Film Director Essay

  • The Job of a Film Director Essay

    817 Words  | 4 Pages

    Job of a Film Director The film director has an elaborate job, classed as an art in its own sense. Its meticulous details and multi million dollar bills at the end make a director's job truly an art. How they can take the imagination and lay it on a roll of film is an array of elaborate casting, screening etc. and requires a special skill. The general meaning of the word director is:

  • Female Film Directors and the British Film Industry

    3301 Words  | 14 Pages

    essay I will be discussing whether female filmmakers in Britain find it easier to make a documentary feature than a fiction feature film in the current British film industry. I will be referring to the opinions and films of Kim Longinotto, Carol Morley, Clio Barnard and Alison Stirling. I will also be looking at the statistics from film festivals and the British Film Institute, and interviews with various British female filmmakers. I will argue that documentaries are easier to make due to them being

  • Essay on The Romantic Notion of a Film Director

    2217 Words  | 9 Pages

    intention of this essay is to discuss the romantic notion of a film director who has etched their own cinematic vision into the body of their film work, and whether the theory and practice is dead and an infringement of the spectator’s imagination and is it the spectator who finds meaning in the film. I will be closely looking at critical material, primarily André Bazin and Roland Barthes and applying them to several case study films directed by Christopher Nolan including The Following (1998), The

  • The Place of an Auteur Director in the Nigerian Video Film Industry

    3703 Words  | 15 Pages

    Introduction Films are the product of many individuals working together. This is evident in the credits that are scrolled at the end of each finished work. I could easily say that it takes a village to make a movie. Consequent upon the above stated, it becomes shocking to find out that there is a significant tendency among film scholars to treat films as the product of a single individual. To toe this line of interpretation goes to mean that the director of the film is the creative intelligence

  • How Did Directors And Film Execution Begin?

    1365 Words  | 6 Pages

    Introduction Directors demand their films to be felt. What’s the point of creating a film if it doesn’t invoke thought or feelings? Hence the discussion of filmmaking and the important role the director has in executing a film as a body of work and or art form. However, one has to ask, how did directors and film execution begin? 1829 was the year of inspiration in reference to illusion and or motion. The first ever phenakistiscope or phenakitiscope was created to portray a moving picture which

  • The Film Crash Was Released By Director Paul Haggis

    946 Words  | 4 Pages

    In 2004 the film Crash was released by director Paul Haggis. What only started as a “passion peace,” would eventually receive extreme praise. Many people loved the racial and social tensions depicted in the film, and it eventually won three academy awards. Personally, the movie made me consider how much tension and animosity there is because of race or religion, not just across the world, but specifically America. Despite efforts to try and ignore these differences, it seems as though they are

  • Christopher Nol An American Film Director, Screenwriter, And Producer And Auteur.

    847 Words  | 4 Pages

    Laksamana Riadi Jeff Crum Film 1 6 December 2015 CHRISTOPHER NOLAN Christopher Nolan is considered an English-American film director, screenwriter, and producer and Auteur. Nolan is a man of talent who is known as one of the smartest, most creative, and successful directors in the film industry today.He is widely recognized after his first successful feature movie Following(1998),a noir thriller film.Which was recognized at a number of international film festival.Common themes and actors can be

  • How Does the Director Try to Build Suspense and Scare the Audience in the Film Jaws?

    2614 Words  | 11 Pages

    How does the director try to build suspense and scare the audience in the film Jaws? The film Jaws, directed by Steven Spielberg, was created approximately 30 years ago. It tells the story of a shark which attacks and kills numerous people off the north-east coast of the USA in a small holiday resort called Amity Island. The attacks took place around the 4th of July, which in America, is similar to the British bank holiday. During this time, many Americans and tourists from abroad visit resorts

  • The, The Director And Narrator Of The Film, By Jamie Johnson

    1528 Words  | 7 Pages

    In the documentary The One Percent the director and narrator of the film, Jamie Johnson, gives viewers a thought provoking look inside some of the wealthiest families in America. Johnson comes from old money. He is the great-grandson of one of the brothers that founded Johnson and Johnson Pharmaceuticals and his father inherited a fortune of one billion dollars. In the documentary, Jamie Johnson takes on the character of a filmmaker seemingly disinterested by his and his family’s overly abundant

