Caravaggio Essay

When approaching The Repentant Magdalen by Georges de La Tour, who is best known for his unique use of light, the atmosphere makes an immediate impression of subdued vulnerability—an unusual description for a piece of artwork from an era of theatrical expression and palpable, dramatic tension. As a French Baroque oil painting, The Repentant Magdalen stands out as a result of comparison to its peers, but when viewed alone as an individual piece, it instead stands out for its ability to form a personal

Art unquestionably possesses the power to shock. During the entire course of history viewers have been shocked, distressed, affronted, and categorically outraged by artworks that were religiously, socially or politically thought-provoking. In general, this thought-provoking characteristic is precisely what artists are attempting to achieve in their desire to shock, and this, many would argue, is exactly the purpose of art itself, especially in our contemporary world. Indeed, when engaging with the

Rembrandt was a great artist and a man of many talents; he could draw, etch and paint many different genres transitioning between them with great ease. He also suffered many hardships in his life, the death of all his children and his wives who perished before he did, as well as going financially bankrupt. Despite hard times, Rembrandt kept doing what he loved and used those experiences to explore the inner psychology of his subjects. The Wedding Feast of Samson and The Conspiracy of the Batavians

On the Boston College art history website they describe how David also uses some of the techniques of light and dark similar to the Entombment of Christ by Caravaggio. The light is softer as it hits Marat’s face and the light is harsher as it hits the weapon to accentuate the tragedy of the murder. David also keeps some of Marat’s body in shadow that allows for the viewer to feel compassion and outrage at different

Brunelleschi and Bernini represent two artists from two different eras that impacted Italy’s art and architecture. Brunelleschi was born under the name of Filippo di ser Brunellesco do Lippo Lapi during 1377 in Florence, Italy (“Filippo Brunelleschi”). Brunelleschi came from a middle class family, being that his father was a notary. While growing up, Brunelleschi received a formal education by taking math and literature courses; however, he always was drawn towards the arts and soon enrolled into

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The painting “Cathedral Street, Woolloomooloo” 56x29 cm was painted by Jeffery Smart. Jeffery Smart was born in Adelaide South Australia in 1921, he attended the South Australia School of Arts & Crafts, and he finished school in 1941. He had travelled and studied in Europe from 1948 to 1950. Smart was involved in many things such as making the Australia radio and television program the “ Argonauts’’ and also took a role in a program under the pseudonyms “ Phidias” , he as a writer for the Daily

Humanity as depicted by artists reflects the values of a society. Different ages have held different perspectives on humanity. These varying perspectives are displayed through the creation of each artist, writer, and composer. An era is described by what is produced in it; therefore, the ideas about humanity displayed in each piece of artwork are the same ideas that shaped a particular era. By examining components of the various pieces produced in an era, one can determine the majority view of humanity

Art unquestionably possesses the power to shock. During the entire course of history viewers have been shocked, distressed, affronted, and categorically outraged by artworks that were religiously, socially or politically thought-provoking. In general, this thought-provoking characteristic is precisely what artists are attempting to achieve in their desire to shock, and this, many would argue, is exactly the purpose of art itself, especially in our contemporary world. Indeed, when engaging with the

Christians of the time. To date, the two arts are considered the most imitated religious paintings of all time. With respect to the age of Baroque, I expect to unravel The Inspiration of Saint Mathew and Christ in the House of Mary and Martha. Caravaggio produced The Inspiration of Saint Matthew in the early 17th century (Cheremeteff, 2000). Diego Velázquez produced the second art during the year 1618. The two arts reflect a lot about the religious and cultural settings of the age of Baroque. For