Neorealism Essay

("realism") movement, from which it originated, but differed in that its upsurge resulted from the intense feelings inspired by fascist repression, the Resistance, and the war. Italian aesthetic movement that flourished especially after World War II. Neorealism in film embraced a documentary-like objectivity; actors were often amatuers, and the action centred on commonplace situations. Often crudely and hastily made, Neorealist productions stood in stark contrast to traditional escapist feature films.

Neorealism, as the name suggests, is a new realism. Louis Giannetti gives a definition in the book Understanding Movies that “Strongly realistic in its techniques, neorealism emphasized documentary aspects of film art, stressing loose episodic plots, unextraordinary event and characters, natural lighting, actual location settings, nonprofessional actors, a preoccupation with poverty and social problems, and an emphasis on humanistic and democratic ideas.” (Giannetti, 2004, 538). Bicycle Thieves and

Italian Neorealism, French New Wave Directors, and Dogme 95 filmmakers were three very important movements in cinema. The first very movement was called “neorealism” which lasted from 1944-1952 and reacted to the dominant mode of Italian cinema which was based on a fascist regime but also dealt with the socio-economic conditions from post world war 2 in Italy. The second movement began around 1958 and was called the “French new wave directors” and reacted against the industries lack of quality and

During World War II many films in Italy the Italian community created a new type of genre for that specific decade called Italian Neorealism.The Neorealism genre was a style of film characterized by stories done by the poor and working class. These movies were typically filmed on location meaning not in a studio but rather at a real place and used nonprofessional actors. The films themselves contended with the difficulty of life post World War II. The early films were about social issues and war

deeply moving neo-realist films of the 1940’s focused on the state of Italy in the aftermath of WWII, which depicts one man’s loss of faith and his struggle to maintain personal dignity in poverty and bureaucratic indifference. The director use neorealism in this film to show the working class life, set in the culture of poverty, and with the implicit message that in a better society wealth would be more evenly distributed. The majority of the movie is focused around the bicycle. The main character

I.6.1.1. Neorealism Neorealism is an attempted perfection to classical realism paradigm/theory. It focuses more on the structure of the international system apart from its classical form. This is why neorealism tries to explain outcomes in international politics through the structural form of international system. Kenneth Waltz, the ‘father’ of neorealism, believed that two things are especially noteworthy about the international system. Firstly, the international system’s ordering principle is anarchy

Final Paper Early documentaries, like those done by Robert Flaherty have similarities with the Italian neorealism films, especially by those of Vittorio De Sicca. De Sica pulled documentary filming techniques to make his films seem realistic and to almost have a documentary feel to them. Italian neorealism rejected the opulence of Hollywood and instead only wanted to portray real people and their struggles. To do that De Sica borrowed some techniques that made Flaherty’s films so successful and

than in their own backyard. This is an example of Globalization. By examining it through Neorealism, one can better understand its prevalence. Neorealism primarily centers on the importance of the structure of the international system when explaining the events in international politics. It states that a state’s position in the international system determines its actions and behavior. The father of Neorealism, Waltz, stated in the Journal of Politics and Society that, “different international relation

that were beginning to come into play in Europe. There were countries that had been destroyed by the war economically, structurally, and governmentally. Italy was no stranger to these harsh realities and through these unharmonious times there was a neorealism movement in cinema that some argue showed the true bitterness of what war can do to a country through their own lenses. In films like Bicycle Thieves directed by Vittorio De Sica, you are taken inside the competition for employment and shown the

is famous for its neorealism that reflects the post-war Italian society. In the following essay, I’m going to discuss how did De Sica use the cinematography skills to strengthen his expressions in Bicycle Thieves, and the ways he conveys the meaning of the film. De Sica claimed a film is “reality transposed into the realm of poetry” (Turan 103). So, the principle of his directing is to be genuine and realistic. This shares some similarities with the ideas of Italian neorealism. According to ‘Ten