  • Essay on Film Auterism

    1347 Words  | 6 Pages

    defined as a French term for the film director who places a personal style on his or her films. It was first coined by Francois Truffaut to describe the mark of a film director on his films. A director can be considered an auteur if about five of his films depict a certain style that is definitely his own. In other words, much like one can look at a painting and tell if it is a Monet, a Renoir, or a Degas, if a film director is an auteur, one can look at his film and tell by style and recurring themes

  • Analysis Of Alfred Hitchcock 's Use Of Mis En Scene

    1312 Words  | 6 Pages

    The story line of a film can be regarded as an important criterion when selecting an audience’s preference. Yes, the plot is critical when it comes to sitting still for 2-3 hours straight. However, the excellence of that, sparks from daring and theatrical ideas that directors build on through detailed and carefully constructed forms of art. Mis-en scene forms the basis of a films captivating ability, which can be furthered through auteuristic skill that a director projects. It is a combination of

  • Film Autuerism Essay

    1302 Words  | 6 Pages

    Film Autuerism Auteurism is a term first coined by Francois Truffaut to describe the mark of a film director on his films. A director can be considered an auteur if about five of his film depict a certain style that is definitely his own. In other words, much like one can look at a painting and tell if it is a Monet, a Renoir, or a Degas, if a film director is an auteur, one can look at his film and tell by style and recurring themes that it was made by a certain director. In auteur films, the

  • Spike Lee - Auteur Essay

    1069 Words  | 5 Pages

    is a director who personal creative vision and style is expressed through films. The term auteur is originated in France and is French for author. There are different ways in which a director can express their vision in films and show who they are. There are many directors that are considered to be a auteur such as: Quentin Tarintino, Tim Burton, Kathryn Bigelow, Stanley Kubrick and Woody Allen. The director I have chosen as an auteur is Spike Lee. Lee’s Life: Spike Lee is an American film director

  • Analysis Of Fight Club And The Girl With The Dragon

    990 Words  | 4 Pages

    How David Fincher uses colour in the film Fight Club and how this is used to influence the viewer. Colour in film is very important, it can change the mood of the film, influence viewers emotions as they watch, can be used as symbolism and can even teach the viewer in a very short time to expect something to happen when a certain colour is shown. The Director of Fight club and other films such as Se7en and the Girl with the Dragon tattoo, David Fincher is very well known for working closely with

  • Essay on What is an Auteur?

    1426 Words  | 6 Pages

    detailed reference to one film director: Alfred Hitchcock Studies of the Auteur Theory in film have often looked toward Alfred Hitchcock as an ideal auteur: an artist with a signature style who leaves his own mark on every work he creates. According to the theory, it does not matter whether or not the director writes his own films, because the film will reflect the vision and the mind of the director through the choices he makes in his film. In the case of Hitchcock’s earliest films when he was still under

  • Mary Shelleys Frankenstein Com Essay

    917 Words  | 4 Pages

    In Kenneth Branaghs film Mary Shelley’s Frankenstein, the director, Kenneth Branagh sticks to the major themes of the original book with minute changes. There are many similarities and differences between the book and Kenneth Branagh’s adaptation of the book. I believe Mary Shelley wanted readers to catch the themes of child abandonment, presented in Victor abandoning his creature. She also wanted readers to have compassion and sympathy for the abandoned creature that Victor

  • Peter Medak's Gain of the Viewer's Sympathy for Derek Bentley in the Film Let Him Have It

    1454 Words  | 6 Pages

    Peter Medak's Gain of the Viewer's Sympathy for Derek Bentley in the Film Let Him Have It The film 'Let Him Have it' is a powerful social drama based on a true story. The film's Director, Peter Medak, made this film in 1991 because he thought the judicial hanging of Derek Bentley in 1953 was a grave miscarriage of justice. Peter Medak, like many film directors, used his bias to show his sympathy to the viewers, probably in the hope that the he could pass his sympathy on

