Jazz Concert Essay

and the orchestra itself. The musician’s capability to perform lengthy pieces of music was also a part of the astonishing experience. To conclude a night of emotion the concerts final performance was a piece by George Gershwin, “An American in Paris” A piece heavily influenced by modern time music that expresses freeway. The concert had an overall reconstruction of American identity theme integrated within each selected piece. Bernstein and Kurth were two of the talented and gifted composers of the

which named The Four Elements (2015) of Victor Herbiet composer. The third part was Six Caprices - a writing song included six movements of Pierre Max-Dubois. Last but not lease was a sonata which had three movements – Fuzzy Bird Sonata. The concert opened with Indian Hedgehog (2015). It was a significant work because it was a sonification of the gene Indian Hedgehog (IHH), which shows our branches and digits where they should go as we develop in the entrails. The composer “translated” gene with

‘So What’ Miles Davis Solo Analysis Miles Davis’ solo is very minimalistic mainly using crotchet and quaver rhythms throughout with the occasional triplet or semiquaver grace note. For the A sections of the first chorus he bases phrases around the minor pentatonic scale. He develops his opening motif (bar 2 of A1) in bar 4-7 returning to the root (E) in between each ascending then descending phrase going up to the 7th (D) in the final variation of the motif. The phrase lengths are irregular; Davis

revolutionised jazz music in the early 1920’s, Piano has played a vital role in the development of Jazz music with greats such as Duke Ellington influencing jazz from the start of the swing era (Gioia, 2011). Jazz Pianists were often on the forefront of the ongoing development of jazz music. However, when the bebop era dawned, piano seemed to move into the background, with people like John Coltrane and Miles Davis leading the charge. However, this did not mean the piano disappeared, far from it; Jazz music

The musical genre, reggae, was originally coined in the 1960s. Derived from rege-rege – Jamaican for “rags or ragged clothing” – the genre was used to describe the raggedy music style found in Jamaica at the time. Reggae incorporates the traditional Jamaican music such as mento and ska, rhythm & blues, and rocksteady. Ska characteristics such as the walking bass line of the guitar and piano off-beats are used in reggae. However, ska is much faster than reggae, so the use of rocksteady in the genre

Radio initiated in the latter portion of the 1900’s, a race war and world war shattered America was becoming gradually different than any time in her history. Thanks to the radio and its widespread adoption across the country as the collective form of mass media and entertainment. “The world of fantasy created by commercial radio programming was the most popular medium of entertainment in the United States from the 1920s until the 1950s. Tens of millions of citizens tuned in thousands of stations

Music is a magical piece of history, and has changed throughout history with the changing of generations. As culture changes music changes as well. Artists have found a way to use music, art, and fashion throughout history as a way to convey feelings of love, sadness, frustration, and death. Musicians find a way to move their listeners with the sounds they hear. With every rise and fall of a note and change in melody or tempo, listeners find themselves holding their breath or possibly wiping away

Progressive, and so inadequately described. It’s no wonder that with his transformation into electric experiment, Miles lost a huge share of the loyal audience who had been following his earlier career. This new electric music dared to shed a "jazz" sound to integrate the highly charged, youthful raw power from rock and funk. Ignoring barriers, this music refuses to stay in any "proper" place. Besides being multicultural, it makes an even bigger transgression: it is

The Grinnell Symphony Orchestra’s concert with cowboy singer Dave Stamey was billed as an intriguing and thought-provoking junction between the genres of classical and Western. The mix of traditional cowboy music and orchestral arrangement had the potential to highlight the strengths of the performers and genres; it was certainly interesting to hear songs typically performed solo being played with a full orchestra, but a number of red flags popped out immediately and ended up spoiling the experience

musical talent and he began private voice lessons in 1922. He continued to study music and voice throughout his formal schooling. Despite his parents ' and teachers ' disapproval of jazz, Calloway began frequenting and performing in many of Baltimore 's nightclubs. As a result, he came into contact with many of the local jazz luminaries of the time. He counted among his early mentors drummer Chick Webb and pianist Johnny Jones. After his graduation from Frederick Douglass High School,Calloway joined