Moliere Essay

social hierarchy, social mobility, and gender roles in various ways. With that in mind, they become good sources to compare and contrast the changes in society that occurred within those 100 years. This paper will compare both plays to examine how Molière further endorses the social values and ideas of his time, while Beaumarchais’s presents a shift in attitude towards those values and challenges them. Before delving into the analysis, it is important to establish some context of the time that Molière’s

Tartuffe is one of the most famous comedies written by the French playwright Molière. The play tells the story of a wealthy Frenchman named Orgon who takes in Tartuffe, a man who presents himself to be religious and passionate but actually turns out to be a hypocrite. Despite his family’s warnings, Orgon completely turns his back on his family in order to protect Tartuffe, who betrays him. During that time the play was first written and performed, many people, along with King Louis XIV himself, enjoyed

French: Tartuffe, ou l'Imposteur, pronounced: [taʁtuf]), first performed in 1664, is one of the most famous theatrical comedies by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles. © Google, for the Facts :D PLAYWRIGHT : Molière Who is Molière ? - Molière is an author who’s genre are Literature and Fiction, born in Paris, France wayback January 15, 1622. THEME : Religion, Ambition,

On Saturday, December 3rd at 4 pm, I watched the play “Tartuffe” at York College. “Tartuffe” is a classic French play written by Moliere. It was originally named “Tartuffe, ou I’Imposteur”. And it was first performed in 1664. The play is a comedy that centers around the character Tartuffe who is a hypocritical holy man. Throughout the play Moliere indirectly tackles many societal problems in his time. The play starts in Orgon’s house. Where him and his mother (Madame Pernelle) are having a

Criticism of Religious Hypocrites in Tartuffe           Moliere rocked the 17th century French world with his comedy "Tartuffe" in 1664. Although, religious factions kept the play banned from theatres from 1664-1669, "Tartuffe" emerged from the controversy as one of the all-time great comedies. Tartuffe is a convincing religious hypocrite. He is a parasite who is sucking Orgon, the rich trusting father, for all he is worth. Orgon does not realize that Tartuffe is a phony, and caters to his

the idea of religion can be a point of contention, in the past centuries it was a center of all human interaction. Moliere introduces a new outlook on religion in his published 1669 play Tartuffe. Following the household of Orgon and their interactions with a con-man, Tartuffe, disguised as a holy man. Orgon himself is completely oblivious to Tartuffe’s true nature (Gainor 539). Moliere uses this play as commentary on the society he finds himself in, 17th century France. A time between the Renaissance

Austin Minton Comparative Literature Professor Willingham HW 1C In March-April 1664, Molière wrote a first Tartuffe, in three acts, at a time when devotees gathered around the powerful Company of the Blessed Sacrament of the Altar, are shocked by the privacy of Louis XIV, lover Mademoiselle de La Valliere. On the Pleasures of the Enchanted Island in May of the same year, the sumptuous feast given by King in Versailles, Molière's play The Princess of Elis, The Unfortunate and Tartuffe. This last

pious and holy man whose every action is based to please God and follow religion tirelessly. “There has been no loftier soul since time began” claimed Orgon (Molière, 2016). We then realize this man does quite the opposite and “[Tartuffe] has proved his warm and grateful feelings toward [Orgon], it’s with horns he would reward [Orgon]” (Molière, 2016). He uses the mask of being religious to weasel his way into gullible people’s lives such as Orgon, then take full advantage of them and call it holy

Feminism During the Enlightenment in Molière's Tartuffe Women have been the most discriminated-against group of people in the entire history of humankind. They have been abused, held back in society, and oftentimes restricted to the home life, leading dull, meaningless lives while men make sure the world goes round. It seems strange that half of the world's population could be held down so long; ever since the dawn of humanity, women have been treated like second-class citizens. Only in the

Myrna Kogan Zwillenberg’s article “Dramatic Justice in Tartuffe” examines the all-powerful king’s theatrical resolution of the story of “Tartuffe”. Zwillenberg writes “It is so unexpected as to cast doubt upon the dramatic coherence of the entire comedy” (583). Zwillenberg concludes that the “deus ex machina” (583) ending not only brings closure to the stories of Orgon and Tartuffe, but also restores the comedic equilibrium that is upset by Tartuffe throughout the play. I agree in full with Myrna