  • Review Of ' Gone Girl '

    1188 Words  | 5 Pages

    Cassidy 12B 2015 Sir Alfred Hitchcock, director of several of the very first thriller films including his silent film The Lodger (1926), is believed to be the “Master of Suspense” (Ramirez Berg, 2015). Hitchcock was integral in creating the codes the codes and conventions of the thriller genre. These codes and conventions can be seen in some of Hitchcock’s films such as Vertigo (1958), Rope (1948) and Psycho (1960) as well as in every other thriller film. Some other conventions of the thriller

  • The Director Is The Conductor And The Audience 's Feelings

    1347 Words  | 6 Pages

    In cinematography, as Quentin Tarantino talks about in an interview, the director is the conductor and the audience’s feelings are the instrument that directors utilize to evoke emotion. Directors have to hone this skill in order to evoke the viewer’s emotions and properly captivate the audience. One of the tools directors use to control the audience, in addition to special effects, is dialogue. Dialogue has the power to push an audience to tears when a character dies, or make them laugh at the same

  • Career Prospects Vary For Me

    872 Words  | 4 Pages

    Career prospects vary for me, as I am interested in numerous departments in film, such as acting, cinematography, screenwriting or directing. Film directing is what I currently feel most strongly about. A film director is the person who is solely responsible for visualizing the script from casting, to shot direction, camera angles, etc. The screenwriter is the person who develops and textualize characters and concept through a script to be sold off to a producer, with the end goal in it becoming

  • Reliability of the Media Essay

    947 Words  | 4 Pages

    edited to create a “news item”. Many times a station has to retract statements due to over-embellishment. The whole point in their doing this is to maintain an audience. Movie directors are masters of this technique. Movies based on historical events usually rely heavily on dramatization. It is the job of a movie director to gain and maintain the interest of the audience. As an audience we tend to take what we view as truth. Sometimes the dramatization is so extreme that the fictionalization masks

  • Juno Design & Mise-En-Scene Essay

    1378 Words  | 6 Pages

    and the visual design of a film. In the film, Juno (2007) Directed by Jason Reitman, it starts off showing a pregnant teen walking down a pathway with a sunny d drink, this shows the audience that the director is trying to tell us that Ellen Page is the main character of this film. The directorial decisions made in this film can be analyzed only if the audience catches what the director is trying to say or make us see. From the lighting to the composition of the film it can set up the mood that

  • Movie Review : Film Minority Report Directed By Steven Spielberg

    1069 Words  | 5 Pages

    Steven Spielberg released in 2002. In the entire review of this film, I will be discussing some specific aspects such as few scenes from the movie, some technical aspects and the intended audience of the film. In addition I will add my own opinion to all the aspects throughout this paper. Finally I will round off my review by concluding why this film is worth of watching both for personal entertainment and academic purpose. In this film Tom Cruise plays the role of protagonist as Chief John Anderton

  • Big Fish Film-Book Comparison Essay example

    809 Words  | 4 Pages

    Big Fish, and the Film For the past few weeks, I have analyzed the storytelling style of the book and film Big Fish. The biggest difference I noticed was that I thought that the book focused more on the telling of Edwards inane stories, while the film was mostly centered around character development and relationships. I also think that while the book was very euphoric and felt like a children’s bedtime story, the film took a much more

  • The Film Hamlet By William Shakespeare

    1276 Words  | 6 Pages

    The film Hamlet by William Shakespeare was made by two directors in two different versions which one was Kenneth Branagh and the other Franco Zeffirelli. By watching the four scenes of the play of the two versions, the viewer has come up to the conclusion that Kenneth Branagh’s version best captures the essence of the play in terms of costume design, acting, directing, and cinematography. The directing and cinematography in Act IV, Scene V the Ophelia Madness Scene as well as the acting

