common. In many of the different African cultures, art was used in rituals, this piece of art may have been worn by the King at rites to celebrate his mother. Ivory represents many different things among the Benin culture, it is used both in art and is the the principle commercial commodity. Ivory helped bring wealth to the Benin culture as it attracted Portuguese traders

another. Chapter 19 starts off with Ishmael transitioning from Benin Home to live with his uncle Tommy and his family. This transition would seem effortless and simple to the naked eye because Beah is now connected with a part of his family. However for Ishmael it was more difficult than it would appear. On page 182 Ishmael describes his first night, “I sighed sitting alone on the verandah. I was no longer nervous, but I missed Benin Home.” (Ishmael Beah 182). 1. How do Ishmael’s memories and experiences

LITERATURE REVIEW 1.1.Benin,Burkina Faso and Côte d’ivoire Immunization services. In Benin, Burkina Faso and Côte d’Ivoire immunization services are provided through the expanded Program on Immunization (EPI). The main EPI targeted diseases are Diphtheria, Hepatitis, Measles, Pertussis Tetanus, Polio, Tuberculosis, and Yellow fever.The main delivery strategies are three folds; fixed, mobile and outreach services. The mobile strategy has been stopped due financial difficulties in Benin and Burkina Faso

Waist pendants were an essential part of the Benin African culture. Benin was located in modern day Nigeria, and they had a very advanced culture with various resources. The Benin Kingdom mainly existed between the years 1440-1897 before the invasion from British soldiers, and is the capitol of the former Edo Kingdom. The city of Benin still exists today. The head of the Benin kingdom was called an oba, which translates to King, and was highly revered.1 Many brass and ivory carvings of the oba were

are alike but different. Two different period and cultures: predynastic period and the Benin dynasty has shape different beliefs and cultures ideals. These palette reflect the beliefs and ancient culture by the subject matter, layout and material The artwork Equestrian Oba and Attendants, depicts Oba, a king with his attendants dated in between 1550-1680. Equestrian Oba and Attendants was created in the Benin Empire present-day located in Nigeria.The other palette, Palette of King Narmer, depicts

1. I think Gus Caseley Hayford would respond to Julian Bell’s discussion on the bronze panel from the Kingdom of Benin by the Master of the Leopard Hunt (illustrated on p. 207), short on the technic and how the Benin civilization has done. Compare to Bell’s description on the Master of the Leopard Hunt, Hayford’s discussion is more elaborate on the technic, tradition and evolution of Beni artworks. A short paragraph could not explain all those details. Bell explores more the influence of European

new vice-consul for the Benin river section Captain Henry Gallwey visited Benin and signed a treaty which made Benin a British protectorate, but as far as the British were concerned the treaty proved disappointing and by 1896 many British traders and officials were calling for military intervention, although the foreign office seemed reluctant to do this. On January 2nd 1897 the acting consul-general of the protectorate James Phillips set off without permission for Benin accompanied by a large armed