Film Critique Essay

Hunter’s bold and hard to argue statement opening his compact argument exploring the idiocies of James Cameron’s high-earning film. In examining Hunter’s opinion, I come to terms with mine that will be a common trend with fellow-student Avatar viewers. Therefore, in my own words, I will briefly describe Hunter’s position, follow with my personal response to Hunter’s critique, and leave with a reflection of my opinion to show how hard it is to not fall for Hunter’s valid perspective. In my words

ensure viewers will be completely immersed in a film without focusing on the literal separation between the screen and the audience. However, with as much importance creativity is placed upon the film industry, profit is also a huge factor in the filmmaking practice. There are certain genres

In 2012, the Marvel Cinematic Universe, consisting of multiple extremely popular superhero films already, grew with the release of the smash hit The Avengers. The film rapidly became the third most popular film of all time and a huge success in fan circles. On the surface, The Avengers is the story of six superheros overcoming their differences to become a team in order to defeat an alien army, with a Norse God at its helm, from destroying Earth as we know it. Then again, The Avengers’ success and

changing. The main thing this movie did was critique society. Even though the Earth was destroyed in the first twenty minutes of this movie, the traditions of the Earth were constantly ridiculed through the science fiction aspect. One example of this can be seen through the alien creatures named the Vogons. The Vogons are fat, leathered skinned beasts that

To critique a film, we need to cover all aspects of the production. This includes narrative, acting, cinematography, editing, and music. The film for this critique is Hugo. Before we can get into critique, let 's get a quick plot summary. Hugo is a 2011 film directed by Martin Scorsese from an adaptation of Brian Selznick 's graphic novel The Invention of Hugo Cabret. The story is focused around a 12 year old boy named Hugo who lives in Paris in 1931. Hugo grew up with his father who is a clockmaker

The Fast and the Furious movie franchise was an unexpected hit when the first film was released. The movie is about Dominic Toretto, who is a street racing legend, teaching Brian O’Connor how to race and win them money and new cars. The only issue is Brian is an undercover cop who is investigating Dominic and his crew to solve the case about the occurrence of illegal hijackings of big rig trucks (“Plot Summary”). With such a simple plot line, no one expected this movie to take off and reach a huge

family members! Last summer during a visit to my native Mexico City, I had the opportunity to watch drag queens perform several numbers from the movie-musical. They did an amazing job, without surpassing the outstanding performances of the actors in the film. Last year, I visited NYC for the first time and indulged in the rows of the Ambassador theatre experiencing Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but

Shakespearean plays. Over the years, many of his works have been adapted and modernized throughout film and other various media outlets; Romeo and Juliet being one of the Shakespearean plays with the most adaptations, especially in film. Three of those films being Romeo + Juliet by Baz Luhrmann, West Side Story by Robert Wise, and Zeffirelli’s Romeo and Juliet. Though adapting the same story, the way these films modernize and update the original story of Romeo & Juliet are heavily influenced by the audience

Ramapo College Salameno School of Humanities & Global Studies Dr. Michael A. Riff The Holocaust & the Media (AMER309) Film Critique Name of Student: Karissa Mata Title of Film: The Search Plot Summary: The 1948 production, The Search, shows a glimpse of a Displaced Person’s life after the Holocaust, specifically orphaned Jewish Children, while depicting the United Nations Relief and Rehabilitation Administration’s role in post-war Germany. The director, Fred Zinnemann, displays the

The harrowing political systems within Fritz Lang’s film Metropolis (1927) and George Orwell’s 1984 position the reader to invest emotionally in the plight of individuals. The texts offer a critique on the composer’s social, historical and cultural context as a reaction to the repressive social conditions. Lang’s film focuses on the economic exploitation by the capitalist elite to convey the division of labour in the Weimer Republic and the need for social harmony. 1984 satirises the potential for