  • Forbidden Love : Shifting Gender Roles And East Asian Cinema

    1275 Words  | 6 Pages

    Forbidden Love: Shifting Gender Roles and East Asian Cinema The film world is often known for borrowing content from the actual events that occur on Earth. Popular genres such as documentaries, historical dramas, and war films generally draw directly from real-life events, even if the characters or dialogue may be imaginary. However, these realistic pictures are not the only way that real-life leaks into the on-screen world - filmmakers and producers often borrow from contemporary issues such as

  • Analysis Of Christopher Nolan 's ' The Dark Knight Trilogy '

    963 Words  | 4 Pages

    My opinion, an auteur is a director who leaves a personal message or impact on the films they’re working on. Not only visually, but also utilizing their techniques and motifs which are always used in films. The director I have chosen to write about is none other than Christopher Nolan. I chose to write about him not just because he did one of my favorite superhero movies of all time (The Dark Knight Trilogy), but he is one of my favorite directors of all time. After reading Andrew Sarris article

  • The Director Is The Conductor And The Audience 's Feelings

    1377 Words  | 6 Pages

    In cinematography, as Quentin Tarantino discusses in an interview, the director is the conductor and the audience’s feelings are the instrument that directors utilize to evoke emotion. Directors have many tools they use to evoke the viewer’s emotions and properly captivate the audience. One of the tools directors use to control the audience, in addition to special effects, is dialogue. Dialogue has the power to push an audience to tears when a character dies, or make them laugh at the same scene

  • Film Analysis : Plastic Planet

    1123 Words  | 5 Pages

    The film Plastic Planet takes an in- depth look of our modern world and it’s major production and consumption of plastic. Released in the year 2010, director Werner Boote reminisces on the time spent with his most memorable childhood figure, his grandfather. Whose fascination at the time was focused toward the production of plastic and what it held for the future to come. This fascination carried on into Boote’s adult life and after considerable research formed from around the world spurred him to

  • Kubrick Lives Essay

    1157 Words  | 5 Pages

    The theory of authorship as applied to film directors is a subject that is argued extensively throughout the film world. The auteur theory was first introduced in the French film journal Cahiers du Cinema. Andrew Sarris who suggested that there are a group of filmmakers who fit into this category brought the theory to America. It states that in order for a director to be considered an auteur, there must be a consistency of style and theme across a number of films. Very few contemporary filmmakers fit

  • An Auteurist Critique of The Life Aquatic with Steve Zissou Essay

    999 Words  | 4 Pages

    Anderson is a world-renowned filmmaker known for creating vividly colorful films that are consistent with his auteur signature. Though he has only directed 7 films (not including his upcoming film and two short films), he is a perfect example of how even a small body of work can demonstrate auteur theory. Anderson’s films have frequent themes, visual and methodological style and he even uses a lot of the same actors in most of his films. The Life Aquatic with Steve Zissou (2004) is a great example to demonstrate

  • Analysis of John Singleton's Film Boyz N the Hood Essay

    696 Words  | 3 Pages

    Analysis of John Singleton's Film Boyz N the Hood The director and screenwriter of the 'Boyz N the Hood.' John Daniel Singleton. The 34 year director, who was born January 6, 1968, in Los Angeles, CA. This black African-American director who won several awards as a screenwriting students at USC. Singleton's assured a directorial debut, Boyz N the Hood. An urgent, powerful coming-of-age tale, the film found a spark of hope amid its bleak, violence-ridden south central

  • Stanley Kubrick's Dr. Strangelove Essay

    925 Words  | 4 Pages

    Kubrick is infamous for his witty films that satire governmental and societal actions though history. In this film, Dr. Strangelove, Or: How I learned to Stop Worrying and Love the Bomb (1964), Kubrick is once again directing a film that is a biting, sardonic comedy that pokes fun at the nuclear fears of the 1950s. The screenplay for the movie was written by Stanley Kubrick and Terry Southern, and was based on the novel Red Alert written by Peter George. In this film, which is classified as a black

  • Analysis Of Akira Kurosawa ( 1910-1998 )

    1411 Words  | 6 Pages

    one of Japan’s most important film directors of the twentieth century. His work spanned over fifty years and included a broad range of genres from historical epics to gangster dramas. His films not only told interesting stories but also broke new ground. Many of his innovations were technical, such as his use of the long lens, his penchant for shooting with multiple cameras, and his virtuosic editing. Other innovations were tied to his emphasis on details within his films, such as elaborate period costumes

  • Review Of Stanley Kubrick 's ' Redrum ' Scene From The Renowned Film ' The Shining '

    1155 Words  | 5 Pages

    consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed

  • The Cove Analysis Essay example

    1445 Words  | 6 Pages

    The Cove: Analysis of Rhetorical and Cinematic Strategies The general reason for a documentary is to put forth factual information while attempting to convince the viewing audience of a specific point of view. The film crew behind ‘The Cove’ does this in a way that is informative and accurate, while presenting the information in a manner that allows the viewer to draw their own opinions. ‘The Cove’ follows famous Dolphin Trainer-turned-activist Ric O’Barrey into the dangerous land of Taiji, Japan

  • Understanding Do The Right Thing

    1250 Words  | 5 Pages

    marked a decline in movies featuring black actors and a lack of black directors, the mid 1980’s through the 1990’s invited a new generation of filmmakers and rappers, engaging with the “New Jack” image, transforming the Ghettos of yesteryears into the hood of today. A major director that emerged during this time was Spike Lee. According to Paula Massood’s book titled, Black City Cinema, African American Urban Experiences in Film, “…Lee not only transformed African American city spaces and black filmmaking

  • The Explorations of Structure Essay

    1332 Words  | 6 Pages

    Since the inception of the motion picture, business has served as the primary influence on the entertainment industry. Although film allows for freedom and experimentation within storytelling techniques, the classical Hollywood cinema style emerged as the front runner of cinema; it told a story, it made money, and it entertained. However, this became stagnant and formulaic, artists not only wanted to entertain, but to provoke and inspire viewers. This mindset is what inspired cinematic innovation

  • The Simplest Form, By Francois Truffaut

    2158 Words  | 9 Pages

    In the simplest form, an “auteur” is the author of a film in which who writes and directs their own films and which are usually very unique. The word auteur originated in France and is the outline for an abstract approach to film making where as the director is seen as the central artistic force in a motions picture. The word auteur was introduced in France during the late 1940’s founded by François Truffaut who was a French director turned Auteur however Andre Basin would be categorized as the “father

  • Stan the man kubrick Essay

    1626 Words  | 7 Pages

    from a film and a classic. There are concrete elements that can be found in all classics that make it such a powerful and remarkable work. One of these elements is undoubtedly the concept of the auteur theory. The Auteur theory is described as a filmmaker, usually a director, who exercises creative control over his or her works and has a strong personal style. Next to this definition should be the line “-for more help see Stanley Kubrick.” He exemplifies all the characteristics of not just a film director

  • Movie Analysis : Black Swan And Gone Girl

    1921 Words  | 8 Pages

    The directors Darren Aronofsky and David Fincher key concern in Black Swan and Gone Girl are to convey how destructive, unhealthy relationships can be to women. Women have become dependent on the peoples in their lives for their sense of purpose. Both films depict women in a negative way. In fact, each film suggests that women can be adversely impacted by the relationships they have with others. In each film, the women characters are dependent on a strong character whom they rely on mentally and

  • Pedro Almodovar Auteur

    1725 Words  | 7 Pages

    A film that I found to be interesting and entertaining was Volver (2006) by Pedro Almodovar. Almodovar is a director that received acclimates of being a very distinct auteur very early in his career. Almodovar’s style and influences are prominent all throughout Volver. I will be discussing Volver and how it has become a typical icon film of Almodovar’s work. Many of Almodovar’s film are reflective of his upbringing. Almodovar said, “You can say my films are melodramas, tragicomedies, comedies or

  • Hamlet: Zeffirelli vs. Branagh Essay

    922 Words  | 4 Pages

    to bring something unique and unmarked to the focal character. Franco Zeffirelli and Kenneth Branagh, both film directors, introduce varying levels of success on the screen through downright differences in ways of translation and original ideas. Zeffirelli’s much shorter interpretation of the film is able to convey the importance of Hamlet as a masterwork by using modern approaches to film but still capturing the traditional work behind Shakespeare’s well-known play. Zeffirelli’s 1990 “Hamlet”

  • Evaluation Of Alfred Hitchcock, Dial

    2970 Words  | 12 Pages

    change the way we view film. More so, an auteur has the incredible responsibility of changing the way we look at the world and that is their greatest goal. Alfred Hitchcock is a director and artist in his own right as he needs little introduction to most moviegoers. His work as a creative entrepreneur during his time in the budding age of film has created a series of classics that continue to define a standard in crime, thriller and suspense cinema. As many early critics of film were skeptic of their

  • COM3703 Portfolio examination

    3326 Words  | 14 Pages

    INTRODUCTION This portfolio is a summary and conclusion on media studies relating to media content and audiences . The purpose of the portfolio is to outline how media , through quantitative and qualitative analysis , are able to produce meaning. Film theory and criticism is relevant to content analysis as it best illustrates the difference between media content , media form and media substance ,this topic will be discussed as it emphasises the way in which content , form and substance contribute

  • Analysis Of The Film ' Les Glaneurs Et La Glaneuse

    1371 Words  | 6 Pages

    Making an impact on their viewers is something documentary directors have always strived for. This is exactly what Agnès Varda, a French filmmaker often associated with the French New Wave, does in 2000, at the age of 70, in her first digital film, Les Glaneurs et la glaneuse, a documentary about gleaning in all its possible different forms. In order to convey her ideas about gleaning in her documentary Les Glaneurs et la glaneuse, Varda uses both technical tools and thought-provoking content. This

  • Violence, a theme in the Movie "The Shining" Essay

    728 Words  | 3 Pages

    Technical Essay Director: Kubrick, Stanley Movie: The Shining Sources: “Understanding Movies” For my technical essay I am going to talk about the movie "The Shining". I will explore in this essay I am going to set to prove that Stanley Kubrick is trying to prove that violence can happen when you are lefted alone and isolated. I use a screen from 1:43:44 to 1:53:08 to prove this point. This scene is about when Wendy looks though Jacks work and is scared though the

  • Cinematography And Music : Kill Bill

    1074 Words  | 5 Pages

    Cinematography and Music Kill Bill: Vol 1. (2003) is a film directed by, the famous, Quentin Tarantino. From start to finish, it is packed with action and excitement. This movie has a plethora of interesting elements. Yet the cinematography of Kill Boll: Vol 1. is one that makes history. Not only does it have camera angles unlike any others shown in a normal film, but it keeps the audiences’ attention. The unique choice of music adds originality to the film. For a movie with such a serious storyline, the

  • Technical Reading : My Sisters Keeper

    2807 Words  | 12 Pages

    Technical reading: My Sisters Keeper A technical reading is where the film maker’s intentions are explained through the technical devices of a film. Nick Cassavetes (the director) was able to explain to us that even though Kate was sick she was happy. In one of the scenes where Kate is sitting outside cooped up in a blanket although she was looking pale and unhealthy she was giggling like she was 5 years old blowing bubbles into the sky. He proved his point to us through the way that he used a close

  • Comparing Akira Kurosawa 's Yojimbo And Sergio Leone 's A Fistful Of Dollars

    2023 Words  | 9 Pages

    similarities between Akira Kurosawa 's Yojimbo and Sergio Leone 's A Fistful of Dollars are undeniable and yet both films reached similar levels of success in their respective nations. In fact, the films were found to be so analogous that Kurosawa is known to have sued Leone for the unlicensed production of his film. All of this aside, it is the differences between each of these films that reveal the most about the cultural nuances between each nation at the time. Although A Fistful of Dollars follows